1 What are the 2 historical settings of Ding Ling's 2 assigned stories? What is ironic about these two settings? The historical settings of Ding Ling’s stories take place in a prison or a prison camp. The irony presented in the setting of A Certain Night is that the prisoners were happy even excited as they sing, while they were being shot. However, in the Sketches from the Cattle Shed, the prisoner is released but turns back to a joyous prisoner waving her good-bye as if to wish her well on her journey.
2. How do the stories reveal authorial bias? The stories reveal bias in the manner of displaying their opinion of the Communist Party in being for or against the movement. For instance, Ding Ling is for Communism and feels that it is an
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For without the peasants to provide food and resources the government would not survive. So, the government must provide for the peasants in a similar manner to have the cycle to continue.
4. What does that difference tell you about the different attitudes of the authors and of the government's publishing policies. The authors use different literary devices to express their thought about the government without it necessary understanding the real meaning. Such as the Rong’s allegory about comparing the pigs to the peasants for they are viewed as dirty and disgusting but they are needed to function and survive.
5. Wang Anyi's story "The Destination" takes place after the Cultural Revolution ends. What does it reveal about attitudes in China at this time? The effects of the movement are still adamant with the family presented in the story by trying to have the main character marry immediately once he returns home. However, the end of the story suggest a new emerging movement when the main character decides to leave the family behind and discover himself before he marries or even if he decides to
Jonathan Spence tells his readers of how Mao Zedong was a remarkable man to say the very least. He grew up a poor farm boy from a small rural town in Shaoshan, China. Mao was originally fated to be a farmer just as his father was. It was by chance that his young wife passed away and he was permitted to continue his education which he valued so greatly. Mao matured in a China that was undergoing a threat from foreign businesses and an unruly class of young people who wanted modernization. Throughout his school years and beyond Mao watched as the nation he lived in continued to change with the immense number of youth who began to westernize. Yet in classes he learned classical Chinese literature, poems, and history. Mao also attained a thorough knowledge of the modern and Western world. This great struggle between modern and classical Chinese is what can be attributed to most of the unrest in China during this time period. His education, determination and infectious personalit...
The narrator of the story seems to give off a biased opinion of the character and does so by using the literary devices of point of view and irony to contribute to the development of Clarence’s complex nature.
“It was not easy to live in Shanghai” (Anyi 137). This line, echoed throughout Wang Anyi 's short piece “The Destination” is the glowing heartbeat of the story. A refrain filled with both longing and sadness, it hints at the many struggles faced by thousands upon thousands trying to get by in the city of Shanghai. One of these lost souls, the protagonist, Chen Xin, was one of the many youths taken from his family and sent to live the in the countryside during the Cultural Revolution. Ten years after the fact, Chen Xin views the repercussions of the Cultural Revolution internally and externally as he processes the changes that both he, and his hometown have over-gone in the past ten years. Devastatingly, he comes to the conclusion that there is no going back to the time of his childhood, and his fond memories of Shanghai exist solely in memory. This is in large part is due to the changes brought on by the Cultural Revolution. These effects of the Cultural Revolution are a central theme to the story; with repercussions seen on a cultural level, as well as a personal one.
To conclude, because the government was able to use censorship and promote ignorance, they were able control and manipulate their citizens. This novel also has resemblance to our world, this novel is a reminder of how powerful media can become if used the right way, society can be mislead into thinking false things. By promoting ignorance, the citizens started having very bland lives with no depth. People did not talk about ideas and feelings because they were obsessed and dependent on instant pleasure, they will start denying they own feelings because of this. Television and easy access to entertainment made books nonexistent.
...hinese Seamstress gives an accurate depiction of things that occurred during the Chinese Culture Revolution. It shows that youth were re-educated in villages by poor peasants and that material of western influences that opposed Mao and his ideas were considered bad and were banned. It shows that in order to re-educate them they were to do manual labor and live in communes. They were removed from their families and the things they took for granted. Their lives were no longer under their control, they were told were to go live, where to work and what they can and cannot do. The Chinese Culture Revolution had a profound impact on the people in China from every aspect of life, men, women and children and from every age were affected.
The Sun of the Revolution by Liang Heng, is intriguing and vivid, and gives us a complex and compelling perspective on Chinese culture during a confusing time period. We get the opportunity to learn the story of a young man with a promising future, but an unpleasant childhood. Liang Heng was exposed to every aspect of the Cultural Revolution in China, and shares his experiences with us, since the book is written from Liang perspective, we do not have a biased opinion from an elite member of the Chinese society nor the poor, we get an honest opinion from the People’s Republic of China. Liang only had the fortunate opportunity of expressing these events due his relationship with his wife, an American woman whom helps him write the book. When Liang Heng and Judy Shapiro fell in love in China during 1979, they weren’t just a rarity; they were both pioneers at a time when the idea of marriages between foreigners and Chinese were still unacceptable in society.
Short stories are temporary portals to another world; there is a plethora of knowledge to learn from the scenario, and lies on top of that knowledge are simple morals. Langston Hughes writes in “Thank You Ma’m” the timeline of a single night in a slum neighborhood of an anonymous city. This “timeline” tells of the unfolding generosities that begin when a teenage boy fails an attempted robbery of Mrs. Jones. An annoyed bachelor on a British train listens to three children their aunt converse rather obnoxiously in Saki’s tale, “The Storyteller”. After a failed story attempt, the bachelor tries his hand at storytelling and gives a wonderfully satisfying, inappropriate story. These stories are laden with humor, but have, like all other stories, an underlying theme. Both themes of these stories are “implied,” and provide an excellent stage to compare and contrast a story on.
Revolution Is Not a Dinner Party, a historical fiction book written by Ying Chang Compestine, exceptionally portrays the horrors and torture the Chinese people endured during the "revolution," or the Communist control and building of a new China.
Nancy Updike, a producer of the show was able to interview Evan Osnos, the author of Age of Ambition, a book about China and the propaganda of the Communist Party. Nancy explained the nature of growing discontent among Chinese citizens with the Communist bureaucracy. As Chinese citizens grow poorer, the bureaucracy grow wealthier. Nancy and Evan went to explain that the concept of “National Humility” was increasing nationalism and restoring order in China. After listening to this episode, it was clear to me that this episode did what it sought ought to do - to give the audience an opportunity to understand the different aspects of how propaganda is used in our daily lives. More importantly, it provides the audience with insight into who uses it and for what purpose. Overall the rhetorical appeals, the use of sound bites, interviews, and fruitful transitions are memorable aspects that I found in this
Everyday we observe people’s contrasting opinions. Whether it be in politics, school, or in one’s personal life, emotions are often a major factor when it comes to expressing one’s ideas. In writing, an audience must be aware this, and decide for themselves if an author is being bias or equally representing all sides to a situation. In both Into the Wild and In Cold Blood, the authors form distinct opinions about their main characters and believe family structure heavily influenced their future.
Firstly, the relationship expectations in Chinese customs and traditions were strongly held onto. The daughters of the Chinese family were considered as a shame for the family. The sons of the family were given more honour than the daughters. In addition, some daughters were even discriminated. “If you want a place in this world ... do not be born as a girl child” (Choy 27). The girls from the Chinese family were considered useless. They were always looked down upon in a family; they felt as if the girls cannot provide a family with wealth. Chinese society is throwing away its little girls at an astounding rate. For every 100 girls registered at birth, there are 118 little boys in other words, nearly one seventh of Chinese girl babies are going missing (Baldwin 40). The parents from Chinese family had a preference for boys as they thought; boys could work and provide the family income. Due to Chinese culture preference to having boys, girls often did not have the right to live. In the Chinese ethnicity, the family always obeyed the elder’s decision. When the family was trying to adapt to the new country and they were tryin...
The early part of the novel shows women’s place in Chinese culture. Women had no say or position in society. They were viewed as objects, and were used as concubines and treated with disparagement in society. The status of women’s social rank in the 20th century in China is a definite positive change. As the development of Communism continued, women were allowed to be involved in not only protests, but attended universities and more opportunities outside “house” work. Communism established gender equality and legimated free marriage, instead of concunbinage. Mao’s slogan, “Women hold half of the sky”, became extremely popular. Women did almost any job a man performed. Women were victims by being compared to objects and treated as sex slaves. This was compared to the human acts right, because it was an issue of inhumane treatment.
Kingston uses the story of her aunt to show the gender roles in China. Women had to take and respect gender roles that they were given. Women roles they had to follow were getting married, obey men, be a mother, and provide food. Women had to get married. Kingston states, “When the family found a young man in the next village to be her husband…she would be the first wife, an advantage secure now” (623). This quote shows how women had to get married, which is a role women in China had to follow. Moreover, marriage is a very important step in women lives. The marriage of a couple in the village where Kingston’s aunt lived was very important because any thing an individual would do would affect the village and create social disorder. Men dominated women physically and mentally. In paragraph eighteen, “they both gav...
Throughout the course of his lifetime, Ah Cheng experienced major political and historical events that strongly influenced his literature. The Cultural Revolution and rule of Mao Zedong was widespread throughout China starting in the 1960s, and devastated millions of families. Cheng took a different approach to much of the literature ("scar literature") that emerged from the revolution, and instead of focusing on the detrimental effects, chose to use his literature as a way to point out the flaws of the revolution. These counter-revolutionary ideals are subtle but evident throughout The King of Trees, as the political chaos creates a backdrop in the novella, rather than the central focus. They can especially be seen through the use of abundant metaphorical elements. By showing the effects of the “down to the countryside movement”, a major reform under the rule of Mao Zedong, Cheng is able to provide a commentary on the Revolution through his characters and the setting as well. Throughout The King of Trees, Ah Cheng reveals his political views towards the Cultural Revolution through his use of symbolism, and his descriptions of the characters and the setting.
The novel describes much of the procedure of running a communist state. It includes the organization of committees, and the indoctrination of the public in the form of the sheep. Snowball, one of the two pigs who leads the animals after the revolution, teaches the sheep to repeat the maxim "Four legs good, two legs bad," which, he feels, sums up the laws of their new system - completely against humans. Methods of propaganda are also explored. Carrier pigeons are sent to neighboring farms to deliver heroic tales of the revolution and convert other farms to 'Animalism' - the domino effect in action. Internal propaganda is the responsibility of a pig named Squealer, whose primary function is to convince the animals that the actions taken by the pigs are for their own good. This is a clear description of how to keep a communist regime in power: as long as the pubic is convinced that all actions are for their own good, they will go along with anything.