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Role of Women in today's society
Role of Women in today's society
Gender roles in 20th century literature
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Although her face was described as lean and strong, and her attire was somehow "manly" , Elisa is a repress woman who desires adventure, companionship, recognition and respect for her work with her Chrysanthemums.Her troubling break down at the end of the story was a complete total submission to a world she cannot hope to change. The moment she saw the dark speck and knew it was her Chrysanthemums, the flower she nurtured, cherished and that symbolizes her gift for growing things, her feminism and that is part of her, her heart broke in thousands pieces, even though she tried to stay strong for herself and her chrysanthemums, she eventually quietly broke down and started weeping like an old woman.
Some may argue that her break down may only be temporary.For instance,in Jay Parini writing Lawrence's and Steinbeck "Chrysanthemums", he wrote that "Elisa is finally hurt by the repairman, who was merely toying with her,but she is not broken", and he went on to using Charlotte Hadella note which states that "Even though, in the end, she thinks of herself as a weak, old woman, the powerful imagery of the strong, new crop of chrysanthemums waiting for rain still dominates the story" to support his argument. Even though it is a valid argument, Elisa Allen broke down and cried like an old woman, which is a sign of total defeat, and it was well thought out and written by Victoria Price in her article "The Chrysanthemums" where she stated that "For the last critical scene of symbolism, Elisa sees her precious chrysanthemum on the ground, but without the pot it was given in. With everything that happened between the stranger and Elisa, this could be explained by simply saying,"used". She was basically fooled into giving herself away to someone...
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...ubmission. Not only married women, as it was said this is a men world and women are the care takers, they aren't suppose to do a certain type of work, but as time went, women took a stand and moved beyond the basic requirements that the society of men expects of us.Women still live in the shadow of men because some women get pay less for the same job a man is doing, just because of her gender, but it is better compare to Elisa and other women during her time, because women today are capable of doing any job a man is doing without being "completly" frown upon.
Works Cited
Jay Parini article "Lawrence's and Steinbeck's "Chrysanthemums"
John Steinbeck "The Chrysanthemums"
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During this time period, the idealistic view of a woman was running the household while the husband provided a source of income. For a woman not to follow this role, society deemed as untraditional. However, many women began to criticize this role because they believed they should be granted the same opportunities as men. For example, in Document 3, a woman can be seen working in a factory. This is an example of a woman breaking the traditional societal role to provide a source of income for herself, rather than having it be provided for her. Not only did a vast amount of women enter the workforce, but they also began to fight for more opportunities. They fought for opportunities such as equal education, pay, and political
The two short stories have different characters, plot and setting and yet they have a common ground in which human beings are deeply involved. In short, the setting of each work powerfully suggests a rather calm, dull and peaceful mood at a superficial level; however, the main characters are struggling from the uncontrollable passions and exploding desire at heart. First of all, in "The Chrysanthemums" the Salinas Valley is depicted as somewhat dull, like "a closed pot." In addition, its geographical setting represents an isolated atmosphere, and, furthermore, Elisa's actions of handling chrysanthemums can be translated into a static, inactive one. However, when it comes to her concealed passion, the whole picture in this piece can be interpreted in a different way. In fact, Elisa is portrayed as "over-eager, over-powerful" in a sharp contrast to the unanimated space in which she lives. On top of that, Elisa expresses her volition to explore uncharted worlds like the peddler who happens to visit her farm house. Also, it must be noted that, even though Elisa does not reveal her desire openly largely due to the authoritative patriarchal system, Elisa's interior motive is directed toward the violent, bloody prizefights. In other words, the imbalance between the relatively restricted setting and Elisa's vaulting desire to wander into the unknown territory is chiefly designed to strengthen the overall imagery of Elisa, whose drive to experience the violent outer world. At the same time, it can be inferred that appearance (setting) and reality (Elisa's human nature) are hard to understand.
Elisa is a trapped woman. She is trapped in her “closed off” (Steinbeck 459) location of the Salinas Valley; trapped in her “blocked and heavy” “gardening costume” (Steinbeck 460); trapped behind her “wire fence” (Steinbeck 460). Elisa is trapped woman, however all of the things that keep her trapped are ultimately hers: “her wire fence” or her constricting clothing (Steinbeck 460). Elisa's inability to step beyond her boundaries ultimately leads to her continued unhappiness and feeling of entrapment in her feminine role.
The climax is illustrated and clarified through the symbolic tearing or exposing of the bare walls. She wants to free the woman within, yet ends up trading places, or becoming, that "other" woman completely. Her husband's reaction only serves as closure to her psychotic episode, forcing him into the unfortunate realization that she has been unwell this whole time.
Elisa’s inner feelings are most apparent with the portrayal of her working in the garden, the conversation she has with the “Fixer-Guy”, and finally, when she and her husband are going out to dinner. Steinbeck offers an array of different details concerning the character of Elisa Allen. The main detail being that she is a strong woman on the inside although she seems to struggle in showing it throughout the story. Because of the "Pot Fixer," she is able to act, although for a short time, like that strong woman. Steinbeck unfortunately brings Elisa full-circle, back to where she started. She notices on the way to dinner her chrysanthemum sprouts at the roadside. This, along with her husband’s hesitation to allow her curiosity, puts her back where she started, canceling her emergence. One must ask after reading this short story if Elisa will continue this discontented lifestyle. Or will she be able to blossom beautifully for good, as do her chrysanthemums?
... real love, she may be able to find fulfillment in her flowers more than she ever has. They can be released into the male world and survive, beautiful and strong, though fragile, just as she has. The chrysanthemums are not Elisa's frustration, they are her hope in a world she sees without hope. Therefore, when the tinker simply drops the flowers on the side of the road, the symbolic weight of the chrysanthemums must be considered. Higdon states that "the crucial question remains whether or not Elisa has been destroyed" (Higdon, 668). The reader can see how the flowers represent mostly a positive symbol of growth and life. Elisa may not have anywhere to turn for real understanding, since men are not able to explore her inner-qualities, but it is better that she grows flowers than shutting off her own emotions and feelings and using others like the men around her.
This frustration is evident when Elisa is first introduced. Her figure is described as "blocked and heavy" because she is wearing heavy gloves, heavy shoes, a "man's black hat," and a big apron that hides her printed dress (Steinbeck 330). Her home has the masculine qualities of being "hard-swept" and hard-polished" (Steinbeck 330). Elisa is bored with her husband and with her life (McMahan 455). Obviously, Elisa is unhappy with the traditional female role and is attempti...
This source provided the unique perspective of what was thought to be the perfect household, with a man who worked and a wife who cooked and cleaned. However, it also showed how a woman could also do what a man can do, and in some cases they could do it even better. This work is appropriate to use in this essay because it shows how men talked down to their wives as if they were children. This work shows the gradual progression of woman equality and how a woman is able to make her own decisions without her husband’s input.
In this short the Chrysanthemums, written by John stein beck. The author tells a character who is in need of love. Stein back reflects the charazteratiom of Elisa in the story because he shows us how Elisa character changes threw out the story. The traits of Elisa’s show us that Elisa is strong and want affection and resorts to the chrysanthemums as a way to show herself.
All of this insight and analysis of the meaning behind Elisa's chrysanthemums is what opens up the undisclosed doors of this story. If one did not look further into the story, it would seem as if the author was providing a bunch of unnecessary pieces of information about a specific day in the life of Elisa Allen. The chrysanthemums, being the key to the story, give a more in-depth understanding of this woman's life and her struggles that would otherwise not be acknowledged.
The main character in John Steinback’s short story: The Chrysanthemums, is a married woman named Elisa Allen. She is a hardworking diligent young woman. In the opening chapters of The Chrysanthemums, Elisa is seen heartily in a great degree tendering to her gentle flowers. Powerful she is – gentle and conservative with her strength. She knows her weakness. Like the gentle calm flow of water embedding itself into layers of strata – which forms the highest peaks and grandest canyons.
She argues that women today are not getting married so young, instead focusing on themselves professionally, financially, and socially. Traister does not shame women for being married or is not persuading women choose whether to get married or not, but she provides facts and personal experiences of different women being single and married. Women have the freedom and power to make their own choices. For example, she uses historical figures like Susan B. Anthony, Jane Addams, Frances Willard, Alice Paul, Mary Grew, and Dorothy Height who were single women, but had significant roles and careers, but they did not need to have a man to be the great women that they were. They did not have to be married to be successful. Doctors Elizabeth and Emily Blackwell, Florence Nightingale, Clara Barton, and Dorothea Dix were not married as well, but instead they were married to themselves and their careers which is not a bad thing and should not be looked down upon. However, there were married women like Frida Kahlo and Ida B. Wells, but they challenged typical women roles and were feminists, even with a husband. Traister argues that there are unknown unset society rules for women. Society claims that women are expected to fulfill their roles which is to be married and have. If women do not live
In the opening of the story Elisa is emasculated by the description of her clothing. She wears "a man’s black hat pulled low down over her eyes, clodhopper shoes, a figured print dress almost completely covered by a big corduroy apron…" (paragraph 5). When Elisa’s husband Henry comes over and compliments her garden and ability to grow things Elisa is smug with him and very proud of her skill with the flowers. Her "green thumb" makes her an equal in her own eyes. When Elisa’s husband asks her if she would like to go to dinner her feminine side comes out. She is excited to go eat at a restaurant and states that she would much rather go to the movies than go see the fights, she "wouldn’t like the fight’s" at all (paragraph 21). Elisa is taken aback with her own submissiveness and quickly becomes preoccupied with her flowers as soon as her husband leaves. When the drifter comes and asks Elisa for work to do she is stern with him and refuses him a job. She acts as a man would to another strange man and becomes irritated. When he persists in asking her she reply’s "I tell you I have nothing like that for you to do" (paragraph 46). The drifter mentions Elisa’s chrysanthemums and she immediately loosens up as "the irritation and resistance melt(ed) from her face" (paragraph 51). The drifter feigns great interest in Elisa’s chrysanthemums and asks her many questions about them. He tells her he knows a lady who said to him "if you ever come across some nice chrysanthemums I wish you’d try to get me a few seeds" (paragraph 56). Elisa is overjoyed by any interest in her flowers and gives the man chrysanthemum sprouts to take to his friend.
However, the lives of these women were not as easy as it may have seemed. In retrospect, their roles, although seemingly wonderful, were actually oppressive. They were taught to be obedient and loyal to their husbands . Their opinions were devalued, and they were thought of as nothing more than an accessory to their husbands.
Then there was the woman’s movement and women felt they deserved equal rights and should be considered man’s equal and not inferior. The man going out to work, and the wife staying home to care for the home and the children would soon become less the norm. This movement would go on to shape the changes within the nuclear family. Women deci...