Elvis Presley Essay

Elvis Presley Essay

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Musical prodigies are most frequently related to genre, however by definition, such prodigies have natural skills and are not restricted to one musical style. Musical prodigies typically have many of the subsequent characteristics: exceptional talent, associate degreed, or interest in music at an early age. The one component that really defines a musical prodigy is the ability to make a performance dynamic with the audience that's charming and, at times, overwhelming. Elvis Presley's musical talent clearly encompassed all of those characteristics and more. Elvis Presley was a genius. “He did not express himself the way the middle classes do, which is with word play and having the ability to clarify his actions and reactions. He acted on gut instinct and expressed himself by the method he controlled the mike, by the way he moved his hips, by the way that he sings down with microphone” (Elvis Life Story. N.p., n.d).
Elvis Presley is one of the best artists of all time. Changes that he experienced throughout his career were controversial and additionally a success. “Elvis changed music genres throughout his career, his unique technique for captivating the crowd, and many individuals praise him as an incredible idol. He was praised by people for his impacts on individuals, an incredible performer, however other than having the capacity to catch the consideration by the fans; there is a negative outlook that Elvis needs in his career” (Elvis Life Story. N.p., n.d.). People keep focus on the peripheral features and the popularized things he got to be and Elvis's attitude to music is distinctive, instead of focusing on genre, he changed himself various times to become a part of the music trend. People would recognize him for his profound...


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...usic history.






Works Cited

Elvis Presley." News. N.p., 22 Mar. 2014. Web. 22 Mar. 2014. .
• "Elvis Presley Biography." - Elvis Life Story. N.p., n.d. Web. 21 Mar. 2014
.
•"Elvis Presley (1935-1977)." Music Educators Journal 64.7 (1978): 60. Print.
• Sewlall, Harry. "“Image, Music, Text”: Elvis Presley as a Postmodern, Semiotic Construct."
Journal of Literary Studies 26.2 (2010): 44-57. Print. < http://www.tandfonline.com>
• Duffett, Mark. "Elvis Presley and Susan Boyle: Bodies of Controversy." Journal of Popular
Music Studies 23.2 (2011): 166-89. Print. < http://onlinelibrary.wiley.com>
• "Elvis Presley Trade Marks." Reports of Patent, Design and Trade Mark Cases 116.16 (1999):
567-98. Print. < http://www.tandfonline.com>

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