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SNOW WHITE story
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I chose Snow White from the original myth whose character is changed by the author in both Neil Gaiman’s Snow, Glass, Apples and also in Tanith Lee’s Red as Blood. Traditionally Snow White is an innocent and pure child who has all the good inside her. In these postmodern rewritings of myths, the story is told from the stepmother’s point of view who is now not the villain of the piece. In Snow, Glass, Apples the Princess is rather the antagonist. From the first appearance of the Princess, we learn that she is rather pale and has a black hair and has lips red as blood. She has sharp teeth. Her characteristics here is depicted as a scary character. The mood becomes dark and frightening as she enters in the piece. She goes to the Queen’s room
The snow woman, a short story written by Norah Burke, brings the reader into the lives
Citizen Kane and Snow White When one thinks of comparing Citizen Kane to other great movies Snow white and the seven dwarfs is usually farthest from mind. The movies seem at first to be complete opposites. However the movies are very similar on many key points. Both movies were made at the end of the Great depression and were innovators in many ways, but people’s reactions to them differed greatly in key areas.
Characterization: How is the princess portrayed? Do you feel sympathy for the princess? Why/why not? Is she a round or flat
“Bones” a modern recall of the French folktale “Bluebeard” has several parallels to the original story. In both “Bones” and the original folktale Bluebeard is a murderer who slays his wives after they discover the bones of their predecessors in a forbidden room. The motif of a key, stained in blood, which can’t be washed off and a fairy is present in both stories. The author also alludes to a story within a story when the protagonist of “Bones” states “I couldn’t quite remember the story…dying girls [and] the key had blood on it” as she struggles to remember the original folktale (123). This allusion is also shown when she states “he said he named himself for bluebeard” (123). “Snow, Glass, Apples” also draws from the original version of Snow White but also makes several changes. The poisoned apple motif is a constant in all versions of the story. However, in the original version the queen’s motives for poisoning Snow White are to kill her so she can remain the most youthful, and beautiful. However in “Snow, Glass, Apples” the queen has to kill Snow White so she will stop killing the merchants and forest-folk who contribute to her kingdom’s economy. These parallels to the original stories make them worth reading because the characters and storylines are already familiar to the reader. The authors then take this a step forward by relating the stories to real world issues.
This creates sinister predators within her short stories through the use of empowering and dangerous women. in ‘The Snow Child’, the use of subversion turns the traditional fable of Snow White’s existence from maternal desire into a child who is the product of paternal desire and sexual fantasy. The original tale of Snow White explores a queen who is driven by her desire for beauty and youth, this is similar within ‘The Snow Child’ as the Countess becomes jealous of the child as the Count begins to favour her. The countess and the child are portrayed as binary opposites throughout the story; as one is clothed, the other is naked. This could reflect the importance of appearance within society, and explain the Countess’ antagonistic response to the child and acts of neglect due to her jealousy of the child’s beauty. Carter’s description of the Countess’ clothing leaves the reader with an idea of her dangerous nature; she wears “pelts of black foxes”, an association suggesting a predatory and cunning nature. She also wears “scarlet heels, and spurs” and it may be that the colour of the heels comes from the actions of the spurs, which adds to this idea of violence. We see this nature when she is threatened by the child regarding the Count’s affections, “wife” becoming “the Countess” in a shift emphasised by finally having her own thoughts and feelings in the
Due to the frequent loss of wives, husbands often remarried to have someone who will take care of his household and provide him with even more children, resulting in commonness of stepmothers. This occurred so often that there is a Freudian term that was derived from the situation. When a mother is lost and then the child is “introduced to a stepmother (…) the child would associate the good qualities of both mothers with the birth mother and all of the bad or negative qualities with the stepmother. This is called splitting and it sets up the idea of the ‘wicked stepmother’ that has come to be a staple in many fairy tales” (Saunders 26). Due to the historical background and social roles during the time that the Grimms wrote “Snow White”, Snow white was seen as a threat to her stepmother because she was already seen as an adult who could use her beauty to a weapon to get what she
Joosen, Vanessa. “Disenchanting the fairy tale: retellings of ‘Snow White’ between magic and realism.” Marvels & Tales 21.2 (2007): 228+. Literature Resource Center. Web. 22 Mar. 2010.
A reoccurring theme in today’s society is turning once great, but now outdated movies into big screen productions. These updated movies include better graphics and modern actors, but tend to greatly stray from the original film. An example of this is the 2006 and 2011 movie versions of Red Riding Hood. The 2011 version is updated with better graphics and a modern female protagonist; however, is strays from the breathtaking 2006 version in the aspects of plot, character structure and theme.
When authors or writers rewrite classic texts, they are able to reveal important lessons to readers or make the underlying message from an original text more obvious to readers. Rewriting classic texts can also allow the writer make an original text more moderate, by doing so it makes the text more relatable to the readers and help them understand the story more clearly. This is exactly what Angela Carter did in her text, “The Company of Wolves,” Carter creates and reveals to readers a feminist point in her rewrite. Carter is criticizing the original text of Jacob and Wilhelm Grimm’s story, “Little Red Cap.” Carter develops a female protagonist who is independent and also explores her sexuality, unlike the Grimm Brothers who creates a poorly developed damsel in distress. Carter, also does not include a typical fairytale story ending, unlike the Grimm brothers and most fairy tales which end on a happy note. By creating these kind of character developments and disregarding a typical “happily ever after” ending, Carter expresses feminist ideals and rids the stereotypical attributes a female character is usually given in fairytales. Carter is trying to show readers the importance of developing the female characters, unlike the Grimm Brothers who have much more developed male characters than female characters.
Countless Shakespeare productions are created and preformed annually, yet no two productions of a show can ever be identical; furthermore, productions rarely aim to recreate a Shakespearean play exactly as it might have been originally staged, so each production is the product of its creator’s decisions, like choosing thematic focuses or costumes. Initially, Shakespeare wrote The Winter’s Tale to appeal to his early seventeenth-century audience, ranging from peasants to nobles, not today’s population, but the original text may continue to be appreciated in its pure form or an adapted retelling of the same scenario. In this period, Shakespeare was established, famous, and open to taking risks; as a result, The Winter’s Tale is difficult to nail down, for Shakespeare addresses more themes than usual, without creating
Next, the evil queen disguises herself as a different the old lady; therefore, the queen mother brings a poisoned with the comb, the apple to Snow-White lying on the floor twice. The Step-mother order the murder her three times; however, the queen failed. The
Few people can grow up within today's society without knowing the tale of Snow White. From the Grimm Brothers to Disney, it has been told and retold to children throughout the ages. However, what is often overlooked are the true meanings within the story. Fairytales typically have underlying messages that can be found written between the lines, generally in terms of the key themes. Snow White discusses the themes of envy and beauty, and shows how humans' obsessions can lead to their own downfall as well as the harm of others. When focusing on the relationship between Snow White and her step-mother the Queen, it is evident that the combination of these two themes results in a power struggle in which beauty is seen as a commodity and is the basis for the step-mother?s envy towards Snow White.
A long time ago, there was a girl named Snow White. As you may know, Snow White is “the fairest of them all.” Because of this, her evil stepmother has hired a witch to put Snow White to sleep forever. What her stepmother doesn’t know is that the witch is not going to put Snow White to sleep, instead she plans on banishing Snow White to the Neverending Woods, where Snow will live the rest of her life, never to escape.
Snow White by the Brothers Grimm explores the theme of insecurity which can be defined as one’s subjective evaluation of his or her own self. The fairytale is a story about a Queen who seeks to be the prettiest by constantly asking her mirror “Mirror, Mirror, on the wall, who’s the fairest of them all?.” Initially it was always her; however, as the story progresses and as her stepdaughter Snow White matures, the mirror states that Snow White is the fairest. This causes the step-mother to try to kill Snow White through a huntsman, using a comb, a corset, and finally an apple. This mirror phrase seems to raise more and more anger the more it is asked. One could assume that the mirror is the judging factor in the phrase, but after a closer look on a psychological level, the
The stepmother poisons an apple, Snow White eats it and then dies. After this, Gaiman’s version strays significantly from the fairy tale happy ending. As did the Queen’s and Snow White’s character change, so did the Prince’s. In Snow White and the Seven Dwarfs, the prince kisses the princess and breaks the curse. In the Grimm brothers version, which is more like Gaiman’s, the piece of poisoned apple is dislodged from her throat and she comes back to life. In “Snow, Glass, Apples”, the prince’s true motives are uncovered. “He bade me remove my shift, and made me stand in front of the opened window, far from the fire, until my skin was chilled stone-cold. Then he asked me to lie upon my back, with my hands folded across my breasts, my eyes wide open – but staring only at the beams above. He told me not to move, and to breathe as little as possible. He implored me to say nothing”(Gaiman 342). The prince’s requests are strange and uncommon but the Queen complys. The prince is trying to make the Queen seem dead. This reveals the prince to be a necrophiliac, which is why he shows great interest when he first discovers Snow White’s body. He is willing to give the dwarfs anything in turn for Snow White’s corpse. They give it to him and while he is having his way with it, the piece of apple that is lodged in her throat becomes loosened and she comes back to life. Snow White stayed cold and always looked as if death was upon her, so the prince’s desire for her was not diminished when she awakened. The prince is not the valiant savior he is thought to be, but a lust driven necrophiliac in search of