The Effect of Art Theories on Practice of Artists

The Effect of Art Theories on Practice of Artists

Length: 1831 words (5.2 double-spaced pages)

Rating: Excellent

Open Document

Essay Preview

More ↓
The Effect of Art Theories on Practice of Artists

Practice in art refers to the decisions and actions that affect choices, perceptions, ways of working and views of an artist or art historian. Tim Storrier sums up the practice of an artist by saying that "A painting is really a graphic illustration of where a particular artist is at that point in his life and the art encompasses what the artist has gone through in their life." On art historians and critics he says "Other people come along and interpret the painting with their own life experiences" The subjectivity involved in a critic or art historian's views are extremely high.

The practice of Tim Storrier is informed by the theories of painting an idea with a poetic edge. This idea then goes searching for "totems" to portray itself upon. Storrier speaks about this theory: "My paintings don't start with visual stimulation, it's usually an intellectual idea with a poetic edge, then the idea goes searching for different totems to portray itself upon." Storrier elaborates further that "The bottom line of my paintings is that they are trying to come up with totemic images about Australia. We don't have many, for me the true totemic image of Australia is the horizon." A totem is a natural object that is usually the emblem of a clan in a tribal group. Storrier's totems are a natural object that he can apply his poetic idea to.

We see from these quotes that the theory of Tim Storrier's art is concerned with the idea of painting "totemic images" and that the paintings are trying to come up with totemic images about Australia. Storrier believes that the totemic image of Australia is the horizon. Storrier is using both the Subjective and Cultural frames in his artwork. Storrier uses the cultural frame to emphasise the point that his belief is that the horizon is the totemic icon of Australia. The horizon is included in most Australian paintings and has become an integral feature of Australian artworks. Storrier was influenced by Australian artists Russel Drysdale and Sydney Nolan. Both these artists use the horizon as a key feature of their paintings. Storrier incorporates the horizon in almost every painting and the main idea of his paintings are the horizon, not the actual objects he portrays in them. Storrier's theory on the horizon being the totemic image of Australia stems from his love of the horizon, even as a child "I was always gazing at what lay beyond the horizon.

How to Cite this Page

MLA Citation:
"The Effect of Art Theories on Practice of Artists." 123HelpMe.com. 10 Dec 2019
    <https://www.123helpme.com/view.asp?id=162989>.

Need Writing Help?

Get feedback on grammar, clarity, concision and logic instantly.

Check your paper »

Two Digital Visual Artists Essay

- Two Digital Visual Artists Visual art practises have been around since the foundation of mans existence, also mans constant drive for progression is also evident. These practises continue to grow, not only in the arts but also in every area of mans life. From the beginning we had cave drawings or finger paintings. These creations are interpreted by individuals today who may not understand why, who, when or how, but realise that these creations may have lead others to doing likewise. From these basic artworks, concepts are derived, and questions are asked, certain ideas and improvements are thought up....   [tags: Art Theory Artists]

Research Papers
1392 words (4 pages)

Essay about Impressionism In Art

- Impressionism: “a theory or practice in painting especially among French painters of about 1870 of depicting the natural appearances of objects by means of dabs or strokes of primary unmixed colors in order to simulate actual reflected light.” (“Impressionism.“) During the late 1800’s and early 1900’s a revolution in art began in France. Impressionism was a drastic change from the artwork from the Renaissance and the period of Romanticism in art. It was also the beginning of modern art. Famous Impressionistic artists include – a man dubbed the leader of Impressionism – Claude Monet, Edgar Degas, Paul Gauguin, Mary Cassatt, and Auguste Renoir....   [tags: Art History]

Research Papers
1255 words (3.6 pages)

Essay on What A Biennial Is An Art Fair, A Gallery, And An Auction House

- Imagine a city as a frame, that’s what a biennial is. A biennial can be seen in public places, yes for all to see. How wonderful, right. A biennial differs from an art fair, a gallery, and an auction house in the sense that it is art focused, while the latter three are concentrated on sales. Although biennials are a good illustration of an attention based economy, they aren’t fully global. The art world often prides itself with its “globalism”, but how global is it. Chin-Tao Wu who is an assistant research fellow at the Academia Sinica in Taiwan raises these questions in her journal” Biennials without borders?”....   [tags: Art, Arts, North America, Africa]

Research Papers
1635 words (4.7 pages)

Our Value of Art Essay

- Our Value of Art Art is a thoughtful, emotional expression. It has many forms, such as painting, sculpture, architecture and the written word. Rousseau proposes, "Instead of thinking of life as something to which signs and texts are added to represent it, we should conceive of itself as suffused with signs (Culler 12)." For these purposes the signs which Rousseau identifies are works of art. This statement speaks to the inseparable quality of life and art. Since life and art are connected they invariably affect one another....   [tags: Art Philosophy Essays]

Research Papers
907 words (2.6 pages)

Essay on Reflections On Art And Sustainability

- “The hierarchy between art, architecture, design, and planning remains a paradox within the culture of sustainability, where the principal criterion of value to bring into being sustainable projects and environments,” states design Professor Victor Magolin from Illinois states in the essay Reflections on Art and Sustainability. Overall, when trying to define collaborations, movements, art objects, or what have you, it all comes down to the intent of the project or creator’s final goal. What is my definition of a culture sustainability....   [tags: Sustainability, Natural environment]

Research Papers
777 words (2.2 pages)

Finding identity and Appropriation Art Essay

- INTRODUCTION Discuss how appropriation relates to postmodern artists. – How they find their identity • Introduce the main artists. • A statement identifying my chosen practitioners and the postmodern characteristics that are evident in their work. • A statement outlining why the practitioners’ works are relevant to postmodernism. • An overview of key authorities, their publications and 3 key arguments (main points of difference and similarity between the artist) that will be elaborated on in the essay....   [tags: cultural influence, globalization]

Research Papers
791 words (2.3 pages)

Painting with Spray Paints Essay

- Painting with Spray Paints Painting with spray paint can be an exciting and challenging technique to add to any artist’s repertoire. Spray paint comes in a number of formats, allowing the artist to select tight control or a spontaneous, loose flow of paint. Today’s spray systems are modern advancements on an old technique. Mouth atomizers have been used for many years, and the tools are still available. Technology has taken this to include airbrush systems and canned spray paints. All these tools expand the artist’s ability to create a diverse array of styles and techniques that brushwork could never imitate....   [tags: Art]

Research Papers
1047 words (3 pages)

Got Art? Essay

- “Experts have also found a correlation between students with experience in music performance and music appreciation and higher scores on standardized tests, including the SAT” (Parker). Although art has been used as a major tool in improving education in past decades, much of society today fails to recognize the effect of budget cuts on art programs and realize that they have indeed hurt the academic performances of some American schools consequently. Furthermore, art has inspired the imagination of people since the beginning of time and has also allowed people to express their feelings and look at issues from a different point of view....   [tags: Music Performance, Music Appreciation]

Research Papers
1787 words (5.1 pages)

Essay on Expressionism Of Truth Through Art Making

- It goes without saying that the depiction of truth through art making has been tackled in countless ways by a breadth of individuals. So, it is no surprise that the way truth is taken on varies as much as the individuals themselves. Moving against the tendency to look outward to show reality (as we see through the work of Impressionists, or a given artist in the scope of Modernism) we find that there is something dissociative about the work of those we identify as Expressionist. The focus on the subjective, imaginative, spiritual, and the use of memory sets the Expressionists apart....   [tags: Expressionism, German Expressionism, Truth]

Research Papers
1284 words (3.7 pages)

Essay on Art : The Works Created By Artists

- Art according to the Webster’s dictionary,” art: works created by artists: paintings, sculptures, etc. that are created to be beautiful or to express important ideas or feelings.” Art can be beautiful, confusing, offensive, and stir emotions in people one may not anticipate. The question that one may ask is, “How does one determine what art is?” Art is to one person different to someone else. Art is subjective to anyone’s beliefs, styles, and opinions. Graffiti is a great example of this unanswered question....   [tags: Art, Arts, Magnum opus, Visual arts]

Research Papers
753 words (2.2 pages)

.. The beauty of distance." This shows that Storrier is working from the subjective frame as well as the cultural frame. An important quote from Storrier is this: "My burning rope pictures, the series called Point to Point, are totemic images of a journey from one point to another in the landscape of life, but they are really about the horizons beyond the burning rope." This quote shows us that Storrier's personal theories on the totemic image of Australia being the horizon is incorporated into his artworks. We can see from this that the personal theories of art influence the practice of artists.

Another proof of how Storrier's theory of art is painting a totem to portray an idea with a poetic edge was when he divorced his wife in 1984. "Storrier, raging with pain and anger, painted a totem for his traumatic state" He thought of a totem and gave the totem an idea with a poetic edge to show his feelings and traumatised state. The painting was called "The Burn". The totem in the painting that reflected his raging view and traumatised state was a carcase of meant with a burning rope following the contour of the spine as a symbol of a flayed body. The ribs are showing, the penis is blood red, the testicles droop. This shows further evidence of Storrier working in the subjective frame. It is interesting to note how storrier communicates his feelings so effectively. A humans ribs, spine and testicles are the most painful part of a body to hurt, and Storrier uses these 3 body parts to communicate his area of pain. In this instance it was all the hurt and anguish of breaking up with his wife.

Critics and art historians also have theories about art and these theories influence what the critics and historians have to say about the artist. A critic's view includes his or hers personal experiences and this is how critics and art historians work under the subjective framework. Tim Storrier comments on this by saying, "Other (critics and art historians) people come along and interpret the painting with their own life experiences." Critics and art historians views include the cultural frame as the idea's and theories of critics and art historians change around the world. We can see this by juxtaposing two views of critics – one from Australia and one from America:

"Australian critics mutter that the local audience and market has been saturated by Storrier's burning ropes/horses/fists/fruit, and that the artist should apply his skills to another theme." Unfortunately some Australian critics have been under the influence of what is called the "Tall Poppy Syndrome" where they attack the artists of their choice, they cut them down to size, and unusually with no justification. In Storrier's case they attack his work as being repetitive and irrelevant. Storrier believes that the critics have a go at him because he is rich. "The Hollywood myth perpetuates that artists are meant to live in ripped jeans and stained t-shirts, and never earn a buck."

The Americans however interpret Storrier's burning paintings "in a way Australians hadn't." Storrier's artworks were seen as "Highly political, ecological statements about the landscape and it's vulnerability; the burning rope, fists, fruits, became symbols of civilisation consuming itself, leaving only the charred ruins on the horizon.". The Americans critics were influenced by the cultural frame as the war's around the world (Kuwait war, Gulf War) were occurring at the same time that Storrier released his paintings to America. The Americans could identify with Storrier's work as the pictures on the news and tabloids showed burning objects from the war and they understood Storrier's work to be political statements about the wars that were being fought around the world – they understood the burning fruits to be "Symbols of civilisation consuming itself."

Relating back to the practice of Storrier and the frames that he worked out of, we can see that Storrier's practice worked from the subjective frame as Storrier included a lot of personal and psychological experiences in his artworks. He did this by using the Structural frame to add symbols in his artworks such as the horizon, objects in isolation and evoking a feeling in his audience of stillness, silence, loneliness and being isolated or trapped in a vast world. Storrier was sent to a boarding school and his sense of isolation there is still reflected in his artworks today "The sense of isolation was very strong, a lot of my anger came from being sent away from home to the school." Storrier loved taking photo's of objects in isolation "Things in isolation seemed to intrigue him." Storrier's practice was influenced by these psychological changes in his life and he reflected these changes in his artworks. To get the affect of loneliness and isolation and an illusion of space in his artworks, Storrier uses shadows, receding horizon lines, long perspective, distant vanishing points, and works done from an arial view. "The space creates a sense of solitude, emptiness and vastness in his work" objects such as debris have been incorporated into his earlier works to indicate distance. All of this shows us that Storriers practice is compromised from the subjective and structural framework and depicts stages from his life.

Another theory of Storrier's is that an artwork must be beautiful and not grotesque. Storrier believes the main challenge is to paint a picture in a beautiful manner. The tonality normally used may be different for such an angry subject such as "The Burn", where an animal's carcass is displayed bleeding, but in a gentle, toned down way compared to how grotesque he could of made it. "The establishment of beauty is an essential role for an artist. The bottom line of a painting is that it is a profound decoration, I'm aware of horror and the detestable but I don't paint it. I revert back to what is acceptable, to beauty and human grace, because that is what lasts." Storrier shows another theory that affects his art making – he say that "An artist's pictures are his calling cards on the way through his life, and mine, I hope, are done with generosity and affection." Storrier may paint a not so nice picture, but he does it with beauty and human grace. These are his personal thoughts towards beauty in art. These are his personal theories that affect his decision making, or art practice.

In 1980 however, Storrier became frustrated with painting realistically, since the same can be achieved through photography. Storrier was inspired by the work of Dutch artist Theo Kuijpers who created mixed media works, combining realistic, tangible form with illusionism. We can see this effect in Storrier's mixed media construction – ‘The hungry surveyor", where he paints a picture and layers real objects, such as a horse saddle, whips and cans, on top of the canvas. Painting with real objects is a post-modern practice and Storrier uses appropriation in a way as he follows Theo Kuijpers Work. Storrier once again uses the cultural frame to show his affinity with the Australian outback lifestyle, by using real objects that are all Australian. Storrier is also using the subjective frame by putting symbols of his child hood into his art works.

The practices of artists is informed by the critical theories on arts that the artist may have. With Storrier we can see how he takes all of personal theories and applies them one by one to each of his artworks. Storrier is a unique artist as he is self taught and rarely follows any actual genre in art (minimalism, conceptualism, dadaism etc). The horizon is emphasised as his theory is that the horizon is the central and integral totem of Australia. We can see how he comes up with totems and applies varied ideas to them, this is another one of Storrier's theories. Another theory is that painting should be beautiful and we can see that even though Storrier may have a grotesque painting to paint, he does so with the utmost beauty, respect and tolerance that a painting of that nature deserves. Theories are an integral part of an artists decision making, or practice, that goes with each and every artwork that an artist produces.

Bibliography:

Encounters with Australian artists: Tim Storrier
http://www.planetpapers.com/assets/3598.html
Australian Art and Artists: Tim Storrier (Chapter 25)
L. Van Nunen - Point to Point.
Return to 123HelpMe.com