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Literary analysis of alice in wonderland
Alice's adventures in wonderland thesis
Literary analysis of alice in wonderland
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Alice’s Adventures in Wonderland
Alice’s Adventures in Wonderland, published in 1865, is an unwavering child’s tale about a young girl named Alice Liddell who chased a talking white rabbit into a world of adventure. In this unusual yet riveting world Alice encounters a vindictive queen who has an odd fetish for chopping off and keeping the heads of those who disappoint her, a heavy-eyed dormouse who finds the worst places to snooze, a sharp chinned Duchess who has fixation for morals, a turtle who can’t stop bawling, and a white rabbit who is the courier in the Queen of Heart’s court. Alice, a properly raised victorian young lady, discovers that the rules of the polite society for which she was raised does not apply to Wonderland. The author,
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Goodbye feet!” (Carroll 12 awkward). By having Alice shrink and grow, Carroll is highlighting the awkwardness of the growth spurts that occur during adolescence, and the confusion which they cause in young people, as Alice blurts out that she may have to mail correspondence to her feet. (Carroll 12 awkward). Alice much like any adolescent strives to be the leader, however she is still a child and relies on the creatures of Wonderland to help guide her. This is shown on page 20 of chapter 2, “O mouse, do you know the way out of this pool?” As she asks for help she continuously offends the mouse upsetting him and causing him to swim away, “Oh dear, I’m afraid I’ve offended it again.” (Carroll 19) thoughtless. Alice was raised to have that stiff upper lip so when she got upset she immediately pushed away those emotions and carried on, however british society is told not to even have those feelings so when Carroll put this, subtle yet very evident, detail in his novel he was satirizing that certain rule/custom. Soon Alice began to beg and plead for the mouse to come back the mouse did come to help Alice out of the pool, but at the end of the chapter we read that Alice led the group even though she asked the mouse to help, making the situation very awkward. (Carroll 20) awkward. This also shows that Alice has a slightly rude personality and she really didn’t care that the mouse came to help her and she ignored his …show more content…
Alice reveals herself to be impatient, easily confused, and extremely curious, much like a student in a classroom setting. Alice, after finishing a game of croquet with the queen, goes to hear a Mock Turtle’s history. As she grows closer to the ledge the Mock Turtle rests on she sees that he is sobbing. Further along, Alice is ready to hear the turtle’s history when she grows impatient because he won’t stop sobbing, “ I don’t see how he could ever finish if he doesn’t begin.” (Carroll 79) impatient. I say that Carroll satirizes this because, as I have mentioned before, the people living in victorian society are taught to not let emotion affect them, but as you clearly see Alice is affected by emotion or she wouldn’t have become so impatient. As the Mock Turtle begins the telling of his history Alice finds herself confused, “Why did you call him Tortoise if he wasn’t one, I’ve never heard of Uglification.” (Carroll 81) confused. With Alice being confused she also was extremely curious, causing her to ask questions and getting this reaction from the gryphon and the mock turtle, “Hold your tongue, you really are very dull, you ought to be ashamed of yourself for asking such a simple question!” This chapter was satirizing the environment of a classroom. Students are curious and
Kelly, Richard. Lewis Carroll “Alice” 78-97. U of Tenn. Twayne Publishers, G. K. Hall & Co. Boston, Mass 1977.
Alice’s failure to understand the “native” culture, and her insistence on imposing her own norms and values ultimately culminates in a life-threatening situation.” (Binova “Underground Alice:” the politics of wonderland). Alice is the colonised in the situation with the Queen of Hearts. When she is introduced to the Queen her evil nature is revealed as she orders “Off with her head!” (Carroll 96). However, she is contrasted to Alice’s good nature while she shouts “Nonsense!” ( Carrol 96). The theme of chaos and confusion is brought forward as they play croquet all at once with noises all around and even in the court where everyone is expected to be civil. Although the Queen, as a character reinforces adulthood, subversion emerges again by Alice standing up for herself at this time. Nearing the end of her dream, she stands up against the Queen at court but it dream ends without a resolution. Maria Lassen-Seger says in ( “Subversion of Authority”: In “Alice’s Adventures of Wonderland”), “the relationship between the child and the adult is an impossible power relation in which the child is marginalised and considered powerless, thus, the adults suggest in their books what a child ought to be, what values and images it should accept.” The Queen at this point in the dream would have been the
Alice’s Adventures in Wonderland is a story about a little girl who comes into contact with unpredictable, illogical, basically mad world of Wonderland by following the White Rabbit into a huge rabbit – hole. Everything she experiences there challenges her perception and questions common sense. This extraordinary world is inhabited with peculiar, mystical and anthropomorphic creatures that constantly assault Alice which makes her to question her fundamental beliefs and suffer an identity crisis. Nevertheless, as she woke up from “such a curious dream” she could not help but think “as well she might, what a wonderful dream it had been ”.
It is amazing that nearly all critics of Lewis Carroll's Alice in Wonderland focused solely on the character and adventures of the female protagonist/hero. A somewhat right-wing and didactic critique at Decent Films writes, “Alice embodies the gender feminist narrative of vibrant young girls losing their mojo as they come of age in patriarchal society.” The woman’s magazine, Jezebel, while praising the movie as “refreshingly feminist” seemed to notice only that the hero who fights against the forces of evil is a woman. Jezebel mentions other characters, but does not take the time to catalogue their relationship to feminism. In an Associated Content piece by Adriana Tanese-Nogueria which does, commendably, explore the feminist theme much more richly than many other reviews, still, the main focus is on Alice’s journey of feminist liberation. But Lewis Carroll also takes a look at the men in this story. Men during the Victorian era were known to have the control over the household and have a job. Their lives were around getting the perfect wife and making a lot of money. So when one reads some of the characters in Alice in Wonderland, one can see some difference in how he portrays some of the characters.
The Victorian Age was the time period named after England’s Queen Victoria, who ruled from 1837 to 1901. Her attitude was a severely dull and strict one, which rapidly spread over the rest of Britain. The British were afraid to talk about anything close to being unsuitable, and they treasured childhood as a time where there were no worries or responsibilities. Although the youthful period was valued, children were better left to be seen, and not heard. They were encouraged to grow up as fast as possible and taught to mind their manners with extremely strict discipline.Besides the obvious, the way and language Alice was written in, Victorian culture appears in almost every turn of the page. Alice is shaped because of the use of her manners in the book toward elder strangers. Despite the fact, as she gets deeper into wonderland, she seems to become frustrated and forgets to be polite. The ever so popular tea party appears when Alice, the M...
Reactions to the inside jokes and nonsense humor of Alice’s Adventures in Wonderland would have been very different for the Victorian reader in contrast to the 20th or 21st century reader. For instance the poems that are parodied in the story were very familiar to Carroll’s contemporaries, but much less so in the later 20th and 21st centuries. As an example, the first nonsense poem in Alice’s Adventures, “How doth the little Crocodile,” is a parody of Isaac Watt’s moralistic poem “Against Idleness and Mischief.” Using the bee as an example of productive labor, Watt’s poem includes this
Lewis Carroll's Wonderland is a queer little universe where a not so ordinary girl is faced with the contradicting nature of the fantastic creatures who live there. Alice's Adventures in Wonderland is a child's struggle to survive in the condescending world of adults. The conflict between child and adult gives direction to Alice's adventures and controls all the outstanding features of the work- Alice's character, her relationship with other characters, and the dialogue. " Alice in Wonderland is on one hand so nonsensical that children sometimes feel ashamed to have been interested in anything so silly (Masslich 107)."
Lewis Carroll’s Alice in Wonderland follows the story of young Alice trapped in the world of Wonderland after falling down through a rabbit-hole. The rabbit-hole which is filled with bookshelves, maps, and other objects foreshadows the set of rules, the ones Alice is normally accustomed to, will be defied in Wonderland. This conflict between her world and Wonderland becomes evident shortly after her arrival as evinced by chaos in “Pool of Tears” and Alice brings up the main theme of the book “was I the same when I got up this morning? I almost think I can remember feeling a little different. But if I am not the same, the next question is who am I?” (Carroll 18). After Alice fails to resolve her identity crisis using her friends, Alice says “Who am I, then? Tell me that first, and then, if I like being that person, I’ll come up: if not, I’ll stay down here til I’m somebody else” (Carroll 19). Hence in the beginning, Alice is showing her dependency on others to define her identity. Nevertheless when her name is called as a witness in chapter 12, Alice replies “HERE!” without any signs of hesitation (Carroll 103). Close examination of the plot in Alice in Wonderland reveals that experiential learning involving sizes leads Alice to think logically and rationally. Alice then attempts to explore Wonderland analytically and becomes more independent as the outcome. With these qualities, Alice resolves her identity crisis by recognizing Wonderland is nothing but a dream created by her mind.
In such a cherished children’s book, Alice’s Adventures in Wonderland, written in 1865, has caused great commotion in political and social satire. It slowly but surely grew into one of the most adored publications in the Victorian era, expanding into today’s modern age. Lewis Carroll was the pen name utilized by Charles L. Dodgson and has forth created a sequel named Through the Looking Glass, And What Alice Found There composed first in 1871. In short, the text of the story presented with a feminist approach, a corrupt judicial system of Victorian England, the caucus race, and the absence of a childhood, the evolution of species, and Marxism.
Although the novel is notorious for its satire and parodies, Alice’s Adventures in Wonderland main theme is the transition between childhood and adulthood. Moreover, Alice’s adventures illustrate the perplexing struggle between child and adult mentalities as she explores the curious world of development know as Wonderland. From the beginning in the hallway of doors, Alice stands at an awkward disposition. The hallway contains dozens of doors that are all locked. Alice’s pre-adolescent stage parallels with her position in the hallway. Alice’s position in the hallway represents that she is at a stage stuck between being a child and a young woman. She posses a small golden key to ...
Here she finds a strange caterpillar on a mushroom smoking a hookah. It doesn’t even matter that the caterpillar talks and questions Alice about her identity, the way he looks should be enough for Alice and the audience to question their sanity. Upon being asked who she is by the caterpillar, Alice has no idea anymore. She is becoming as mad as she believes the inhabitants of Wonderland to be. The caterpillar seems to be able to read Alice’s thoughts now ‘Just as if she had asked it aloud’ - which leads us to believe that Alice is so confused about her identity that perhaps her thoughts aren’t even hers anymore. By the end of this chapter we again see characters leave Alice in anger as she insults the caterpillar on his height and scares the pigeon who believes her to be a serpent. The caterpillar and pigeon both found Alice to be very strange indeed, yet their surroundings were absolutely normal to them - which again shows that Alice is the only odd thing in Wonderland and is able to upset the
As these assorted items fly by, it represents the idea of childhood also flying past as a child is forced to devote themselves to proper manners and focus on always being perfect, supported by Alice’s attempt at curtseying during this section. This obviously does not help her situation, instead resulting her in experiencing a malaise feeling, however, it is how she was ‘trained’ to act back in the real society and this action (alongside other pointless actions) have been enforced in her brain to the point where they are almost instinctual. This results in Victorian society members at the time being encouraged to ruminate over the nature of their own strange etiquettes. Carroll appears to be mocking this system of logic through the clear uselessness of this system (in regard to how only one-person benefits – the Hatter) yet how absolute each character is in their belief that it is the correct method to follow. While the vast majority of characters in this story follow along with these seemingly redundant rules, Alice opposes them and, as her journey progresses, fights harder against them, becoming increasingly more obnoxious to counter the rudeness of characters who call her out for not fully understanding their customs. This relates to how children cannot be contained and
One of the main purposes for writing Alice in Wonderland was not only to show the difficulties of communication between children and adults. In this story, almost every adult Alice talked to did not understand her. At times she messed up what they were saying completely as well, which many times stick true to real life circumstances. This book shows that kids and adults are on completely separate pages on an everlasting story. Carroll points out that sometimes children, like Alice, have a hard time dealing with the transition from childhood to adulthood, 'growing up.' Alice in Wonderland is just a complicated way of showing this fact. Lewis Carroll's ways with words is confusing, entertaining, serious, and highly unique all at the same time. And it's safe to say that it would be difficult to replicate such and imaginative technique ever again (Long 72).
As Alice’s journey following the White Rabbit continues, she found her standing in his home. When Alice saw the strange drinks and cookies on the table, her desire to grow got the best of her and she began to taste them. Alice began to change size after drinking the mysterious liquid, “…she had drunk half the bottle, she found her head pressing against the ceiling and had to stoop to save her neck from being broken” (Carroll 44). This event relates to the theme of Alice growing up. Alice being small when entering the house symbolizes her being a child. Her yearning to become bigger is representative of her want to grow up and become an adult. Although, after drinking the bottle Alice becomes unsure if she really wanted to grow. The transitioning between sizes shows how Alice is torn between wanting to stay a child and wanting to become an
Alice in Wonderland belongs to the nonsense genre, and even if most of what happens to Alice is quite illogical, the main character is not. “The Alice books are, above all, about growing up” (Kincaid, page 93); indeed, Alice starts her journey as a scared little girl, however, at the end of what we discover to be just a dream, she has entered the adolescence phase with a new way to approach the mentally exhausting and queer Wonderland. It is important to consider the whole story when analyzing the growth of the character, because the meaning of an event or a sentence is more likely to mean what it truly looks like rather than an explanation regarding subconscious and Freudian interpretations. Morton states “that the books should possess any unity of purpose seems on the surface unlikely” (Morton, page 509), but it’s better to consider the disconnected narrative and the main character separately, since the girl doesn’t belong to Wonderland, which is, as Morton says, with no intrinsic unity. Whereas, there are a few key turning points where it is possible to see how Alice is changing, something that is visible throughout her journey. Carroll wants to tell the story of a girl who has to become braver in order to contend with challenges like the pool made by her own tears, or assertive characters, like the Queen.