Equal Engagement: In Marriage and Between Cultures

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Jane Austen’s Pride and Prejudice illuminates a social courtship between the proud Mister Fitzwilliam Darcy and the shrewd, unconventional Miss Elizabeth Bennet. Elizabeth is proud of her own identity. She astutely justifies herself as “a gentleman’s daughter” (Austen 337) in her confrontation with the prejudiced and class-conscious Lady Catherine de Bourgh. Mister Fitzwilliam Darcy, who shares Elizabeth’s sharp tongue, comes from a family of high social status; his privileged upbringing instilled in him “pride and conceit” (Austen 349) that blinds him from acknowledging the similarity and equality between him and Elizabeth. Upon first proposing to Elizabeth, he does not realize that he is not raising her social status by marrying her. They are of equal authority in marriage; their similar personalities makes them all the more equal and complementary to each other. Thus, their marriage, following a second, sincerely worded proposal, signifies Darcy’s recognition of Elizabeth’s worth, and through his recognition, Austen argues for the fundamental equality between husband and wife.
Gurinder Chadha’s Bride and Prejudice, a Bollywood adaptation of Pride and Prejudice, places Jane Austen’s emphasis of equality in marriage within an intercultural context, where the difference in culture is the source of social tension. As West meets East, American tycoon William Darcy sparks cultural conflict with his presumption of Indian girls’ “simple” and traditional characteristics and of their ready subordination to American men. Parallel to Elizabeth’s assertion of her father and Darcy’s equal class standing, Lalita’s fierce rebuttal of Darcy’s assumption highlights his ignorance of the Indian culture, especially his inability to understa...

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...wholeheartedly, making their match somewhat arranged but actually romantic and modern. The union between Balraj and Jaya proves to Darcy that the Indian practice of arranged marriage, especially its aspect of brief interaction between spouses, does not prevent the formation of romantic feeling; therefore, it is not inferior to the free and romantic marriage that Americans support, driving the idea of equality between traditions and modernity. The recognition, understanding, and respect Balraj has for Jaya and her culture has given rise to a marriage between England and India, and through this marriage, both England and India has found the way to engaging each other equally.

Works Cited

1. Austen, Jane, and Vivien Jones. Pride and Prejudice. London: Penguin, 2003. Print.
2. Bride and Prejudice. Dir. Gurinder Chadha. Perf. Aishwarya Rai and Martin Henderson. 2004.

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