20thc American Architecture Analysis

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The aim of this essay is to compare and discuss two of the lesser known 20thC American designers, and the objective is to show their importance in the development of the 20thC American modernism.
Architecture is the art to design and build structures. American modernism was a cultural movement that started in late 19th and 20th century. It refused the traditional and ordinary forms in design. Some of the main people involved in American Modernism are Frank Lloyd Wright, Le Corbusier, Marcel Bruer, Louis Sullivan and many others.
Frank Lloyd Wright was one of the greatest and most influential designers in the American architect history. He’s known for his modern, abstract and futuristic buildings and interior designs. His acknowledgment and …show more content…

Later on, he moved his practice to the Steinway Hall Building, where the place was shared with other architects, which were inspired by the Arts and Crafts Movement and the philosophies of Louis Sullivan, known as the Prairie School. The style influenced Wright’s later design with its horizontal styles and messes and hipped roofs. These buildings reflect a comprehensive philosophy that Wright believed organic architecture. In these times, Wright’s design followed structures, as the Winslow House’s, which has simple geometrical structure and wide horizontal lines, made from Roman Brick and has long wide roofs. He also designed more traditional houses. At the begin of the 1900s, he designed four houses in the style of Prairie School. The Hickox and Bradley House still followed a traditional design, while the Thomas House and Willits House had the first mature examples of the new style. Wright’s designs were known as prairie houses. These houses have sloping roofs, restrained chimneys. Wright chose to design the Dana House in an abstract way. approximately 450 art glass windows, skylights,door panels and the house is also filled with Wright designed …show more content…

The structure of the house is based on two large rectangles. He used bands of brick and limestone anchor, overhanging eaves and cantilevered roofs. The house a forward thinking of his Prairie houses. Wright brings the balance of the colors and tones to a successful conclusion, as the red-orange iron-spotted bricks harmonize with the leaded glass of windows. The glasses composed in patterns of diamond shapes and geometrical floral forms. Wright’s design of the house was to achieve a balance between transparency and

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