Gilgamesh’s aversion to growing old and eventually dying is the most sympathizing and acknowledged part of Gilgamesh that is a clear echo to the Western texts we have today. In Western canon we see that the pages are usually obsessed with hurrying and trying to find the goal and trying to understand at times things that are beyond them. The protagonist is usually lost and trying to find themselves. Gilgamesh, is the lost westerner, he finds himself at the edge of his sanity trying fruitlessly to find the greater meaning of his life at the cost of everything to him. He is completely captivated by this idea that he forgets that he has his own life to live and that life in its simplicity does not last forever. This is shown when Siduri asks him: “Gilgamesh, where are you hurrying to? You will never find that life for which you are looking. When the gods created man they allotted to him death, but life they retained in their own keeping. As for you, Gilgamesh, fill your belly with good things; day and night, night and day, dance and be merry, feast and rejoice. Let your clothes be fresh, bathe yourself in water, cherish the little child that ...
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...n Eastern text. The defending of this statement makes sense because of the previously stated arguments and the culture that which surrounds western society today. Gilgamesh continues to be a silent catalyst for most of western texts and it is arguably the very first western epic from which all other epics arise. With its story of a Mesopotamian Noah, one cannot argue that given the Wests prominently Christian undertones Gilgamesh’s role in Western texts does not encourage or even give rise to imitation from the theology texts of today. Many religious texts, Abrahamic or otherwise have a flood story, giving one to think that perhaps Gilgamesh as one of the oldest known text did give rise to most texts, Eastern and Western both with its intricate and endearing look into the human condition of trying to figure out the purpose of life with its fleeting lifespan.
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