Dracula As an Outsider

Dracula, as it was written by Bram Stoker, presents to us possibly the most infamous monster in all of literature. Count Dracula, as a fictional character, has come to symbolize the periphery between the majority and being an outsider to that group. Dracula’s appeal throughout the years and genres no doubt stems from his sense of romanticism and monster. Reader’s no doubt are attracted to his “bad-boy” sensibilities, which provide an attraction into the novel. Looking first at his appearance, personality, and behaviour at the beginning of the novel, we can easily see Dracula’s blurred outsider status, as he occupies the boundaries of human and monster. Related to this is Dracula’s geographic sense of outsider. For all intents and purposes, Dracula is an immigrant to England, thus placing him further into the realm of outsider. To look at Bram Stoker’s Dracula as solely a monster in the most violent sense of his actions would to be look at a sole aspect of his character, and so we must look at how he interacts with the outside world to genuinely understand him.

The purpose of Dracula’s physical description is to place him against humanity and see how he stacks up. He has various features which obviously make him a vampire, such as a set of sharp teeth. But there are other peculiarities to his description which mark him as being an outsider. For instance, when Jonathon Harker, and by extension the reader, first meets Dracula, he describes him as being “a tall old man, clean shaven save for a long white moustache, and clad in black from head to foot” (Stoker 15). At this point, he is a regular looking man, or at least normal enough that nothing elicits a reaction in Jonathon. Later, however, the aberrant constitution of Dracula co...

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...elf by taking other shapes and become something that no longer even reveals a human. Every part of Dracula’s “adventure” in England is a reaction to his outsider status, but more so because he attacks the readers, or at least the readers that Stoker was writing for, in their native land. Lastly, and possibly most importantly, Dracula’s otherness stems from the fact that he is an immigrant from a foreign land, a land that is itself removed from certainty as it is culturally between. This immigrant status first starts out as basic hatred, then turns into a fear as Dracula attempts to colonise England and dominate it.

Works Cited

Stoker, Bram. Dracula. Toronto: Project Gutenberg Publishings, 1897.

Kane, Michael. “Insiders/Outsiders: Conrad's "The Nigger of the "Narcissus" " and Bram Stoker's “Dracula”” The Modern Language Review. 92.1 (1997): 1-21. Print.