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Essay on donatello
Donatello's innovations in sculpture
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Donatello was born in Florence, Italy in1386. The full name of Donatello is Donato di Niccolo di Belto Bardi (“Donatello” par 1, 2, 3). His dad was a wool comber (“Donatello” par 1, 2). There was not much information found on his mom. He had a first job and that in the workshop of Lerenzo Ghilberti, a gothic sculptor, between 1404 and 1407(“Donatello” par 1, 2, 3). After that job he worked at a Florence Cathedral in 1407. At the Cathedral he decorated tombs and pulpits and made portrait busts and monuments (“Donatello” par 1, 2). An inspiration for his work was by ancient visual examples (“Donatello” par 1). He achieved his full intensity in the beginning of the 15th century (“Donatello” par 1, 2, and 3). In the later part of his life he studied Roman Ruins and became a Humanist (Blood par 1).
In Donatello’s lifetime he had many accomplishments weather it was sculpting or just huge achievements. Donatello sent a while on his famous sculptor, Saint George, which was sculpted from 1416 to about 1420(ward par 2, 3, 4). 1428 was when the town put up a ancient Roman Pillar in the market place and that they asked him to make a statue because they believed he was the best sculptor(Morley 13,18). One of the monuments he created was Padua and he created that between 1443 and 1453. A well know sculptor of his was the statue Zuccone which people say showed the effective use of realism(Ward par 2,3,4).
Donatello created many bronze sculptures. A huge achievement was his gilt bronze Herod’s feast. Another gilt bronze he made was St. Louis of Toulouse sculpture. One huge milestone was he made the first freestanding bronze naked bronze sculpture (Lewine par 2, 4). He designed twin bronze pulpit for San Lorenzo. The most important bronze sculpture was David was his first free-standing nude statue of the renaissance (“Donatello” par 2, 4).
A huge famous sculpture he did was Gattamelata. That statue was supposed to represent a no ruler (“Donatello “par 2, 4). His statue called St. George was so good that even Michelangelo complemented it (Hale 109). John Pope Henessy, a great author, he noted that he was one of the greatest sculptors that ever lived. Following his sculptor called St. Gorge, he made St.Gorge and the dragon. St George was his first attempt at portraying a three dimensional scene on a flat surface (“Donatello” par 5, 7).
Giovanni Pietro Rizzoli also known as Giampietrino spent the vast majority of his known career developing drawings and paintings of nude women from roman mythology under the leadership of the great Leonardo Da Vinci. Under the influential scope of Leonardo, Giampietrino replicated myriad artworks of leonardo’s displaying the importance of honoring the great artists of the late fifteenth and sixteenth centuries, especially those such as Leonardo who remain a significant figure in the discourse of the canon of art in contemporary art society. Although he developed his own techniques and manipulations to refine his own work and bring forth a change in the development of the renaissance and baroque style of art, Giampietrino closely followed the methods taught in the Lombard school of art and those of his mentor Leonardo Da Vinci. Giampietrino’s similar style of painting to Leonardo can cogently be seen in his painting Lucretia and a plethora of other paintings, which convey the influence of the Lombard school from the incorporated formal elements such as color, form, content, and subjec...
A little over 6 feet of marble, Donatello’s first version of David was one of his earliest known commisions that mark the beginning of his artistic career. He was commissioned by the Operai of the cathedral of Florence to create a David statue to decorate one of the buttresses. The statue ended up looking too small when placed high up, so it was taken down and later requested to be displayed in Palazzo Vecchio, the town hall. Many historians dismiss his first version of David, calling this piece unoriginal and nothing to praise.
A good deal is known about Donatello's life and career, but little is known about his character. Donatello was born in Florence, Italy in 1386 and died in 1466; he was never married and had no children. He was a master of sculpture in bronze and marble and is considered to be one of the greatest Italian Renaissance artists of his time. The first sculpture is of Donatello?s David, 1425-1430. Its material is bronze and stands 5? 2 ¼? and is currently located at Museo Nazionale del Bargello, Florence. The sculpture is a nude and is contrapposto. The scene being depicted is after the clash with Goliath. Donatello?s statue of David was the first large scale, free-standing nude statue of the Renaissance. The sculpture helps to strike a balance between classicism and the realism by presenting a very real image of a boy in the form of a classical nude figure. Although Donatello was inspir...
Michelangelo was an Italian-born artist in 1488. Not too long after his birth, he was apprenticed to Ghirlandaio for three years, where Michelangelo learned elements of fresco technique and produced replicas of past Florentine masters. By the age of 16, Michelangelo was already producing his own style of art that were shown in his two relief sculptures. The following years after the death of Lorenzo de’ Medici in 1492, Michelangelo traveled and created more artwork. Some of the artworks produced were a wooden crucifix for the high altar for the Hospital of Sto Spirito, and marble statuettes for the Arca di San Domenico.
Michelangelo produced his first large-scale sculpture, the over-life-size Bacchus (1496-98, Bargello, Florence). Pietà at the same time, Michelangelo also did the marble Pietà (1498-1500), still in its original place in Saint Peter's Basilica. One of the most famous works of art, the Pieta was probably finished before Michelangelo was 25 years old. These two artworks of Michelangelo were the first ones and both are great works.
The next sculpture that Michelangelo made was for a French cardinal, Jean Villiers de Fezencac. The cardinal wanted a sculpture of Virgin Mary and Jesus. Michelangelo signed a contract to be paid 450 ducats if he completed the sculpture in one year. Gladly, he finished the sculpture successfully. The sculpture was called the Pieta and consisted of the siting Virgin Mary with the dead body of her son Jesus across her lap (McNeese 35).
Donatello’s real name is Donato di Niccolo di Betto Bardi (1386-1466). Donatello was a master of sculpture in bronze and marble and was one of the greatest Italian Renaissance artists of his time. A lot is known about his life and career but little is known about his character and personality. He never married and seems to be a man of simple tastes. Patrons often found him hard to deal with and he demanded a lot of artistic freedom. The inscriptions and signatures on his works are among the earliest examples of classical Roman lettering. He had a more detailed range of knowledge of ancient sculpture than any other artist of his time. His work was inspired by ancient visual examples which he often transformed, he was really viewed as a realist but later research showed he was much more.
These sculptures presented the body in a way no had ever seen before. Most of the sculptures were very detailed, had Greek and Roman classical influences, and were free standing with the often use of bronze to construct them. A few examples of sculptures are Michelangelo’s David, Moses, and Pieta. His David marble sculpture glorifies the human body and is standing in a contrapposto stance, with more weight on one leg. Contrapposto is very humanistic as it was used a lot by ancient Greek and Roman sculptures. The facial expressions as well were very individualistic and emotional. Michelangelo’s Pieta was the most “perfect” block of marble he had ever used. This sculpture is Mary holding the dead body of Christ before he was placed in the tomb. The proportions of the body are not entirely natural in relation to the other as Mary’s body appears much larger than Christ’s. Michelangelo’s Moses was another example of a sculpture in the Renaissance. This sculpture is very large and shows the power of the man which gave people even more ideas about the
Donato di Niccolò di Betto Bardi better known as, Donatello, was an artist during the Renaissance art movement. He
involved with other artists and interested in their work. He influenced and trained artists in his workshop. Some of his students included Donatello, Paulo Uccello, Michelozzo, and Benozzo Gozzoli. Many artists took notice of his style. His works show a development toward naturalistic movement, volume, perspective, and greater.
...in the article below the video. The information I will be using is mainly about his childhood including his, birth date(April 6, 1483), birth place(Urbino, Italy), and also includes his influences into art.
Although religion in Europe drastically changed from polytheistic to monotheistic, there were gods still in existence in Florence. Michelangelo and Donatello were two of the many artists who took advantage of the rise of the Italian Renaissance. Both were working as sculptors during the time of the Renaissance, but there was gap between them. Donatello (c. 1386-1466) was known as the greatest sculptor of his time, because of his unique sculpting technique and attention to the human anatomy. Donatello was widely known around Florence for his essentially Goth...
The piece of artwork displayed before you will be used to identify key symbols, colours, clothing types and locations in which portray St. George as a hero. St. George was a brave soldier in the Roman army, and then later became a Christian martyr. In hagiography, St. George is one of the most respected and acclaimed
Interestingly, he also refers to Donatello as a ‘craftsman’. The correlation between the artist or sculptor and craftsman is an important aspect in Italian Renaissance art. The craftsman was something more than just an artist. This person was talented and considered by others in Italian Renaissance society as exceptional or as Vasari’s title suggests, ‘the most excellent’. They were also tradespeople rather than just artists. This is because they created works for other people, which often meant they expressed other people’s ideas. Through an analysis of Vasari’s biography on Donatello, this essay will explore the importance of culture in Renaissance Italian society, an examination of Vasari’s biography of Donatello as a historical document and the ways in which Vasari portrays Donatello, which ultimately was significant for future Renaissance craftsmen. This paper will analyze the life of Donatello through Vasari’s The Lives of the Most Excellent Painters, Sculptors and Architects to show the importance of Donatello not only as an artist but also as a
Filippo Brunelleschi was born in 1377 in Florence, Italy. He had one older brother and one younger brother. His mom was Giuliana Spini and his dad was Ser Brunellesco di Lippo Lapi, who was a Florentine notary. Even though Brunelleschi never married, he had one adopted son, Buggiano. After Brunelleschi trained to be a sculptor and goldsmith, in 1398, he applied to make the bronze reliefs for the door of the Baptistery of Florence in 1401. Sometime around this time he picked up the nickname “Pippo” by his friends. He was competing against six sculptors, one of them being Lorenzo Ghiberti. Unfortunately, Filippo didn’t win; Lorenzo Ghiberti did. After he lost, Filippo decided to leave his sculpting and to focus on architecture, where he worked with gears, clocks, wheels, and weights and math. He became very successful in those two fields. He turned out to be an architect and a clockmaker, but he was still a goldsmith too. He was also the first engineer in the renaissance (“Filippo Brunelleschi 1377-1446”). He was the architect for the Cathedral of Florence, also called the Santa Maria del Fiore.