In order to support his point of view Neill explains the possible reasons why people respond either sympathetically or empathetically to the fiction and how these responses are related to each other. He splits his research in three parts. For obvious reasons the first part clarifies the terms empathy and sympathy. He states that “with sympathetic ...
... middle of paper ...
...d areas, including sympathy/empathy unresponsiveness and its negative outcomes, are the topics for future researches that can help us develop our understanding of emotional responses to fiction and emotional education. The fact that most of the concepts related to the issue raised in the text can refer to numerous types of processes implies on needing and developing other theories and researches. Therefore, in my opinion, in his essay “Empathy and (Film) Fiction” Alex Neill well-studied the concept of identification, empathy and emotional response to the film and, moreover, visualized the new “fresh” understanding of the significant value of the empathetic responses.
Neill, Alex. “Empathy and (Film) Fiction.” Philosophy of film and motion pictures : an anthology. Ed. Noel Carrol and Jinhee Choi. Malden, MA: Blackwell Publishing, 2006. 247-259. Print.
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