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Consumerism in modern society
Consumerism in modern society
Themes in white noise don delillo
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Don DeLillo’s novel, White Noise revolves around the life of Jack, a Hitler Studies scholar at College-on-the-Hill. The characters within the novel all want to involve themselves with the events in an industrial American society. Jack and his fourth spouse, Babette are characterized by their love, fear of loss of life, and four seemingly civilized children. The family seeks to live in a society where the consumerism culture is highly influenced by media and companies. The characters’ consumerism culture becomes influenced by the dangers of the industrial chemical cloud that hangs over their lives. This essay explores the importance of honesty in the wake of a consumerism culture that is highly influenced by the media and companies as evident in White Noise by DeLillo and “Big and Bad” by Malcolm Gladwell.
In Gladwell’s “Big and Bad” article, he discusses company and media influences on consumers’ choices of safe cars (Gladwell 440). Gladwell depicts the two key organizations as being dishonest in their unfair influences on consumers’ choice to buying big cars; however, this turns out to be passively safe as opposed to being actively safe. The author provides facts about the 33 brands of Sports Utility Vehicles (SUVs) and minivans, with the less preferred, midsize cars such as the Toyota Camry, Honda Accord and Volkswagen Jetta taking the lead on safety. Gladwell argues company information and media influences have turned very safe cars into unsafe ones because drivers tend to be passive rather than active when driving (Gladwell 440). The story closely resembles White Noise in the sense that in both cases, the consumerism culture subject to media and company influences, rather than the objectivity of the customers.
Jack’s life re...
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...y the media.
Generally, DeLillo creates uncertainty in the life events surrounding various characters in the White Noise. The author has dedicated the novel’s plotline to important events, random conversations, and bits of sounds of machines and the media to create a sense of a new life and era. Throughout White Noise and “Big and Bad,” readers are shown the massive role of the media and companies in influencing consumerism cultural influences. Media and companies are depicted as blocking consumer objectivity in life and with the massive risks upon the end-users; honesty is the best policy that would guarantee consumers consistency and safety.
Works Cited
DeLillo, Don. White Noise. New York: Viking, 1985.
Malcolm Gladwell. "Big and Bad." Open Questions. Eds. Chris Anderson and Lex
Runciman. New York: Bedford, 2005. 36-41. Print. Web. 11 May 2014.
Allstate Insurance makes itself notable by employing a commercial that divulges a short story of the consequences that a distraught teenage driver can inflict while on the road. Its use of various visual and verbal elements makes the advertisement acutely effective since it seizes the audience’s attention with colorful and amusing displays, while alerting them to the dangers of uninsured vehicles in a memorable way. Moreover, the commercial’s tactful use of several fallacies serves to distract and humor the audience into being swayed by the company’s claims. In short, the advertisement combines all these tools into making an effective, persuasive, and interesting campaign.
Ask any ten enthusiasts what two cars epitomize the concept of an automotive rivalry and at least nine of them will instantly conclude the Chevrolet or Chevy Camaro and the Ford Mustang, two cars that make up part of a small automotive segment known as Pony Cars. These fire-breathing leviathans of the street snarl with guttural reverberations boastfully announcing their presence with the mere turn of key. For nearly five decades, these mechanical beasts have captured the imagination of the American driver and ignited the most contentious debate in automotive history: Which car reigns supreme? Muscle car buffs waste no time quoting sales figures, vehicle performance, track times, or even mundane statistics like vehicle dimensions or available colors to simply justify their support for one model over the other. As this debate rages on, the makers of these brutes fan the flames through targeted marketing strategies, consumer promotions, pricing strategies, and creative advertising all in effort to win an automotive war the likes of which have never been seen or fought before (Davenport, 2013).
In each of the authors essays in this book, is the truth of the smut and other things of the American ideal. You could say it is a liitle bit Weber's Protestant Ethic meets Larry Flynt. In each scenario, whether through agricultural facility and personal liberties, in the case of marijuana criminalization; immigrants in search of a better life, in the case of stigmatized farm workers; or punishing a successful businessman because of his lack of morals, Eric Schlosser returns to the unpleasant image of America as a bundle of hypocrisies.
The first of these primal scenes takes place in DeLillo's first book, Americana (Osteen 413). In a particular part of this novel, DeLillo describes the invention of America as the invention of the television (Osteen 413). One of his characters even describes it as having "came over on the Mayflower," which Letricchia interprets as meaning not television itself came over, but the desire for a "universal third-person" (Osteen 414). Letricchia argues that television offers to modern Americans today what the Pilgrims' ships offered to immigrants on the old days: something to dream about (Osteen 414). Even DeLillo writes that "To consume in America is not to buy; it is to dream," which, according to Letricchia is to say "that it is not the consummation of desire but the foreplay of desire that is TV advertising's object" (Osteen 414). Which is to say, it is not the advertisements job to make you buy something, only to make you want to buy it, a point I find to be not only accurate, but somewhat disturbing as well.
The American consuming public has a long history of imposing patriotic consumption decisions upon the marketplace. They may be small things, like choosing to consume “freedom” fries over french fries or looking for the “Made in USA” label on products, or they may be forceful actions, like revolutionary era boycotts of British tea or holding foreign food and drug products to American standards. Recent anti-SUV campaigns have grown out of this legacy of consumption protest. The Detroit Project is at the forefront of promoting anti-SUV sentiment to a mass audience.
Since the beginning of the Industrial Age, Americans have idealized the journey towards economic success. One thing people do not realize, however, is that journey is not the same for every individual. Media often leads its viewers toward a “one size fits all” version of success that may help themselves, but will rarely help the viewers. This is seen in Arthur Miller’s Death of a Salesman. Miller includes multiple instances of symbolism and personification to reveal to the reader the situational irony in Willy’s life, underlining the theme of self-deception in regard to the American Dream. This American Dream, fueled by money, is the main source of anxiety in Willy’s life. The anxiety of income is reflected today in the issue of minimum wage. James Sherk, a writer of the Tribune News Service, plots thoughtful points against raising the minimum wage. However, his use of over-exaggeration and odd comparisons leave his argument less than convincing.
According to Raymond Williams, “In a class society, all beliefs are founded on class position, and the systems of belief of all classes …” (Rice and Waugh 122). His work titled, Marxism and Literature expounded on the conflict between social classes to bridge the political ideals of Marxism with the implicit comments rendered through the text of a novel. “For the practical links,” he states “between ‘ideas’ and ‘theories’ and the ‘production of real life’ are all in this material social process of signification itself” (133). Williams asserts that a Marxist approach to literature introduces a cross-cultural universality, ensuingly adding a timeless value to text by connecting creative and artistic processes with the material products that result. Like Williams, Don DeLillo calls attention to the economic and material relations behind universal abstractions such as aesthetics, love, and death. DeLillo’s White Noise brings modern-day capitalist societies’ incessant lifestyle disparity between active consumerists and those without the means to the forefront of the story’s plot. DeLillo’s setting uses a life altering man-made disaster in the suburban small-town of Blacksmith to shed light on the class conflict between the middle class (bourgeoisie) and the working poor (proletariat). After a tank car is punctured, an ominous cloud begins to loom over Jack Gladney and his family. No longer a feathery plume or a black billowing cloud, but the airborne toxic event—an event that even after its conclusion Jack cannot escape the prophecy of his encroaching death. Through a Marxist reading of the characterization of Jack Gladney, a middle-aged suburban college professor, it is clear that the overarching obsession with death operates as an...
In his work, Don Delillo explores isolationism and its capacity to reveal the corruptness practices in society. Delillo tends to place themes in his writings that express his belief of a corrupt society. He believes that when individuals disconnect themselves from society, they are led to reflect and opinionate on civilization and its importance. Its easy to recognize this prevalent theme in several of his books. In Mark Osteen’s literary criticism, “A Moral Form to Master Commerce”, he states: “Thus he begins where many of Delillo's obsessive, ascetic protagonists eventually reside: in end land a terminal, empty landscape, purified of noise and complexity” (Osteen LC). Delillo often places his protagonists in situations where they develop negative judgments on humanity. This leads them to become overwhelmed and disappointed by its morals. When present to these complexities, the characters temporarily detach themselves from society by hiding out in a secluded location. In one of his most ubiquitous books, The Body Artist, Delillo articulates that the key to realizing humanities errors is isolation- becoming detached from societies values. These include: disorder, hassle, and deception. Citizens are ultimately oblivious to these due to cultures manipulation, lies and false values. In The Body Artist, the protagonist, Lauren loses her husband, Rey, after he commits suicide. Lauren becomes overwhelm...
A white picket fence surrounds the tangible icons of the American Dreams in the middle 1900's: a mortgage, an automobile, a kitchen appliance paid for on the monthly - installment - plan, and a silver trophy representative of high school football triumph. A pathetic tale examining the consequences of man's harmartias, Arthur Miller's "Death of A Salesman" satisfies many, but not all, of the essential elements of a tragedy. Reality peels away the thin layers of Willy Loman's American Dream; a dream built on a lifetime of poor choices and false values.
By coding his novel, White Noise, as if it were a television show, DeLillo comments on the state of affairs in our modern culture. DeLillo demonstrates our society's codependency on what was originally only intended to be a medium of communication. By showing the benevolence of the medium as it translates into the lives of his characters, DeLillo is saying that maybe our dependence on television, even as blood bath entertainment is not as bad as generally perceived.
When General Motors manufactured the first electric car known as the EV1 they did not fully have in mind it’s affect on the buyers. Although there were consumers who were concerned at the time with bettering the environment around them, majority of them were not. The idea of an electric car seemed barbaric and without the buyers, the seller begins to fail. A consumer by the name of Charles Murray (2007), and author of the article I Killed the Electric Car talks about his guiltiness as a consum...
...’s bleak words to Jack represent the human condition he face. In the postmodern American Dream, consumerism serves as “white noise” to forget our death.
In Don Delilo’s, White Noise different themes are displayed throughout the novel. Some themes are the fear of death, loss of identity, technology as the enemy, and American consumerism. The society represented in the novel views people as objects and emotionally detached from many things. Death is always in the air and trapped in peoples mind. The culture that’s represented in the novel adds to the loss of individualism, but also adds to the figurative death of the characters introduced in the novel.
The book White Noise by Don DeLillo traces the protagonist-narrator Jack Gladney’s gradual and astounding progress in life as he tries to conform to the postmodern world to which he belongs while trying to retain his moral and ethical principles. The book discusses the postmodern and cultural explorations in an open and Western living system that incorporates within itself a consumeristically dominant culture vibrant with supermarket-grocery shopping, globalization, mass media dependency, and anticipation towards establishing a concrete, dynamic, and self-created individuality.
Don DeLillo’s ‘Videotape’ is a short story of man who is absolutely captivated by some footage on the news that can be described as both, raw and shocking. The footage is being repeatedly played over and over. It depicts a young girl with a camcorder travelling in the backseat of her family’s car who happens to be filming a man driving a Dodge behind them. She continues aiming the camera at the man and filming until, suddenly, he is shot and murdered. The man watching the tape at home is clearly mesmerized and fascinated with the footage to the extent that he was trying to get his wife to watch it with him. This story portrays society’s utter fascination of shocking and disturbing content relating to death and other horrible events unless they themselves are involved. This, along with other characteristics, clearly suggests that “Videotape” is a piece of postmodern literature. This report will analyze and describe why “Videotape” belongs to postmodern literature through the in-depth analysis of the selected passage and a brief breakdown of the story as a whole.