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Is edna pontellier considered a sympathetic character in the awakening
Meaning of the Awakening by Kate Chopin
Symbols in the awakening kate chopin
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Kate Chopin’s novel, The Awakening has been both criticized and praised since its time of publication in 1899. Its scandalous nature shocked the sophisticates of the time for its frank treatment of a sin so egregious as adultery; its lack of moral repercussions for the protagonist, Edna Pontellier, led many to believe that Chopin excused, if not condoned, the act. Because of this, the novel didn’t get the recognition and analysis it deserved until well after its publication. What seems like a simple story is truly much deeper; Chopin’s use of symbolism creates a much richer narrative that lends itself to much more personal reflection and thought on the part of the reader. The central symbol of The Awakening by Kate Chopin is the sea; its importance is highlighted by the fact that it is both the hopeful beginning and the tragic end of Edna Pontellier’s awakening.
The very nature of the sea is cyclical. Immediately, this image calls to mind the idea of a woman. Like the sea, women’s bodies work in a rotation of phases. Specifically in the case of Edna, her own journey is a giant cycle. At the open of the novel, Edna is the picture of a perfect wife, dutifully bending to the will of her husband and never challenging the role she was expected to fulfill. The novel, however, is “an account of Edna’s rite de passage—her movement out of ignorance into knowledge” (Unger 221). Even before she is truly awakened, Edna is “beginning to realize her position in life as a human being” and she realizes that she has two distinctly different personalities; “the outward existence which conforms, the inward life which questions” (Chopin 14). Though the ability to question is a recognizable force within Edna, she lacks the ability to act on her tend...
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...Pontellier." Awakening an Authoritative Text, Biographical and Historical Contexts, and Criticisms. New York: W.W. Norton, 1994. Print.
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Cambridge UP, 1988. Papke, Mary E. Verging on the Abyss: The Social Fiction of Kate Chopin and Edith Wharton. Westport, CT: Greenwood, 1990. Seyersted, Per. Kate Chopin: A Critical Biography.
Leonce Pontellier, the husband of Edna Pontellier in Kate Chopin's The Awakening, becomes very perturbed when his wife, in the period of a few months, suddenly drops all of her responsibilities. After she admits that she has "let things go," he angrily asks, "on account of what?" Edna is unable to provide a definite answer, and says, "Oh! I don't know. Let me along; you bother me" (108). The uncertainty she expresses springs out of the ambiguous nature of the transformation she has undergone. It is easy to read Edna's transformation in strictly negative terms‹as a move away from the repressive expectations of her husband and society‹or in strictly positive terms‹as a move toward the love and sensuality she finds at the summer beach resort of Grand Isle. While both of these moves exist in Edna's story, to focus on one aspect closes the reader off to the ambiguity that seems at the very center of Edna's awakening. Edna cannot define the nature of her awakening to her husband because it is not a single edged discovery; she comes to understand both what is not in her current situation and what is another situation. Furthermore, the sensuality that she has been awakened to is itself not merely the male or female sexuality she has been accustomed to before, but rather the sensuality that comes in the fusion of male and female. The most prominent symbol of the book‹the ocean that she finally gives herself up to‹embodies not one aspect of her awakening, but rather the multitude of contradictory meanings that she discovers. Only once the ambiguity of this central symbol is understood can we read the ending of the novel as a culmination and extension of the themes in the novel, and the novel regains a...
Chopin, Kate. The Awakening and Selected Short Stories of Kate Chopin. New York: Penguin Books, 1996.
In The Awakening, Kate Chopin’s protagonist Edna Pontellier breaks the boundaries of female behavioral norms by using the sea as a metaphor to convey Edna’s strength and empowerment. Edna’s recklessness shows her passion to escape from the restrictive reality of her time. Edna first breaks boundaries when she steps into the water in chapter X, in a “daring and reckless way, overestimating her strength”(Chopin 27). Edna swims out to sea to escape the entrapment of a male dominated society. She does not know how to swim or survive in this male dominated society. Swimming illustrates the alienation Edna feels. She attempts to overcome her fears
In her article, Maria Anastasopoulou writes how ‘’Edna…is an individual who undergoes a change of consciousness that is designated by the concept of the awakening in the title of the novel’’ (19). The novel, as Anastosopoulou continues, is about the ‘’emerging individuality of a woman who refuses to be defined by the prevailing stereotype of passive femininity’’ (20). At the beginning, Chopin writes how her husband looked at Edna ‘’as one looks at a valuable piece of personal property which has suffered some damage’’ (4). Edna accepts this submissive position, unlike Margaret. She goes about her life rather passively, a subordinate to her husband. Her first awakening into a defiant, back-boned character, begins in chapter three. ‘’It was strange and unfamiliar; it was a mood’’ (15) is how Chopin describes the stirring of her awakening. When she looks out, the sea is described as a ‘’seductive, never ceasing, whispering, clamouring, murmuring-‘’ (34) creature. A symbol of her soul, it was now rising. Like Margaret Hale, she had resisted social normal, but, unlike Margaret, Edna was quiet about her beliefs. The more Edna becomes her true self, the more atmospheric the novel becomes. Chopin differs from other novels in the way the novel develops from realism to more of an atmospheric
Edna Pontellier’s character in The Awakening has been the source of the novel’s controversial assessment by critics since it’s publication in 1899. The author, Kate Chopin, officially began writing in 1885 and composed novels that challenged the many conflicting social standards in that time period. The late 1800s, predominantly known for the Industrial Revolution, served as a beacon of opportunity for women during this era. Chopin wrote The Awakening to be used as an instrument to eradicate the accepted impression of gender roles in society: women are more than submissive tools to their oppressive counterparts in this masculine dominated world. Chopin’s ideology originated from the lessons and wisdom of her great-grandmother who encouraged her to read unconventional concepts: women were capable of obtaining and maintaining a successful career as well as a thriving family and social life. Although The Awakening was widely banned and condemned in national presses, critics cannot deny the underlying theme of sexism and its effect on gender roles. Some critics even suggest there is a distinct correlation between Edna’s character and Chopin herself. According to critics, Kate Chopin encumbers The Awakening with incidents of a single woman's hunger for personal and sexual identity as a mechanism to display Edna Pontellier’s deviations from societal standards.
Franklin, R. F. "The Awakening and the Failure of Psyche" American Literature 56 (Summer 1984): 510-526.
Ranging from caged parrots to the meadow in Kentucky, symbols and settings in The Awakening are prominent and provide a deeper meaning than the text does alone. Throughout The Awakening by Kate Chopin, symbols and setting recur representing Edna’s current progress in her awakening. The reader can interpret these and see a timeline of Edna’s changes and turmoil as she undergoes her changes and awakening.
Chopin, Kate. The Awakening. A Norton Critical Edition: Kate Chopin: The Awakening. Ed. Margo Culley. 2nd ed. New York: W.W. Norton, 1994. 3-109.
Guerin, Wilfred L., Earle Labor, Lee Morgan, Jeanne C. Reesman, and John R. Willingham. A Handbook of Critical Approaches to Literature. New York: Oxford University Press, 1999. 125-156.
Bressler, Charles E. Literary Criticism: An Introduction to Theory and Practice. 5th ed. New York: Longman, 2011. Print.
Chopin, Kate. The Awakening. The Norton Anthology of American Literature. Ed. Nina Baym et al. 2nd ed. Vol. 2. New York: W. W. Norton & Co., 1985.
Edna's awakening begins with her vacation to the beach. There, she meets Robert Lebrun and develops an intense infatuation for him, an infatuation similar to those which she had in her youth and gave up when she married. The passionate feelings beginning to overwhelm her are both confusing and exciting. They lead to Edna beginning to ponder what her life is like and what she is like as a person. The spell of the sea influences these feelings which invite "the soul . . . to lose itself in mazes of inward contemplation" (Chopin 57). Edna begins to fall under the sea's spell and begins to evaluate her feelings about the life that she has.
In Kate Chopin’s, The Awakening, Edna Pontellier is unsatisfied with her life. She has thoughts and actions that were considered inappropriate by many people during her life. These people did not approve of a woman such as Edna defending herself and going against societal norms. Symbols can be found in the story that help to explain Edna’s true desires and foreshadow her actions. In the novel, Chopin successfully uses symbols such as the sea, the birds, and the woman in black in The Awakening to express Edna’s true feelings.
Kate Chopin's novel, The Awakening details the endeavors of heroine Edna Pontellier to cope with the realization that she is not, nor can she ever be, the woman she wants to be. Edna has settled for less. She is married for all the wrong reasons, saddled with the burden of motherhood, and trapped by social roles that would never release her. The passage below is only one of the many tender and exquisitely sensory passages that reveal Edna’s soul to the reader.