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The 300 film analysis
The analysis of 300 movies
The analysis of 300 movies
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300 Rise of an Empire was released on March 7, 2014. It’s the sequel to the first film 300 inspired by the novel Xerses written by Frank Miller (Fandango). 300 rise of an Empire begins where the preceding movie ended. Following the historical verity of the movie, the battle takes a transition from fighting on land in 300 to fighting on sea in 300: Rise of an Empire. This story puts “Greek general Themistokles against the massive invading Persian forces, ruled by the mortal turned god Xerces, and led by Artemisia, the vengeful commander of the Persian Navy”(Synopsis). Based on the analysis of movie critics Richard Roper, Marc Savlov, and Rodrigo Perez, it is evident that 300 Rise of an Empire is worth going to see. Richard Roper is a movie critic for the Chicago Sun Times. He gave the 300 sequel an overall 3.5 stars. Roper stated that the actors gave good performances. He especially admires the acting work of the character Artemisia played by Eva Green. Roper stated “she’s the type of gal who will seduce a rival general in a closed door summit” (More Brilliant Battles.). Roper goes on to discuss how the entire cast really got into their parts. He goes into great detail about the films directing. Richard Roper discuss how he was astonished by the meticulously designed sets created by director, Noam Murro. Following is good review of the director’s attention to detail, he goes on to criticize the directing of the most important battle scene in the movie. In the battle on Aegean Sea, Roper says that the scenes “are difficult to follow, what with all the raging waters and dark blues and grays” (More Brilliant Battles.). He doesn’t go into detail about writing and costumes but he does state that the story line was exceptiona... ... middle of paper ... ...." Fandango. N.p., n.d. Web. 20 Mar. 2014. . Perez, Rodrigo. "Review: 300 Rise of an Empire." The Playlist. N.p., 6 Mar. 2014. Web. 21 Mar. 2014. . Roper, Richard. "More Brilliant Battles and Gorgeous Gore." - Chicago Sun-Times. N.p., 6 Mar. 2014. Web. 20 Mar. 2014. . Savlov, Marc. "300: Rise of an Empire." Austin Chronicles. N.p., 7 Mar. 2014. Web. 20 Mar. 2014. . "Synopsis." 300: RISE OF AN EMPIRE. N.p., n.d. Web. 20 Mar. 2014. .
*CONCLUSION This image, painted with the blood of soldiers, caused a reaction of ____ and the end produced devastating changes within the countries who participated yet the battles themselves
Ridley Scott’s film, “Gladiator,” portrays the sudden fall and heroic rise again, of a great Roman General named Maximus Decimus Meridius. Maximus’ monumental rise, and eventual vengeance, show the viewer, the greatness of this heroic character. A liberal humanistic critique, reveals that the film, has an inherent purpose or meaning, promotes the enhancement of life, and shows that human nature is basically unchanging.
Davidson, James West., Brian DeLay, and Christine Leigh. Heyrman. "Chapter Six: Imperial Triumph, Imperial Crisis." US: a Narrative History. McGraw-Hill Higher Education: New York, 2012. 103-19. Print.
A Roman emperor and his family lived in luxurious life. They enjoyed an excellent wealth, authority, and rights. The Roman imperial family ate the best foods, and dressed in the ...
Wilson Quarterly 2.4 (2000):110. History Reference Center -. Web. The Web. The Web.
The first chapter of Strauss’ work, titled “The Gladiator”, explores both Spartacus’ background as a gladiator and Rome’s fascination with the sport. Strauss outlines how a gladiator match worked in Rome, usually in carefully chosen pairs starting with a practice match with wooden weapons followed by the real officiated match that was generally to the death unless the crowd decided that the wounded deserved to live. The attention is then turned to where the Spartacus legend begins, Capua. Strauss gives a sweeping view of Capua’s history in the Roman Empire, from being punished for allying itself with Hannibal to returning to some prominence as a slave center, in particular for gladiators. Gladiators were usually slaves, and much like Spartacus, were foreign. Spartacus was a Thracian, feared by Romans for their fierceness on hors...
Dio, Cassius. "Roman History - Book 50." 17 June 2011. University of Chicago. 31 October 2011 .
Hooker, Richard. "The Ottomans: The 17th and 18th Centuries." Washington State University - Pullman, Washington. 1996. Web. 06 Apr. 2011. .
Sanchez, Reymundo (2000). My Bloody Life: The Making of the Latin King Chicago, Illinois: Chicago Review Press, Incorporated.
3. Tom Holland, Rubicon: The Triumph and Tragedy of the Roman Republic, Abacus Publishing, 2004. (Pg. 50)
Franklin, H. Bruce. “From Realism to Virtual Reality: Images of America’s Wars.” The Brief Arlington Reader. Ed. Nancy Perry. Boston: Bedford/St. Martin’s, 2004. 384-400.
The fall of the Roman Empire. Dir. Samuel Bronston. Weinstein Co. Home Entertainment ;, 2008. Film.
A certain matter-of-fact quality pervades the descriptions of the wounds inflicted and received by soldiers; the face-to-face attacks with rifle butts, spades, and grenades; the sounds, smells, and colors of death and dying in this book.
The military system of Rome was once viewed as a fierce and influential force. The late Roman army was much different. It was a ...
Morey, C.W. (1901). Outlines of Roman History. Chapter 18-Rome as a World Power. Retrieved on October 11, 2015, from