The Elizabethan Theater was an entertainment place located in England between 1562 and 1642. The theater was very famous during this time period for the popular plays presented to the audience. Shakespeare’s novels were one of the most well known acts in the Elizabethan Theater. One of his most popular novels was The Merchant Of Venice , which is still a popular novel nowadays. The novel deals with the relationship between christians and jews. It is about Shylock, a jewish moneylender, who seeks for revenge against Antonio, a christian merchant, who is not able to pay a loan. The novel is intended to be a comedy, and made the Elizabethan Theater audience laugh with every act performed. Nowadays, perspectives have changed, and what was considered humorous during that particular time period, nowadays can be seen as a tragedy. In “The Merchant Of Venice” , the christians humiliating jews, a daughter betraying her own father and racism are examples of situations that can be seen as a tragedy rather than a comedy.
The discrimination against jews, in England, started at a very early year, in 1290. During that time, jews were being expelled from England for following their beliefs. Until today, Christians have mixed feelings about jews, who they believe, killed Jesus Christ. During the time period when The Merchant Of Venice was written, the feeling many Christians had towards Jews was worse than nowadays. In Shakespeare’s novel, Shylock is a jew who is constantly humiliated by Antonio, who is a Christian. Throughout the majority of the novel, Jews are physically and verbally abused for following their beliefs. Antonio spits and verbally disrespects Shylock for being a Jew. Shylock reveal Antonio’s behaviour towards him by stating:
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... United States Of America. Even the Christian’s perspectives about other races have changed since the novel’s time period, when Father Augustine Tolton became the first black Roman Catholic priest, in 1886. Along with all those events of achievements coming from black people, points of view about different races have changed, and racism is a delicate subject that affects a variety of people in a, mostly, negative way.
Perspectives have changed since the Shakespeare time period. What was considered humorous to the audience in The Elizabethan Theater can, nowadays, be seen a tragedy. Jews being humiliated by Christians, a daughter betraying her own father and racism are aspects in William Shakespeare’s The Merchant Of Venice that would be considered and are intended to be a comedy. In the present days, those aspects are offensive and brutal for a lot of the readers.
In I Henry IV and II Henry IV, William Shakespeare brings together drama and comedy to create two of the most compelling history plays ever written. Many of Shakespeare's other works are nearly absolute in their adherence to either the comic or tragic traditions, but in the two Henry IV plays Shakespeare combines comedy and drama in ways that seem to bring a certain realism to his characters, and thus the plays. The present essay is an examination of the various and significant effects that Shakespeare's comedic scenes have on I Henry IV and II Henry IV. The Diversity of Society
Anti-Semitism and the desecration of the Jewish population have been in existence for nearly five thousand years. In the Elizabethan era, a question of anti-Semitism invariably arises. In William Shakespeare's The Merchant of Venice, we find that one of the characters is the embodiment and expression of anti-Semitic attitude that is pervasive in Elizabethan society. "Anti-Semitism was an intricate part in Shakespeare's years. Jews were considered vile and scorned upon. Shakespeare presents Judaism as an 'unchangeable trait'" (Bloom 37). Shakespeare's age based their anti-Semitism on religious grounds because the Elizabethans inherited the fiction, fabricated by the early Church, that the Jews murdered Christ and were therefore in league with the devil and were actively working to subvert spread of Christianity. The religious grounds of this anti-Semitism means that if a Jew converted to Christianity, as Shylock is forced to do in The Merchant of Venice, then all will be forgiven as the repentant Jew is embraced by the arms of the all merciful Christian God of love. In fact, some Christian believed--as do some fundamentalist sects today--that the coming of the Kingdom of God was aided by converting the Jews to Christianity. Anti-Semitism in Shakespeare's time is portrayed in his masterpiece The Merchant of Venice.
Shakespeare, William. The Merchant of Venice. The Riverside Shakespeare. Eds. G. Blakemore Evans and J. J. M. Tobin. Boston: Houghton Mifflin Company, 1997. 228-317.
Through comedy and tragedy Shakespeare reveals the vast expanses and profound depths of the character of life. For him they are not separate worlds of drama and romance, but poles of a continuum. The distinction between tragedy and comedy is called in question when we turn to Shakespeare. Though the characters differ in stature and power, and the events vary in weight and significance, the movements of life in all Shakespeare's plays are governed by the same universal principles which move events in our own lives. Through myriad images Shakespeare portrays not only the character of man and society but the character of life itself.
Elizabethan times in the 1600s was a progression for the world of the theater. A period named after Queen Elizabeth I of England, it is from this period that modern day society has its foundation for the entertainment industry. From the violence that was prevalent because of the Black Death, people turned to the theater for its poetry and romance. During this time period, there were two types of theatrical performances that were available for the people’s viewing, comedies or tragedies. These two genres were never really intertwined until the time of William Shakespeare. His play, Romeo and Juliet, is an example of both a comedy and a tragedy. It starts off as a comedy with Romeo weeping like a baby because of his love Rosaline, who did not love him back and ends as a tragedy when Romeo and Juliet, a pair of star crossed lovers, commit suicide because the lost of each other. It was also during Shakespeare’s time that writer were finally acknowledged by the people. Before this time, writers were not considered upper classman. Another group of people that began to rise into a higher social class were the actors. Actresses were not present back then because women were not allowed on stage. It was considered unladylike to have a female actor. Men played all the parts. Theater owners were dependent on actors to make them a profit. Rehearsals for the plays were fairly short, only lasting for about a week. The performances themselves would only show for three to four days.
Being a mirror of the age, Elizabethan literature was not in isolation from the currents of the era including these stereotypes. All these attitudes of ethnocentrism and xenophobia was skillfully interpreted through literature in general and drama in particular. One example of this is Shakespeare's The Merchant of Venice which is about a miser money-lender Jew. Portrayal ...
The Merchant of Venice is a play that deals with an assortment of issues that range from politics to racial views of the Jewish people. An embodiment of these two issues can be best attributed to the character of Shylock. In a 2004 production of The Merchant of Venice, by Michael Radford, we see the character of Shylock is portrayed in a different light than that of Shakespeare's 1594 villainous Jew. Both productions pose a series of questions in comparison. An understanding of the era that these plays were written in and the audience’s perception of the production attribute greatly to a true analysis. Another aspect of these productions asks who Shylock was to Shakespeare and who he has developed into for Al Pacino and Michael Radford.
It is so important for people to recognize how Jews were portrayed during Shakespeare’s life so that historic events such as the holocaust do not repeat themselves. Teachers who plan on presenting their students with The Merchant of Venice should also present them with articles explaining how Jews received their negative stereotype and explain to them that Jews are not as evil as Shylock. The play can still be useful as a high school reading experience only if taught correctly, in a manner that avoids Jews being insulted and non-Jews getting a completely flawed idea about Jews. Although comedic during the 16th century, The Merchant of Venice can no longer be viewed as a comedy in the 21st century due to the diversity of people and general acceptance of their cultures throughout the United States.
The links between Shakespearean “comedies” are rather tenuous. There always seems to be some sort of problem which arises, threatening the lives or the happiness of the central characters. Usually, these central characters are one or more romantically inclined couples who are a little unfamiliar with the ways of the world. Many mishaps occur, plans go awry, and in the end a solution is formed to cope with the characters’ problems. However, this solution tends to bring up different problems for the characters to deal with after the curtain closes. These “comedic” solutions also tend not to end with too many people disemboweled, a trend that is seen in another grouping of Shakespearean works: the tragedies.
Anti-Semitism in "The Merchant of Venice" Throughout the play, "The Merchant of Venice" William Shakespeare portrays anti-Semitism through many of his characters. Audiences today may interpret the play to be offensive, where as people of Shakespeare’s time would have accepted the play as part of everyday life. The majority of London’s population at the time was anti-Semitic because there were very few Jews living there.
The name most associated with excellence in theatre is William Shakespeare. His plays, more than any other playwright, resonate through the ages. It may be safe to say that he has influenced more actors, directors, and playwrights than any thespian in the history of the stage. But what were his influences? During the Middle Ages theatre was dominated by morality, miracle, and mystery plays that were often staged by the church as a means to teach the illiterate masses about Christianity. It wasn’t until the early sixteenth century that Greek tragedy experienced a revival, in turn, inspiring a generation of renaissance playwrights.
Shakespeare, William, and Leah S. Marcus. The Merchant of Venice: Authoritative Text, Sources and Contexts, Criticism, Rewritings and Appropriations. New York: W.W. Norton, 2006. Print.
Religion was a major factor in a number of Shakespeare’s plays. Religion motivated action and reasoning. In Shakespeare’s “The Merchant of Venice,” religion was more than a belief in a higher being; it reflected moral standards and ways of living. In the “Merchant of Venice,” “a Christian ethic of generosity, love, and risk-taking friendship is set in pointed contrast with a non-Christian ethic that is seen, from a Christian point of view, as grudging, resentful, and self-calculating.” (Bevington, pg. 74) Although Shakespeare writes this drama from a Christian point of view he illustrates religion by conflicts of the Old Testament and the New Testament in Venetian society and its court of law. These Testaments are tested through the Christians and Jews of Venice.
In this essay I will try to discover is Shylock a villain or a victim, in the William Shakespeare play “A Merchant of Venice”
Shakespeare’s Merchant of Venice contains many themes and elements that are considered timeless or universal. Samuel Taylor Coleridge defines a timeless or universal element as a “representation of men in all ages and all times.” A universal element is relevant to the life of every human being – it is universal. The first major theme that plays an important role in the play is the Christians’ prejudice against the Jews. A second important theme is the attitude toward money. Perhaps the most important theme of the play is the love between people. This love can occur between the same sex, or the opposite sex, platonic or romantic. In Merchant of Venice, the three timeless elements are prejudice, money, and love.