Does an Architect’s Ego Get in the Way of Sensible Design?

1003 Words3 Pages

Does an architect’s ego get in the way of sensible design?

Does it? Does an architect have an ego? Well what is ego for that matter?

“Ego: A person’s sense of self-esteem or self-importance” (oxford Dictionary) this is a very tame definition, most people will agree when saying that the definition of ego is in fact the arrogant part of you that in some ways makes you think you are superior or the less cynical of us would like to say an ego is the autopilot of the mind, it’s the thing that one does out of conditioned reflex as a response to any situation, it is biased to childhood and professional experience, an ego can be flexible and adapt to its surroundings., or in many cases I doesn’t, which gives way to the definition of it being the arrogant trait of a person.

Everybody has an ego, in different forms and intensities; it varies from person to person, depending on their experience, upbringing and profession. An artist might have a bigger ego than a primary school teacher, artists have to express them selves though their art, they spend their whole life and invest all their energy into bringing a piece of them selves on to a canvas, some can say its purely self indulgent. Teachers on the other hand have to follow a set of rules they singed to abide, to the national curriculum and timetables; they have a very little window of self-expression, once in a while you get the super teacher who manage to juggle the students and bring a personal flair to their teaching but they are somewhat of a special breed. You often find such breeds have very artistic and self-expressive hobbies.

Before getting in too deep with ego of every profession, lets move swiftly and quickly in to architecture. Do architects have an ego? Do they let the...

... middle of paper ...

...s failure on poetry and art work alone.

However it makes me wonder if the emphasis was more on the artistic appearance and representation than the soul function of the building, did the artists inside Zaha Hadid’s disregard it or was did it prevent her form seeing it. If she didn’t see it why didn’t the designer, engineers, and the group of postgraduate ‘CAD monkeys’ working for Zaha Hadid see this.

The failure was reversed as the building is now turned into a museum of transport, one can argue that no new building had to be built for a museum, hence cutting costs, but a whole new fire station had to be built, therefore nit covering up its tracks of cost.

There are exceptions; those being the designs that were sensible and responded to the brief appropriately even with egos.

Open Document