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Dorothea lange migrant mother essay
Dorothea lange migrant mother what is she showing
Dorothea lange migrant mother what is she showing
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Dorothea Lange was an American photographer and photojournalist. Her Depression-era work is what she is best known for. She took a series of photographs in 1936 featuring migrant workers and their families in a camp in California. The photos were all taken in black and white. The most famous photo in this series is entitled A Migrant Mother. The photo includes four subjects, a mother and three of her children. The mother is in the middle, holding her baby, and her other children are resting their heads on her shoulders. The mother is looking off in the distance as her children shy away from the camera. They are all wearing tattered clothing and they are dirty. The second photo was taken of the same family, but from a distance. The family is living in a tiny tent, which looks as if it could fall at any minute. There are now five people featured in the photo. They are alone in a large, empty field. Their only belongings are shown bulging out of a couple of suitcases. This photo shows the terrible living conditions of the migrant camps. Although photo number one focuses on the emotions of desperation, photo number two shows this desperation in a more physical sense. Together in these two photographs, Lange is able to reveal the wide ranging effects of The Great Depression.
Both of the photographs were captured in black and white, which is one quality that they share. This lack of color fills both of the pictures with emotion. Black and white photos seem somewhat dull and lifeless, much like The Great Depression. The lack of color in both of the photos shows that the vibrance of life had been sucked out of the people. Color can be used as a mood elevator, and since these photos were taken in black and white, the mood seems depressed...
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...ssed the people involved, but also America. This picture gives its viewer a real feel of what it was like to live during The Great Depression.
The Great Depression took a toll on not only the physical population, but also on the emotions of the people involved. Lange shows the multiple effects of The Great Depression in her photos by not focusing solely on the environmental break down of America. The physical and emotional effects, displayed through photography, allowed the outside world insight into the struggles of the poor families of the Dust Bowl. Lange gave a parallel into The Great Depression because she presented it in a physical and emotional way. It is important for people to not only see the effects of The Great Depression, but also be able to feel the way it effected the people involved.
Works Cited
“Dorothea Lange.” Wikipedia. Web. 26 Oct. 2013.
Grant Wood was a Regionalist artist who continually endeavored to capture the idyllic beauty of America’s farmlands. In 1930 he had been roaming through his hometown in Iowa searching for inspiration when he stumbled upon a house that left him spellbound. From this encounter came America’s iconic American Gothic. Not long after Wood’s masterpiece was complete the once ideal countryside and the people who tended to it were overcome by despair and suffering as the Great Depression came to be. It was a time of economic distress that affected nearly every nation. America’s stock market crashed in 1929 and by 1933 millions of Americans were found without work and consequently without adequate food, shelter, and other necessities. In 1935, things took a turn for the worst as severe winds and dust storms destroyed the southern Great Plains in the event that became known as the Dust Bowl. Farmers, who had been able to fall back on their crops during past depressions, were hit especially hard. With no work or way or other source of income, many farms were foreclosed, leaving countless families hungry and homeless. Ben Shahn, a Lithuanian-born man who had a deep passion for social injustice, captures the well-known hopelessness of the Great Depression through his photograph Rural Rehabilitation Client. Shahn and Wood use their art to depict the desperation of everyday farmers in America due to the terrors and adverse repercussions that the Great Depression incited.
They left people without jobs, homes, and money. In the story “Digging In” by Robert J. Hastings it explains how people did anything to make money for their families even if it was only for 5 dollars. Even with these hard times some people still had hope like it showed in “Depts” by Karen Hesse. In this poem a farmer had hope that rain would come to grow his dying wheat while his wife didn’t think so. This was a very stressful time right until president Roosevelt made some changes. In the article “The New Deal” it explains how Roosevelt helped end the great depression with programs that gave millions of people jobs. The great depression was a very hard, stressful, and sad time for the american people that had many
Dorothea Lynde Dix was quoted as saying, “In a world where there is so much to be done, I felt strongly impressed that there must be something for me to do.” Dix began at the age of 39, and spent the next 20 years as a social reformer for the treatment of the mentally ill. When asked to teach a Sunday School class at a women’s correctional facility, Dix was appalled at the conditions, as well as the fact that many of the women weren’t criminals, but were instead mentally ill. This is where her crusade began. Her work had immediate results throughout the country, and the changes are still being felt even today.
“…when the nation was balanced precariously between the darkness of the Great Depression on one side and the storms of war in Europe and the Pacific on the other…..Once again the American people understood the magnitude of the challenge, the importance of an unparallel national commitment, and, most of all, the certainty that only one resolution was acceptable.”(p3) This quote is from the opening paragraph of the chapter in Brokaw’s book, “The Time of their Lives.” These ordinary people surmounted times of great destitution while courageously facing the epoch of the Great depression. They comprehended the necessity for commitment in order to preserve their independence. Brokaw uses imagery including “the Darkness of the Great depression” to reveal to the reader the severity of their situation. He depicts the Great Depression not just as a time of hardships, but as an era when thousands of men and women starved to death, parents could not provide for themselves or their families and unemployment was so high that a days work would yield, at most, a loaf of stale bread to feed an entire family. Although he does not say these things directly, his use of imagery causes the reader to have these thoughts and to see these images.
... portrayed real events and real people who were beautiful in their own way. "These pictures impress one as real life of a vast section of the American people," commented one viewer of FSA photos exhibited in an April 1938 show called "How American People Live." This statement summarized the feelings of most Americans who viewed the photos. Because of their success, these photographs have become the visual representation of the Great Depression.
The mass media carries with it unparalleled opportunities to impart information, but also opportunities to deceive the public, by misrepresenting an event. While usually thought of as falsifying or stretching facts and figures, manipulation can just as easily be done in the use of photography and images. These manipulations may be even more serious – and subtle – than written manipulations, since they may not be discovered for years, if ever, and can have an indelible and lasting impact on the viewer, as it is often said, “a picture is worth a thousand words”. One of the most significant images of Twentieth Century America was the photograph of a migrant mother holding her child. The photograph was taken during the Great Depression by photographer Dorothea Lange, and has remained an enduring symbol of the hardship and struggle faced by many families during the Depression Era. This image was also an example of the manipulation of photography, however, for it used two major forms of manipulation that remain a problem in journalistic photography.
Furthermore, a narrative of the Depression: "It was always cold in the house; the only warmth was a wood burning stove in the corner. We used to sit and listen to Gracie and Burn's on the 7 o'clock show. Dinner was watered down onion stew with a slice of bread. "We worked in the fields, maybe 9, 10, hours per day, maybe more. Pay was two dollars a week. We were lucky. We had a roof over our head and food in our bellies, even if it were onion stew, most days." Now, it's 1974 and I ask my granddaughter for a pop at the lumber yard. "50 cents for a 16 ounce bottle of pop. What's wrong with prices these days? I can remember 10 cents a pop."
The Great Depression was a major historical event that affected thousands of Americans during the 1930s. It was a time in which economic decline left people without jobs while struggling to keep a family and home together. It certainly was a devastating time for everyone. For African Americans, it was even more of a struggle as segregation and the oppression of blacks were just as strong as when the Jim Crow laws were initially established. “African Americans were only 64 years beyond enslavement, with de jure segregation relegating them to second-class citizenship and generally only the meanest, dirtiest employment.” (Bilal) During the Great Depression, music and jobs were taken by whites and African Americans struggled greatly. Holiday faced racial challenges in which her social status, as a young black woman, left her with only a few options for work. Occupations such as a washwoman or a prostitute were such jobs expected out of a young woman of her time.
As with many disasters, the effect on individuals was varied, although with unemployment at 28% (not including eleven million struggling farm workers (Clements, page 74)), it is doubtful that anyone totally escaped the effects of the Depression. Amongst the worst affected were men who became known as Hoboes- migrants who travelled the USA frantically searching for work. According to a testimony by Louis Banks (Cements, page 74), many men were so in need they regularly risked their lives hitching on trains to try and find employment- if they didn’t fall, there was always the chance of being shot by the train police. This sense of mortal desperation is apparent in much of the evidence- “A man over forty might as well go out and shoot himself”
The Great Depression often seems very distant to people of the 21st century. This article is a good reminder of potential problems that may reoccur. The article showed in a very literal way the idea that a depression can bring a growing country to its knees. The overall ramifications of the event were never discussed in detail, but the historical significance is that people's lives were put on hold while they tried to struggle through an extremely difficult time.
Although both poems are set in the same environment, and that the visual structure of the poems are similar. Once you look deeper and analysis the poems it becomes clear that they have been written in very different styles, and very different but as powerful emotions running through them i.e. grief and resignment. One poet has a future to look forward to; the other knows that death is around the corner. One poet could not have for scene a death, the other is questioning weather the ‘black diamond dust’ was worth it on reflection.
The Great Depression is seen as one of the most sorrowful and desolate times in the history of the United States. This time was the longest period of recession ever seen by this nation so far. It lasted from 1929 to 1939, over ten years of complete confusion and despondency within the people. Many Americans were affected greatly by this tragic time and sacrificed much of their lives so that they and their families may have the chance to live. This act of desperation can be seen throughout the movie, The Cinderella Man, where a professional boxer, Jim Braddock, becomes crippled by the depression, both economically and spiritually. The observer can see this through the explicit cinematography of the movie and depiction of the Great Depression made by the director. However the director left out a key aspect of the happenings of the depression, the stock market crash. Perhaps, this catastrophic event was irrelevant to the plot and message of the movie, but it is important to the actual Great Depression of the United States. Furthermore, the nation of 2010 is well on its way to repeating history. There are frightening similarities between that dreadful time of the 1930’s and the present that should not be overlooked, or the United States might condemn itself back into that horrific state it has so long tried to avoid.
Laird’s “Kitchen” and Dater’s “Ms. Clingfree” were two pictures I thought were similar. If you laid the two side by side, you would see nothing in them that was remotely similar. One is of a young attractive housewife sitting on the kitchen counter, cheerily showing off the fruit bowl. The other is of an older housewife, perhaps one who has been married many years and is starting to feel the stress taking its toll on her. In that sense, the pictures are of the same person (a housewife) as she goes through the years. Laird shows her when she is happily married and everything is sunny and bright. Dater shows the woman after the years have taken their toll and she is tired of it all.
Social realist art, which dominated in the US during the Depression, communicates the concerns of the masses: artists question the treatment of the poor and praise American values embodied in ordinary people. In painting, Thomas Hart Benton’s murals depict an extravagance juxtaposed alongside honest, hardworking people, calling into question the actions and greed leading up to the Great Depression. Benton’s murals in both subject and medium penetrate the American political landscape, purporting such ideal values as hardworking and honesty. In photography, Dorothea Lange captures in the flesh the realities of the working poor. In her photograph Migrant Mother (1936) Lange portrays simultaneously the oppression and resilience of the working
Aside from the conditions, which lead to the creation of these works, they share a number of other common threads. Symbolism aside these works are very similar on the surface. Both are a collection of seemingly disjointed images, which when put together by the reader or observer serve up a strong social message. That messages being that the wars and conflicts of the times have twisted the world. This is reinforced by the contorted and misshapen images in both works.