When studying gender roles in history, one will find that females are often depicted in similar ways no matter the era or region of study. Even when comparing the industrialized, early, twentieth century to today’s progressive era, there are striking similarities between female roles. We can see that over the course of the twentieth century, the qualities of loyalty and honesty have decreased in marriages due to the treatment of the two main female roles as depicted literature. The first was the role of the wife. The wife was often portrayed as a housekeeper and a nanny. Dull in appearance, there was no aesthetic beauty to this typical female. The other main role was the “other woman.” The more mysterious and promiscuous character, this woman portrayed the other part of the female population. Both of these types of characters are composites that portrayed the average, disposable female while how they were treated conveyed the general handling of females in the early, twentieth century. Right before the start of the twentieth century, in 1892, Charlotte Perkins Gilman wrote “The Yellow Wallpaper.” This short story revealed the beliefs and values that people would have when transitioning into the new century. In the short, the narrator was diagnosed with depression although she believed the diagnosis to be false. Yet living in a time of patriarchy, “If…one’s own husband [assured] friends and relatives that there [was] nothing the matter with one but temporary nervous depression…what [was] one to do?” (“The Yellow Wallpaper”). By having submitted to the will of her husband, the narrator created a tragic ending for herself, as many other women have done. As the story progressed, she forced herself into disease and closer to insan... ... middle of paper ... ...dent woman. Once again, the qualities of honesty and loyalty had been destroyed and the possibility of a positive, third main role for females had been shattered. The early, twentieth century was not a positive time for females and marital relationships. As depicted through countless novels, there were two main female roles in society and neither created much opportunity for females. Whether a woman was a humble housewife or a mysterious mistress, there was controversy in every aspect of both roles. These roles also placed females in oppressive relationships that almost always decreased the qualities of honesty and loyalty that are necessary in relationships. From the beginning of the twentieth century all the way up until now, the treatment of females thrust into these roles has caused controversy and problems in countless marriage and all throughout our society.
Like the Good Other Woman, the Evil Other Woman often spends much of her life hidden away in the castle, secret room, or whatever, a fact suggesting that even a virtuous woman’s lot is the same she would have merited had she been the worst of criminals. The heroine’s discovery of such Other Women is in the one case an encounter with women’s oppression-their confinement as wives, mothers, and daughters-and in the other with a related repression: the confinement of a Hidden Woman inside those genteel writers and readers who, in the idealization of the heroine’s virtues, displace their own rebellious
Throughout the late 1800s Americans were workaholics, constantly working in order to make a living for their families at home. Women stayed home and took care of the house as well as the children. The short story “The Yellow Wallpaper” takes place in the late 1800s.The author, Charlotte Perkins Gilman is no stranger to the hysteria that took over women in the 19th century. According to Mary Ellen Snodgrass, after her own postpartum emotional collapse and treatment in 1887, Gilman knew about the situation women were experiencing (“Gilman”). All the pressure of working and raising children affected all Americans, but society blamed the nervous depression mainly on women because they were women. Charlotte Perkins Gilman conveys her own life experience and illness that she went through and how women were treated during the 1800’s.
Charlotte Perkins Gilman writes “The Yellow Wallpaper,” to show how women’s mental illness is addressed in the time. Women were treated as the lesser or weaker sex. Women’s mental illness was highly misunderstood and misdiagnosed. “The Yellow Wallpaper,” illustrates a feminist approach to mental disease. Gilman uses this work to reach out to others to help them understand a woman’s treacherous descent into depression and psychosis. There are many contributing factors to the narrator’s illness and it is easy to see the effect the men have on her. Women were treated very differently and often outcast if they did not meet a certain norm. Mental illness is one of the main factors men believe
When first reading the gothic feminist tale, “The Yellow Wallpaper” written by Charlotte Perkins Gilman, one might assume this is a short story about a women trying to save her sanity while undergoing treatment for postpartum depression. Gilman herself had suffered post-natal depression and was encouraged to undergo the “rest cure” to cure her hysteria. The treatment prescribed to Gilman resulted in her having a very similar experience as the narrator in the short story. The “perfect rest” (648), which consisted of forced bed rest and isolation sparked the inspiration for “The Yellow Wallpaper.” This story involving an unreliable narrator, became an allegory for repression of women. In “The Yellow Wallpaper”, Gilman illustrates the seclusion and oppression of women in the nineteenth century society by connecting the female imprisonment, social and mental state, and isolation to the objects in and around the room.
A Victorian woman was bred up with the honored ideals of someday being “wives, daughters, and guardians of the home” (Parkinson). A model young woman was designed as a bargaining tool; her person, characteristics, skills, and, for those who were fortunate, dowry were key chips to be laid in a game of houses which defined the noblest aspirations of Victorian society. The very “spheres of influence” written about by so many authors of the time, both male and female, dictated that “what the woman is to be within her fates, as the centre of order, the balm of distress, and the mirror of beauty: that she is also to be without her fates, where order is more difficult, distress more imminent, loveliness more rare” (Ruskin). However, being bred for marriage produces a number of problems; hundre...
The fight for gender equality and mental illness awareness is still an ongoing campaign in the twenty-first century, however this battle had begun nearly two hundred years ago by whom some would consider as one of the first pioneers of feminism and an advocate of mental illness. Charlotte Perkins Gilman was an outspoken writer, feminist, and social activist who was impacted by the political, economic, and social influences of the nineteenth century. Her short story, “The Yellow Wallpaper,” mocks the influences of her time as it is following the journal of a married woman suffering from depression, and in order to help improve her
During the Nineteenth Century, women were considered second-class citizens. The rigid distinction amid men and women made the married women subservient to their husbands. Men, with their superiority complex, dominated women. This domination is the main theme Charlotte Gilman illustrates within her story "The Yellow Wallpaper." In this fictional short story, the author attempts to bring attention to gender equality. Another theme she tries to portray in her story is the poor treatment of depressed patients. Charlotte Gilman, herself was depressed after she gave birth to a child. She did not agree with the treatment she received. The "rest cure" was an ineffective way to treat a patient. Too much ideal time makes a sane person go insane. This
...e, women are the weaker of the two sexes. Women are slaves and spoils of war, if they are valued for sex they are used for sex. The universal portrayal of women causes a reevaluation of modern day gender balances by the reader.
In 1892 Charlotte Perkins Gilman wrote a short story known as, “The Yellow Wallpaper”. The story is based on how society treated and viewed females during the late 19th century. It involves an unknown female narrator that is believed to be suffering from temporary nervous depression. The story is conveyed through a biased first person point of view because it presented through the narrators personal diary. In order to treat and cure her from this acute form of depression the narrators physician husband John prescribes her the, “rest-cure”. (Gilman) The, “rest cure” (Gilman) required the narrator, “to forgo intellectual and social stimulation and to eat and sleep indulgently”. (Scott) This meant that the narrator could not do what she loves most and that was writing. However, that did not stop the narrator because the story is conveyed through a biased first person point of view presented through the narrator’s personal diary. The unnamed narrator did not agree with this method and thought, “that congenial work, with excitement and change” (Gilman), would be a more effective cure. However, the prescribed treatment failed and the narrator experiences a dramatic change in her mental stability and begins to lose touch with reality. The reason she begins to lose touch with the real word is because every second the narrator is in that room she becomes more, “adapted to her surrounding’s”. (Scott) It’s essential to understand that as the narrator continuously loses touch with the real world she is developing a better understanding about the inner reality of her life. Through developing an increased awareness of the inner reality of her life the narrator experiences a split in her personality. The split in her personality is crucial ...
"If a physician of high standing, and one's own husband, assures friends and relatives that there is really nothing the matter with one but temporary nervous depression -- a slight hysterical tendency -- what is one to do?" (Gilman 1). Many women in the 1800's and 1900's faced hardship when it came to standing up for themselves to their fathers, brothers and then husbands. Charlotte Perkins Gilman, the narrator of the story, "The Yellow Wallpaper", is married to a physician, who rented a colonial house for the summer to nurse her back to health after her husband thinks she has neurasthenia, but actually suffers from postpartum depression. He suggested the 'rest cure'. She should not be doing any sort of mental or major physical activity, her only job was to relax and not worry about anything. Charlotte was a writer and missed writing. "The Yellow Wallpaper" is significant to literature in the sense that, the author addresses the issues of the rest cure that Dr. S. Weir Mitchell prescribed for his patients, especially to women with neurasthenia, is ineffective and leads to severe depression. This paper includes the life of Charlotte Perkins Gilman in relation to women rights and her contribution to literature as one of her best short story writings.
Written to portray the suffering of women during the nineteenth century, Charlotte Perkins Gilman’s, The Yellow Wallpaper, in an intriguing semi-autobiographical short story. Gilman uses symbolism to enhance the reader 's understanding of mental illness, in particular, Gilman strives to portray the true hardship of being a woman with a mental illness. To create this meaning, Gilman uses symbols such as deteriorating wall paper, the colour yellow, and the image of bars. Though this short story was written for a nineteenth century audience, it’s message created through symbolism rings true for those trying to understand mental illness today.
"The Yellow Wallpaper" by Charlotte Perkins Gilman, is a story told from the first person point of view of a doctor's wife who has nervous condition. The first person standpoint gives the reader access only to the woman’s thoughts, and thus, is limited. The limited viewpoint of this story helps the reader to experience a feeling of isolation, just as the wife feels throughout the story. The point of view is also limited in that the story takes places in the present, and as a result the wife has no benefit of hindsight, and is never able to actually see that the men in her life are part of the reason she never gets well. This paper will discuss how Gilman’s choice of point of view helps communicate the central theme of the story- that women of the time were viewed as being subordinate to men. Also, the paper will discuss how ignoring oneself and one’s desires is self-destructive, as seen throughout the story as the woman’s condition worsens while she is in isolation, in the room with the yellow wallpaper, and her at the same time as her thoughts are being oppressed by her husband and brother.
Advocating social, political, legal, and economic rights for women equal to those of men, Charlotte Perkins Gilman speaks to the “female condition” in her 1892 short story “The Yellow Wallpaper”, by writing about the life of a woman and what caused her to lose her sanity. The narrator goes crazy due partially to her prescribed role as a woman in 1892 being severely limited. One example is her being forbidden by her husband to “work” which includes working and writing. This restricts her from begin able to express how she truly feels. While she is forbidden to work her husband on the other hand is still able to do his job as a physician. This makes the narrator inferior to her husband and males in general. The narrator is unable to be who she wants, do what she wants, and say what she wants without her husband’s permission. This causes the narrator to feel trapped and have no way out, except through the yellow wallpaper in the bedroom.
Charlotte Perkins Gilman’s short story, "The Yellow Wallpaper," is the disheartening tale of a woman suffering from postpartum depression. Set during the late 1890s, the story shows the mental and emotional results of the typical "rest cure" prescribed during that era and the narrator’s reaction to this course of treatment. It would appear that Gilman was writing about her own anguish as she herself underwent such a treatment with Dr. Silas Weir Mitchell in 1887, just two years after the birth of her daughter Katherine. The rest cure that the narrator in "The Yellow Wallpaper" describes is very close to what Gilman herself experienced; therefore, the story can be read as reflecting the feelings of women like herself who suffered through such treatments. Because of her experience with the rest cure, it can even be said that Gilman based the narrator in "The Yellow Wallpaper" loosely on herself. But I believe that expressing her negative feelings about the popular rest cure is only half of the message that Gilman wanted to send. Within the subtext of this story lies the theme of oppression: the oppression of the rights of women especially inside of marriage. Gilman was using the woman/women behind the wallpaper to express her personal views on this issue.
As human beings, we play the cards that are dealt to us in this world. In life, every person goes through their individual ups and downs and occasionally may break down to the extent of not knowing what to do with oneself. In the short story “The Yellow Wallpaper” which takes place in the late 1800s, focuses on the first person narrator who is an infatuated woman. The disheartening story concentrates on a woman who is suffering from postpartum depression, and as well had mental breakdowns. The narrators husband John, moves her into a home isolated in the country where he wants her to “rest” and get better from her illness. During the course of being confined in the room with the wallpaper, she learns new things and finally may have an understanding