The elements of popular culture discussed above, were mainly produced for mass exposure, profit and entertainment. Products depicting archaeology relies on fantasy, imagination, myths and legends that were visualised and weaved into reality. The depiction of archaeology and archaeologists in popular culture, betray archaeology and send wrong messages that distorts the noble purpose of archaeology. Popular culture depicts archaeology as an adventure and a profession that will endure wealth and fame for its achievers. In films depicting archaeology, the general public is misinformed of who archaeologists are, and how they make their living and organize their work, as they were shown as freelance individuals who did not affiliate with any university or institution, except the character of Indiana Jones who was an archaeologist and an academic. …show more content…
Therefore the solutions offered were to use the cinema’s characterizations and plots (the stereotypes), to reject fictional …show more content…
SHA, and other archaeological societies, institutions, scholars and archaeologists find it hard to conduct or even to get involved in such shows that are produced for the entertaining of fans and also for gaining revenue. The Society for American Archaeology (SAA) is working on clearing-house project that will help in building public awareness about archaeology and the way it is practiced, therefore the project is seeking input from professionals and the interested public, in order to share and contribute information and
Neill, Alex. “Empathy and (Film) Fiction.” Philosophy of film and motion pictures : an anthology. Ed. Noel Carrol and Jinhee Choi. Malden, MA: Blackwell Publishing, 2006. 247-259. Print.
In the classical Western and Noir films, narrative is driven by the action of a male protagonist towards a clearly defined, relatable goal. Any lack of motivation or action on the part of the protagonist problematizes the classical association between masculinity and action. Due to inherent genre expectations, this crisis of action is equivalent to a crisis of masculinity. Because these genres are structured around male action, the crises of action and masculinity impose a crisis of genre. In the absence of traditional narrative elements and character tropes, these films can only identify as members of their genres through saturation with otherwise empty genre symbols. The equivalency between the crises of genre and masculinity frames this symbol saturation as a sort of compensatory masculine posturing.
Processual Archaeology, was a movement in the archaeological field that began in the 1960‘s and changed the course of archaeology forever. Anthropologists such as Julian Steward were absolutely influential on many archaeologists and anthropologists during the early 1960s with his theories of cultural ecology which established a scientific way of understanding cultures as human adaption to the surrounding environment (Steward, 1955: 36-38). It was approaches such as Stewards that led eventually led to a rejection of culture-historical approaches to the archaeological record and propelled the ideas of cultural evolution and its reaction with the environment. This approach to cultural systems was essentially a rejection of the culture-historical approach of determinism by suggesting that the environment influences culture but is not a deterministic feature and that both culture and the environment were two separate systems that are dependent on each other for change (Steward, 1955: 36).
The film’s story does not simply shines forth, but is also the foundation of the plot. The film’s plot makes the traditional guidelines applicable...
Surname 1Student’s nameInstructor’s nameCourse numberDateProject about Pop-CultureIn order to study and understand pop culture we must first and foremost confront the difficulty posed by the term itself. This is because it is used in quite different ways and are of inquiry and theoretical definition and analytical focus. Popular culture is generally defined as signifying practices that produce meaning, has mass accessibility and appeal. Origin of popular culture can be traced to the creation of middle class generated by the industrial revolution. Popular culture was mostly associated with the poorly educated or the lower class while the official culture which was mostly associated with the well-educated and the upper class citizens. However,
Classic narrative cinema is what Bordwell, Staiger and Thompson (The classic Hollywood Cinema, Columbia University press 1985) 1, calls “an excessively obvious cinema”1 in which cinematic style serves to explain and not to obscure the narrative. In this way it is made up of motivated events that lead the spectator to its inevitable conclusion. It causes the spectator to have an emotional investment in this conclusion coming to pass which in turn makes the predictable the most desirable outcome. The films are structured to create an atmosphere of verisimilitude, which is to give a perception of reality. On closer inspection it they are often far from realistic in a social sense but possibly portray a realism desired by the patriarchal and family value orientated society of the time. I feel that it is often the black and white representation of good and evil that creates such an atmosphere of predic...
Discussions in the 1970’s and 1980’s within both sides of the debate indicate population change, behavior change and natural processes to be the large determining factors (Attenbrow, 2004). Many archaeologists accepted there was a continuing increase over time in the number of archaeological sites established and used, as well as in the number of artefacts accumulated in individual sites, particularly in the past 5000 years (eg. Johnson 1979:39; Bowdler1981; Morwood 1984:371, 1986, 1987; Ross 1984, 1985:87; Beaton 1985: 16-18; Fletcher-Jones 1985: 282, 286; Lourandos 1985a: 393-411, 1985b: 38; White and Habgood 1985; Hiscock 1986) (Attenbrow, 2004). Population change refers to the changes in number of people or size of the population, behavioural changes referring to changes to activities such as tool manufacturing, subsistence practices as well as the use of space within a site (Attenbrow, 2004). Whilst natural processes include geomorphological and biological process that may have affected the archaeological record (At...
Kerner, Aaron M.. “Irreconcilable Realities.” Film Analysis: A Norton Reader. Eds. Jeffrey Geiger and R.L. Rutsky. New York: W.W. Norton & Company, 2nd edition, 2013. 462-83.
However, as degrading the stereotypes may be, some directors use these stereotypes to communicate the reality of the situation. For example, when the premise of the plot relates to history of Asian Americans, the inclusion of culture-specific attitudes and accents transforms the movie or TV show in an unidealized perspective of the world. Rather than shying away from what is considered racist, the directors stays true to what is part of society. Therefore, the ethical responsibility is to display these negative stereotypes.
Most of the fantasy stories that were produced made use of film as a tool to expose the shows. Study proved that the world of film has a various capacity in persuading and changing the perspectives of a viewer. A film functions as an int...
Using a media text as a key example, evaluate selected techniques of fictional production which contribute to a sense of realism consistent with genre or format used.
Film and literature are two media forms that are so closely related, that we often forget there is a distinction between them. We often just view the movie as an extension of the book because most movies are based on novels or short stories. Because we are accustomed to this sequence of production, first the novel, then the motion picture, we often find ourselves making value judgments about a movie, based upon our feelings on the novel. It is this overlapping of the creative processes that prevents us from seeing movies as distinct and separate art forms from the novels they are based on.
Bertolt Brecht asserted, “Art is not a mirror held up to reality, but a hammer with which to shape it.” Art, encompassing all popular culture artifacts, both reflects the society that creates it and is itself an agent capable of changing social reality. Popular culture artifacts, like the Harry Potter series discussed in Nexon and Neumann’s work, Harry Potter and International Relations, exert agency, or causal power over the meaning and interpretation of cultural elements, by influencing the way ideas and values are constructed in everyday life. This paper will demonstrate that popular culture artifacts construct meanings and influence interpretations of reality.
Archaeologists are scattered across the gamut. Considering knowledge of human past is valuable to numerous academic disciplines. Varieties of archaeological application include: cultural resource management, heritage conservation, historic preservation,
...n able to reach otherwise. With unlimited possibilities and the creative minds in the world, the film industry is likely to consider seeing drastic changes. Like the world has in the past, peoples’ likes and dislikes will change with the ever-changing technological world. What we enjoy as a society in 2005 is likely to be considered as bland as we consider the black and white silent films, in the years to come.