“Mother-Son Bond”
The Epic of Gilgamesh and Homer Iliad are intriguing stories that reveals about mother and the heroic sons relationships which consists: support, guidance, and a strong bond.
Achilles from the Homer Iliad reveals his feelings of sorrow to his mother:
“He raised his hands in prayer to his immortal mother, “Mother”, he cried, “you bore me doomed to live but for a little season; surely Jove, who thunders from Olympus, might have made that little glorious. It is not so. Agamemnon, son of Atreus, has done me dishonour, and has robbed me of my prize by force” (Iliad 1:31).
Achilles is angry because of Agamemon’s request of capturing a woman name Briseis. He begins to cry as he sat on the shore and Mother Thetis hears
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Mother Thetis cries due to the emotional connection when she sees Achilles cry. She felt as if she were in pain just as bad as Achilles. Gilgamesh and Mother Ninsun bond displays a very caring woman when the situations include Gilgamesh. They are bond and protective at all times. Mother Ninsun is extremely cautious when it comes to protect her son from harm. Even though she claims Enkidu as her son too, it is clear that she has a big heart and that convoys a mother’s love. Mother Ninsun and Mother Thetis indicate that they are willing to go through obstacles to secure the protection of their son’s life. In the types of situations Gilgamesh and Achilles faces both relationships are normal.
These women develop different ways to cater to the heroic sons by showing compassionate feelings. Mother Ninsun gives encouragement with strong-mind, but Mother Thetis tries to encourage her son with the accustom knowledge she knows. Gilgamesh’s mother is independent and values the bonding in the relationship. However, Mother Thetis bonding with her son should be more dependable so she is able to have a better insight to Achilles’ emotions so he will not feel helpless. Mother Thetis may also feel that she cannot get many things accomplish for her
The Odyssey tells the story of Odysseus and his both literal and figurative journey home to Ithaka. When the great king, Odysseus travels to Troy on the account of war, many obstructions hinder him from returning home. During his absence, his deprivation of being a father to his son, Telemachus, causes great disappointment. Without a father, his son strives to grow and mature yet he has not the slightest idea of where to. However, as Telemachus struggles to reach manhood and his father struggles to return to Ithaka, their seemingly separate journeys are connected. They both learn values that turn a boy into a man and a great man even greater. In the epic poem the Odyssey, Homer uses parallel rites of passage with Odysseus and Telemachus to develop the importance of the father son-bond.
For the Greeks, Homer's Odyssey was much more than just an entertaining tale of gods, monsters, and men, it served as cultural paradigm from which every important role and relationship could be defined. This book, much more so than its counter part The Iliad, gives an eclectic view of the Achean's peacetime civilization. Through Odyssey, we gain an understanding of what is proper or improper in relationships between father and son, god and mortal, servant and master, guest and host, and--importantly--man and woman. Women play a vital role in the movement of this narrative. Unlike in The Iliad, where they are chiefly prizes to be won, bereft of identity, the women of Odyssey are unique in their personality, intentions, and relationship towards men. Yet, despite the fact that no two women in this epic are alike, each--through her vices or virtues-- helps to delineate the role of the ideal woman. Below, we will show the importance of Circe, Calypso, Nausicaa, Clytaemestra, and Penelope in terms of the movement of the narrative and in defining social roles for the Ancient Greeks.
...Achilles enraged? His rage is a personal choice. He decides to confront Agamemnon. He decides to withdraw from the war. He decides to join the war after Patroclus' death. However, the gods do their parts in making sure that his destiny is carried out. Thetis has new armor made for him and encourages him to fight. Apollo taunts him. Athena intervenes, first to make sure he does not kill Agamemnon and then later to make sure that he does kill Hector. Zeus weighs his fate. Rage is the spawn of many emotions. Injustice, jealousy, un-holiness, revenge, and heartbreak are emotions that sparked Achilles' rage. Homer's tale, the Iliad, shows how Achilles' rage is his destiny.
Women, on the other hand, play many more roles than men in this classic. Take Ninsun, the mother of Gilgamesh, for example. She plays the role of the loving, caring mother and also that of the wise counselor that provides guidance. From the very beginning of the book, Gilgamesh seeks guidance from his mother. When he has two dreams about an axe and a meteor, full of concern, he seeks the advice of his mother. At this point, she plays the role of the guiding, comforting mother by analyzing his dreams and relating the two objects to something good, Enkidu, that will soon come into Gilgamesh's life. "My son, the axe you saw is a friend...and I, Ninsun, I shall make him your equal. A mighty comrade will come to you, and be his friend's saviour..." (George, I, 288-291).
The ancient Mesopotamian writing, The Epic of Gilgamesh, gives readers insight into the traditions and customs of the people who wrote it. Like all epics, The Epic of Gilgamesh is the story of a heroic national figure: this epic gives the story of the life of Gilgamesh from his birth as two-thirds god, one-third man to his death. Throughout the epic the importance of loyalty is addressed. In The Epic of Gilgamesh readers see that loyalty is the most important aspect of a Mesopotamian relationship and that there are always consequences for violating trust.
Achilles is introduced into The Iliad getting into a debacle with the leader of the Greek army, Agamemnon, during the last year of the Trojan War. Achilles starts a quarrel with Agamemnon because he has demanded possession of Achilles’ woman, Briseis, in consolation for having to give up his woman, Chryseis, so that the gods will end their plague upon the Greek soldiers. Achilles does all he can to get his loved one back, but he knows that nothing will waver Agamemnon’s decision. This is when Achil...
The Iliad is not only a story of war, but a story of relationships and family connections through respect and honor. Sons don’t seem to question their duties to their family. They go to battle and fight until the end, maybe even until their death. They do not search for love from their fathers, but for the respect and desire to follow just as their fathers did, to be dignified warriors and proud of their ancestral accomplishments.
Women in The Epic of Gilgamesh plays a very significant role. Women were not considered as the most powerful gods nor the strongest or wisest of all humans but they still had great influence over others around them, at that time of Mesopotamia. Though the main characters of the story, Gilgamesh and Enkidu were men, women did not necessarily play a minor role. The roles of women in The Epic of Gilgamesh were mixed. Women are represented as harlots (Shamhat), wise (Ninsun) and as gods (Ishtar. In the epic of Gilgamesh, it can be seen that while men were considered to be the most powerful and wisest humans and gods, women had the power to significantly influence these men. Several women mentioned and described in the Epic of Gilgamesh carried roles that had important effects on the men they encountered. One woman I found very interesting is Ishtar, the goddess of love and fertility. I will discuss how women were being portrayed in the story using her character to support my analysis and how the creators of this epic portrayed women in Mesopotamia through this character.
Mortal and immortal women inspire many of the events that take place in The Odyssey and The Epic of Gilgamesh. For example, without the harlot, who “tames” Enkidu, the story of Gilgamesh would not be, as we know it. A chapter entitled, “Women in Ancient Epic” from A Companion to Ancient Epic by Helene Foley compares Ishtar in Gilgamesh to Calypso and Circe in The Odyssey. By comparing the role of immortal and mortal women in both The Odyssey and The Epic of Gilgamesh, one will be able to discern how the feminine figures have played a pivotal role in shaping the destiny of the epic heroes, as well as, understanding the interrelation amongst the female figures of both ancient epics.
Gilgamesh is an epic of great love, followed by lingering grief that causes a significant change in character. It is the story of a person who is feared and honored, a person who loves and hates, a person who wins and loses and a person who lives life. Gilgamesh's journey is larger than life, yet ends so commonly with death. Through Gilgamesh, the fate of mankind is revealed, and the inevitable factor of change is expressed.
The Epic of Gilgamesh and The Odyssey both are held in high respect by literature analysts and historians alike for the characterization of the hero and his companion, the imagery brought to mind when one of them is read, and the impressive length in relation to the time period it was written in. The similarities that these two epics share do not end with only those three; in fact, the comparability of these works extend to even the information on the author and the archetypes used. However, The Odyssey and The Epic of Gilgamesh contrast from one another in their writing styles, character details, and main ideas. Both epics weave together a story of a lost man who must find his way, but the path of their stories contrast from one another.
It is inferred that the parents should take care of their children and have their best interest at heart. This however, is not the case in Greek and Roman mythology. The killing of ones own children, or filicide, was not viewed as negative upon in their era. The contemporary times contrast with the ancient Greek and Roman’s because it was justified to use any means necessary to obtain a higher status. The Greeks and Romans valued keeping a high social reputation and having respect for those of great power. The motherly union between their children conflict with the reality that the father strives to retain or gain control. These circumstances cause a tense bond between the members of the family. The strained parent to child relationship in Greco-Roman myths is prevalent in the fact that the parents are fearful of being overtaken by their children, and endeavor to limit their upbringing.
The fact that the opening lines of the epic are about Achilles’ power and the people he has killed as a soldier on the Greek side show the huge importance given to him and his power. In his confrontation with Agamemnon regarding Chryseis, he tells Agamemnon that the Greek people want him to give Chryseis back to her father, the priest. This is an example of his great status among his people – he represents them, the one that lets Agamemnon hear their voice.
Achilles anger was a predominant theme in the Iliad. It led to Patrokolos, death, Hektor’s death and a great many other Trojan deaths. Achilles was a very powerful Greek warrior, he had many faults but one of his most prominent was his uncontrollable anger. Multiple times throughout the Iliad his anger had for reaching effects on the war and people around him. These effects were not usually favorable to anyone. There are three main occurrences that led Achilles’ anger down devastating paths. The first was when Agamemnon took Achilles’ girlfriend. When this happened, Achilles felt robbed because Brisies, his girlfriend, represented his might and the glory of his conquests. In the Greek culture, glory and honor were highly esteemed. This is why
A large source of Achilles anger started with his fight with Agamemnon. Apollo put a plague on the Achaean soldiers that was killing them off. The only way to stop this from killing them all was to give back a priest’s daughter who had been captured. This girl “belonged” to Agamemnon and he didn’t want to give her up unless he got Achilles girl in return. This would disgrace Achilles honor but he could not let any more soldiers be killed so, he reluctantly let her go. But in return for giving up his girl he withdrew from the battle. Much of Achilles anger is a result of this occasion but the death of Patroklos later overrode his previous anger to Agamemnon.