When searching deeper into the origins of stained glass a well full of information can be discovered from a twelfth-century German monk by the name of “Theophilus”, who’d been a metalworker and an artist who’d also been immensely interested in studying stained glass. In his works, “On Diverse Arts”, he’d explained in great detail the process of how to create stained glass works. For example, with the ingredients sand and wood ash, they can be mixed and melted which will eventually cool and become glass. Next, powdered metals are added to the synthesis to give it the color we are all familiar with, but this must be done before the glass has cooled. Then, the glass must be cut during the process and laid flat to begin the customization stage, which involves applying colors to a design board. Lastly, “To assemble the window, pieces of colored and painted glass are laid out on the design board, with the edges of each piece fitted into H-shaped strips of lead (cames). These cames are soldered to one another so that the panel is secure. When a panel is completed, putty is inserted between the glass and the lead cames ...
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...ls an interesting story in an amazing fashion. To explain, this particular artwork tells the story of the Virgin in the center surrounded by characters from the Old Testament. To include, four doves, four angels and four thrones along the inner circle and on the outwards of it, “in succession the twelve kings of Judah, who were Mary’s ancestors, and the twelve prophets.” (Tanzi, slide 35, lecture 20a2; Gothic Style Period) This in itself is especially innovative and says much about the Goths and their extreme attention to detail and passion for story telling.
In conclusion, although the Goths weren’t the originators of the amazing stained glass artworks, they were however the most innovative and were successful in leaving their mark on history through their method of story telling, use of brilliant colors and their method of portraying light in ways unseen before.
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