Visual Analysis
No matter who you are, old or young, race or where you live, domestic violence can affect you, or someone you know. The painting I choose, takes place in a clean home with two adults and a child, and would say it took place during the night. A child, a girl I think because she looks to have a ponytail, is standing in her pajamas in a dark hallway, peeking into most likely the living room. She is frightened as she is clenching her teddy bear or could be dolly, and is leaning into the doorway trying to hide but curious to see what’s going on. In this room, there is only shadows on a lamp lighted wall, that appear to be a mother and father, not talking but yelling at one another. The mother figure is leaning downward mouth open so maybe crying and looks to be cowering low, well the father figure is standing over and above her pointing down with a powerful stance. Back to the hallway, above the little girl, is a blurry, dark
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The design of the painting is composed to draw your eye to the arguing couple because they are lit up and it is the only none dark area. Once you see them, your eye automatically moved to the child semi hidden between the lit space and the dark space. As I mentioned before the parents portray how the child lives in real life, as the hung picture in the hallway portray how any child would rather live, happy and safe, not scared. The colors used are very dark reds, yellows, grays and black, even the yellow lit up area is dingy and grayish making the picture very depressing and sad. If this was to show a happy family conversation, the colors would be more neutral with bright whites and not so much darkened areas. With the author’s background in art therapy and working with domestic violence victim’s and hearing their stories, I think she did a pretty good job in showing a real situation. I would use her as a credible source in the
Thornton, Victoria. “Understanding the Emotional Impact of Domestic Violence on Young Children." Educational & Child Psychology, Mar2014, Vol. 31 Issue 1, p90-100, 11p, 3 Black and White Photographs, 1 Diagram; found on p95
My favorite thing about this piece is the depiction of the New York skyline during a starry night. This is because I am in love with the city at night time. It makes me feel warm. My least favorite thing is the floral border. At first glance, it looks dumb and out of place. I did not understand the purpose of this border until further research was done on the piece of art. I do not think the artist was successful at achieving her goal. I think this because at first I didn't even notice the young girl flying above the bridge. Once I noticed her, I could not tell she was the same girl laying on the rooftop. This made the wild background not make much sense to me. If I were to do something differently about this piece, I would make the flying girl bigger, or put her into more of the focus. Also, I would do something special to show that they are the same girl. Maybe a unique outfit or something would do the job. During the time this artwork was created, Ringgold played a role in the organization of protests and actions against museums that did not show the work of women and people of color. She usually used “overly political paintings” to present her anger (Spector, Nancy). Within this work, she used a story quilt. Everyone loved it! She turned down her angry theme to show this light hearted example of a “spirited heroine”(Spector, Nancy). Women in this time period’s society loved to see a young colored girl
She shows the true culture of her family’s life and how they act. Artistically, this frame includes lots of detail and is realistic. Behind the doors and windows is a blank, only shaded area. The conversation between the two sides shows the ignorance of her parents. While the child looks angry and seems to have looked everywhere (with the draws being opened already). This shows that the family does have transparency and doesn’t constantly cover-up the truth.
I will compare the emotions that both artworks send to the viewers when they first look at them. When I look at the portray 1, I fell sadness. That’s what the artwork is conveying to me. No one in the picture is happy or smiling. Everyone is sad, upset or indifferent. When we look at their gaze, the father is looking traight away, with tired eyes. His gesture shows that he doesn’t want to hear what his wife has to say and is asking her to stop. The mother’s gaze is on something in front of them. Her eyes are big and she seems to be giving more attention to things than the man. She seems sad sad to be spoken that way. On portray 2, the atmosphere is visibly different. The man and woman have a little smile on their faces and the kids are playing next to them. The people in the portray don’t look indifferent to each other or sad like in the other portray, they look pleased and caring. The man and women gaze are relaxed and they seem to be enjoying themselves. They are looking straight away in a pose as if someone is taking a picture of them. The kids gaze are in their
The composition of this painting forces the eye to the woman, and specifically to her face. Although the white wedding dress is large and takes up most of the woman’s figure, the white contrasts with her face and dark hair, forcing the viewer to look more closely into the woman’s face. She smokes a cigarette and rests her chin on her hands. She does not appear to be a very young woman and her eyes are cast down and seem sad. In general, her face appears to show a sense of disillusionment with life and specifically with her own life. Although this is apparently her wedding day, she does not seem to be happy.
The painting is a large painting it is almost five feet tall and four feet wide. It is an oil painting on traditional canvass. The color choice is very dark and gloomy. It serves the purpose of putting the viewer in a somber mood. From the first glance you can tell that this is a sad setting. To some viewers Ida might bring a feeling of disgust, however, after closer inspection of the painting, the inner beauty seeps out. The black backdrop works to bring Ida out to the viewer. The fact that Albright was able to take a young and pretty model, transform her into an almost “Walking Dead” type creation from his own mind, shows that Albright had a very creative mind. The patterns of the carpet, along with a tear in the fabric beneath the chair she sits on give the carpet a life of its own, distinct, yet worn from time and abuse, much like Ida herself. The texture of the vanity behind her is duller. He gives no real definition to the outline of the lower drawers, there was nothing in there of any significance, but it works as a great background for Ida's leg.
Though most works of art have some underlying, deeper meaning attached to them, our first impression of their significance comes through our initial visual interpretation. When we first view a painting or a statue or other piece of art, we notice first the visual details – its size, its medium, its color, and its condition, for example – before we begin to ponder its greater significance. Indeed, these visual clues are just as important as any other interpretation or meaning of a work, for they allow us to understand just what that deeper meaning is. The expression on a statue’s face tells us the emotion and message that the artist is trying to convey. Its color, too, can provide clues: darker or lighter colors can play a role in how we judge a piece of art. The type of lines used in a piece can send different messages. A sculpture, for example, may have been carved with hard, rough lines or it may have been carved with smoother, more flowing lines that portray a kind of gentleness.
The painting is organized simply. The background of the painting is painted in an Impressionist style. The blurring of edges, however, starkly contrasts with the sharp and hard contours of the figure in the foreground. The female figure is very sharp and clear compared to the background. The background paint is thick compared to the thin lines used to paint the figures in the foreground. The thick paint adds to the reduction of detail for the background. The colors used to paint the foreground figures are vibrant, as opposed to the whitened colors of the Impressionist background. The painting is mostly comprised of cool colors but there is a range of dark and light colors. The light colors are predominantly in the background and the darker colors are in the foreground. The vivid color of the robe contrasts with the muted colors of the background, resulting in an emphasis of the robe color. This emphasis leads the viewer's gaze to the focal part of the painting: the figures in the foreground. The female and baby in the foreground take up most of the canvas. The background was not painted as the artist saw it, but rather the impression t...
Domestic violence is a major problem in the United States. When most people think of domestic violence, they think of one person beating the other person in a relationship. Webster defines domestic violence as “the inflicting of physical injury by one family or household member on another.” Domestic violence has a major effect on children. Some people say that the violence has no effect, while others argue that the violence has a negative effect on children. Domestic violence scars children for the rest of their lives. Once children witness the act of violence, they are more likely to have problems throughout the rest of their lives. Domestic Violence has a negative effect on the way children behave, the way they learn, the careers they choose,
There is an immense role occupational therapists can provided for survivors of domestic violence to improve their overall quality of life. Victims of domestic violence often have lifelong challenges and are at greater risk for many disorders and occupational deprivation.
As I enter the Gioconda and Joseph King Gallery at the Norton Museum of Art the first thing that Caught my attention was a painting measuring approximately at 4 ft. by 10 ft. on the side wall in a well- light area. As I further examine the painting the first thing I notice is that it has super realism. It also has color, texture, implied space, stopped time, and that it is a representational piece. The foreign man sitting on the chair next to a bed has a disturbed look on his face and is deep into his own thoughts. It’s as if someone he loved dearly just experienced a tragic and untimely death. He is in early depression. I could feel the pain depicted in his eyes. A book titled The Unquiet Grave lying open on the floor by the unmade bed suggesting something is left unresolved. The scattered photos and papers by the bedside cause redintegration. The picture of Medusa’s head screaming on the headboard is a silent scream filled with anger and pain, yet it cannot be heard. I feel as if I am in the one sitting in the chair and I can feel the anger, and regret.
It differs greatly, in its portrayal of mothers, from Le Brun’s Self-portrait with her Daughter and Cassatt’s artworks. Behind Marie Antoinette, you see a jewelry cabinet, off to the right of the canvas. This illustrates that, although she is with her children, she finds treasure within her own materialistic objects. Furthermore, her expression lacks emotion as she holds the child loosely within her arms. The child looks off, barely acknowledging its mother, who is holding him. Next, the child, on the far right of the canvas, reveals an empty cradle, alluding to a child who has died. Again, Marie seems unfazed or simply chooses not to acknowledge the boy’s actions. Furthermore, the young girl, on the right of the canvas, clings on to her mother as she lovingly looks up to her mother. Marie holds a wry smile, appearing somewhat annoyed or displeased. The color scheme is dark, but Le Brun utilizes contrast to emphasize the royal family. However, it only works to further expose the detached relationship between a Marie and her children. According to the lecture, “To counter people’s hatred of the queen and their criticisms of her as a bad (even a degenerate) mother, Vigée Le Brun was commissioned to paint this portrait of Marie Antoinette and her children” (Gartrell). Sadly, the painting was
The artwork I chose for the art criticism project was ‘The Survivors’ by Kathe Kollwitz. The piece was created in 1923 in Berlin, Germany, where she resided with her husband. She and her husband resided in a poorer area, and it is believed to have contributed too much of her artwork style. ‘The Survivors’ is currently displayed in two museums, the MoMA and the Kathe Kollwitz Museum. In the piece there is a woman directly in the middle, with sunken in cheek bones is draped in a black cloak. Her arms are around three small children, who look very frightened. On each side of her body there are an additional four small children who convey sadness upon their innocent faces. Also, they are outstretching their arms as if they are begging for her to give them something. In the background, on the top left side, there are two elderly men with their heads down, looking as if they are very sad and
According to the NCADV (the National Coalition against Domestic Violence), domestic violence (DV) is “willful intimidation, physical assault, battery, sexual assault, and/or other abusive behavior as part of a systematic pattern of power and control perpetrated by one intimate partner against another.” Domestic violence is also known as intimate partner violence (IPV). All of this includes physical, sexual, and psychological violence as well as emotional abuse. Domestic violence is one that does not specifically effect one kind of person. Any person regardless of their gender, age, sexual orientation, race, religion, or socioeconomic status can fall victim to this. Every case
Domestic violence is the willful intimidation of power and control by an intimate partner against another. It doesn’t always look the same because every relationship is different. It can happen to any sex, age, race, gender, or religion group. Abusive relationships come in different forms including physical abuse, sexual abuse and even emotional abuses, but in all cases you find one partner controlling another. It can result in physical injuries, emotional trauma and sometimes death. All of these can affect a victim’s life for a long period of time. There are many different signs of domestic violence and many people wonder why an abused victims stay with their partner.