The End Of The Affair Critical Analysis

1586 Words4 Pages

To what extent is love Presented as destructive in Graham Greene’s ‘The End of the Affair’. With reference to Scott Fitzgerald’s, ‘The Great Gatsby’.

In the end of the affair love is defined as “the desire to possess in some, like avarice; in others the desire to surrender, to lose the sense of responsibility, the wish to be admired… and of course the biological motive” (1951, 3.V.85). Theses “motives” lead characters to pursue or reject love the effects leading to destructive consequences. In the end of the affair the narrator catalogues his experiences of love which breaks him and those around him, Greene displaying the destructive qualities of love. In the Great Gatsby love is chased as something illusive and ultimately transient leading …show more content…

Sarah’s love for Bendrix almost destroys her marriage and at times her love for Henry “He’d won and Maurice lost, and I hated him for his victory” (1951, 3.VII.95). Yet she remains with Henry out of “fear and habit” (1951, 2.II.41), Fear of the unknown or the loss of Henry 's “security” (1951, 2.IV.51), or perhaps God’s wrath for her abandonment of her promise. Habit in the fact she had been married to Henry for 12 years, a choice she made when she was “too young to know what I {she} was choosing” (1951, 3.IV.82) there by blaming her naivety in youth. Fitzgerald 's character of Nick also seeks convenience out of his lovers for example Jordan, his main attraction to her is that she is there and willing and he fears a “Decade of loneliness” (1926, 7.129)that comes with turning thirty. Yet these ideas illuminate the presentation of love when it comes to Bendrix, he does not love out of convenience, love makes him “jealous” (1951, 2.II.42) and “tired” (1951, 5.VIII.160) and filled with “unhappiness” (1951, 1.VI.25). His love for Sarah is self-destructive rather than outwardly …show more content…

For one Bendrix begins the book as a “Record of Hate” (1951, 1.I.1) for he “hated Henry – Hated his wife Sarah too” (1951, 1.I.1) yet he questions whether his “hatred is really as deficient as my love” (1951, 2.II.44) and later acknowledges that his “hate got mislaid” (1951, 4.I.107). For him it is merely the loss of love that creates what he perceives as hate, yet even this dissipates and is realised to merely be anger and unhappiness. For Sarah it leads her to hate herself as “a bitch and a fake” (1951, 3.II.75), who leads others to unhappiness and cannot herself face her true emotions. Love within the end of the affair seems to destroy the everyday Façade and leaves behind the worst parts of our personality’s for Bendrix it’s his jealous possessiveness for Sarah it is her lies. Yet one cannot hate without love as “hatred seems to operate the same glands as love” (1951, 1.III.19) an idea that explains Bendrix so well, as even in his hatred he is still

Open Document