In Case's article “Tasting the Original Apple,” it talks about the role that now the new woman has and how it comes into conflict with how men react towards it as stated “Dracula is often read as a largely reactionary response to the threat of autonomous female sexuality posed by the phenomenon of the "New Woman," with its anxieties about female sexuality being most clearly visible in Lucy Westenra's story. Particularly once she has been "vamped," Lucy's sexual assertiveness seems to link her with the New Woman. But Lucy's actions as a vampire, like those of the "awful women" (42) Jonathan encounters at Dracula's castle, perhaps owe less to the specific threat posed by the New Woman's insistence on sexual autonomy than to the ambivalences built into the model of Victorian womanhood from the start. Since ideal womanhood (and the ground of male desire) was characterized by a combination of total sexual purity and at least the potential for passionate devotion to a man, this model...
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...if not all some. From Lucy her own words, “Why can’t they let a girl marry three men, or as many as want her, and save all this trouble?” (Stoker and Hindle, 67). It shows that just like men, women were also open to the idea of having more than one relationship, but for society they choose to be with just one. Men will also have a desire that is uncontrollable when it comes down to vampire-women.
Case, Allison. “’Tasting the Original Apple’: Gender and the Struggle for Narrative Authority in Dracula.” Narrative 1.3 (1993): 223-243. JStor. Web. 25 Apr. 2009. Autumn; 26 (1): 33- 49. Web. 4 May 2004.
Stoker, B. and Hindle, M. (2003). Dracula. 1st ed. London: Penguin Books.
Yu, E. (2006). Productive fear: Labor, sexuality, and mimicry in bram Stoker's Dracula. Texas studies in literature and language, 48(2), pp.145--170
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