Saul Bass
In this essay, I will be discussing Saul Bass and a couple of his notable title sequences. I will also outline his milestones and discuss his visual style.
Saul Bass was born May 8, 1920 and died April 25, 1996. He was an American graphic designer and filmmaker who was born in the Bronx to Jewish immigrant parents. He attended James Monroe High School and studied at the Art Students League in Manhattan, New York.
Saul Bass was well-known for his design of title sequences, film posters and corporate logos. ‘During his 40-year career Bass worked for some of Hollywood’s greatest filmmakers, including Alfred Hitchcock, Stanley Kubrick, Otto Preminger, Billy Wilder, and Martin Scorsese’(Art of the Title,2017). In the beginning of his
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In the opening title sequence of The Man with the Golden Arm (1955), the audience sees horizontal and vertical white lines moving against a black background. Then a distorted arm appears from the top of the frame and the ominous white lines no longer appear to be random but instead signify the tip of a syringe. The film follows the life of a jazz musician played by Frank Sinatra as he battles with a heroin addiction. The subject of the film was controversial at the time and Bass created an innovative title sequence to match the film’s controversial …show more content…
I will also outline a couple of his milestones and discuss his visual style.
Kevin Tod Haug was born December 27, 1956 in California and has been in the film industry since the 1970s. He is an American visual effects supervisor and one of Hollywood’s most innovative visual effects designers. He is well-known for creating the title sequence for Fight Club (1999), Kingsman: The Secret Service (2014) and Quantum of Solace (2008). In 2009, he was nominated alongside Chris Corbould for the BAFTA Award for Best Special Visual Effects for their work on Quantum of Solace (2008).
Kevin Tod Haug was also hired by Producer Cean Chaffin as a visual effects supervisor for The Game (Henault, 2003). He worked as a visual effects supervisor from 1997 to 2003 and began as a motion control programmer. In the 1980s Haug was involved in some of the first CG and video productions.Haug was the visual effects designer for Marc Foster on the film Finding Neverland (2004) and worked on visual effects for television commercials and two music videos directed by Mark Romanek. Haug also did visual effects work for independent film directors and one of his milestones includes being one of the founders of the production service FX
Ernie Barnes: Research of the Football Artist Ernie Barnes was and still is one of the most popular and well-respected black artists today. Born and raised in Durham, North Carolina, in 1938, during the time the south as segregated, Ernie Barnes was not expected to become a famous artist. However, as a young boy, Barnes would, “often [accompany] his mother to the home of the prominent attorney, Frank Fuller, Jr., where she worked as a [housekeeper]” (Artist Vitae, The Company of Art, 1999). Fuller was able to spark Barnes’ interest in art when he was only seven years old. Fuller told him about the various schools of art, his favorite painters, and the museums he visited (Barnes, 1995, p. 7).
After listening to all four movements of Beethoven’s Symphony No. 5 in C minor, I have suddenly been awakened to the tremendous influence that the Classical Form of music has had on modern day works, especially in the area of the film industry which it is used to create drama, tension, and joy. History owes a debt of gratitude to composers such as Ludwig van Beethoven, who build upon the legacy of pioneers such as Joseph Haydn and Wolfgang Amadeus Mozart to create his own unique blend of symphonic compositions which will be revered throughout generations because of their continued appeal to the
John Ford was an American motion-picture director. Winner of four Academy Awards, and is known as one of America’s great film directors. He began his career in the film industry around 1913. According to Ellis, Ford’s style is evident in both the themes he is drawn toward and the visual treatment of those themes, in his direction of the camera and in what’s in front of it. Although he began his career in the silent film area and continued to work fruitfully for decades after the thirties, Ford reached creative maturity in the thirties. Ford, unlike other directors continued to do some of his finest work after the nineteen thirties. Nevertheless, he shaped his art into personal and full expression during those precedent-setting years. (Pg.200)
For this essay I will be looking at the work of Hans Zimmer to discuss how music in film engages the viewer and evokes emotion and pulls the viewer toward the film. Hans Zimmer is a German born music composer. Hans Zimmer’s love of music stems from his childhood when he learned how to play various instruments. Before Zimmer began composing music for films he was in a well-known band. The band was called The Buggles whom were famous for their song Video Killed the Radio Star. After the Buggles Zimmer played in other bands but never had another hit. As Zimmer has progressed as a film composer so has his list of nominations and awards. Zimmer has won 4 Grammy Awards and 2 Golden Globes and many more for his outstanding film scores. The reason I chose to write this essay on Zimmer was that his genres and music score are extremely versatile ranging from animations to comedy to dark thrillers. This is important to highlight as it shows Zimmer can create almost any atmosphere with his music whether it be sad or creating tension that all cause us to engage with the film. Zimmer's use of themes and introduction of different instruments allowed him to create these wonderful engaging film score. In this essay I will look at three films by Hans Zimmer these are The Holiday Rush and Rain Man.
Music and literature are constantly evolving with each new release, but how ground breaking are these pieces compared to its contemporaries? Miles Davis and Jorge Luis Borges have contemplated and answered this question frequently. Rather than add on to a previous style, these two took the future of their genres into their own hands. In Davis’s “Kind of Blue” as well as Borges’s “The Garden of Forking Paths,” old ideas are completely abandoned and new, inventive styles flourish. Not only do these two play with the content of their work, but they also explore different styles and means of composition. Both Davis and Borges experiment with new innovative ideas and concepts in their works successfully creating a unique style of their own.
“I can make a big-looking movie for very little money by just being resourceful, being creative, using the rubber band versus a lot of technology, and not being ashamed about it.” ~ Robert Rodriguez
All directors of major motion pictures have specific styles or signatures that they add in their work. Alfred Hitchcock, one of the greatest directors of all time, has a particularly unique style in the way he creates his films. Film analyzers classify his distinctive style as the “Alfred Hitchcock signature”. Hitchcock’s signatures vary from his cameo appearances to his portrayal of a specific character. Two perfect examples of how Hitchcock implements his infamous “signatures” are in the movies, A Shadow of a Doubt and Vertigo. In these movies, numerous examples show how Hitchcock exclusively develops his imagination in his films.
The Fight Club, directed by David Fincher, constructs an underground world of men fighting with one and other to find the meaning to their lives. Ed Norton and Brad Pitt are the main characters who start the fight club. They make a set of rules in which everyone must follow.
Abstract Expressionism is making its comeback within the art world. Coined as an artist movement in the 1940’s and 1950’s, at the New York School, American Abstract Expressionist began to express many ideas relevant to humanity and the world around human civilization. However, the subject matters, contributing to artists, were not meant to represent the ever-changing world around them. Rather, how the world around them affected the artist themselves. The works swayed by such worldly influences, become an important article within the artists’ pieces. Subjectively, looking inward to express the artist psyche, artists within the Abstract Expressionism movement became a part of their paintings. Making the paintings more of a representation of one’s self.
Think about your favorite movie. When watching that movie, was there anything about the style of the movie that makes it your favorite? Have you ever thought about why that movie is just so darn good? The answer is because of the the Auteur. An Auteur is the artists behind the movie. They have and individual style and control over all elements of production, which make their movies exclusively unique. If you could put a finger on who the director of a movie is without even seeing the whole film, then the person that made the movie is most likely an auteur director. They have a unique stamp on each of their movies. This essay will be covering Martin Scorsese, you will soon find out that he is one of the best auteur directors in the film industry. This paper will include, but is not limited to two of his movies, Good Fellas, and The Wolf of Wall Street. We will also cover the details on what makes Martin Scorsese's movies unique, such as the common themes, recurring motifs, and filming practices found in their work. Then on
It is no doubt that Martin Scorsese has heavily influenced the emulating of American film making from European influences. He is a prime example of a ‘New Hollywood Cinema’ director, not only from his ethnicity and background, but from his sheer interest in this form
Everyone in 'Saw III' deserves an eminent collaborative achievement award, the actors Tobin Bell, Shawnee Smith, Bahar Soomekh, and Angus Macfadyen. The director, Darren Lynn Bousman, and producers Mark Burg and Oren Koules, made the Saw franchise magnificent. Darren Lynn Bousman is the first horror director to ever have his first two major Hollywood films open up at number one, which was Saw II and Saw III. He is one of the most successful horror directors of all time. He is coming back to direct Saw IV.
Von Trier was born in Copenhagen, Denmark in April 1956. He graduated from the Danish Film School in 1956, where he received his fist award for the “Best Film” for his short film “images of a relief”. After he graduated he also worked in collaboration with many other filmmakers, one of them known as Dogma 95 where him an the crew agreed on following crazy rules, such as using only hand held cameras.
There are seven elements that designers use to create an effective poster design. The first is to use some of the movie’s main characters or major plot...
As an audience we are manipulated from the moment a film begins. In this essay I wish to explore how The Conversation’s use of sound design has directly controlled our perceptions and emotional responses as well as how it can change the meaning of the image. I would also like to discover how the soundtrack guides the audience’s attention with the use of diegetic and nondiegetic sounds.