The play takes place around a rundown monastery named St. Veronicas during the 1960’s, in a time of social turmoil. The monastery is in need of drastic upgrades, and with little money Mother Superior and the nuns must look elsewhere for funding. This search for funding leads to a better sense of identity along with interesting plot twists that leave the audience shocked. “The unraveling of those secrets involves enough plot threads to weave a center-hall tapestry” (Brantley). All nine characters brought some unique characteristics to the stage, especially the major ones such as Mother Superior, Sister Acacius, and Agnes. Mother Superior portrayed by Kody Grassett amused me immensely. From the magnificent entrance on a bike from offstage to his hilarious interpretation on the movements and tone of Mother Superior deserves praise. Sister Acacius portrayed by Brianna Joseph brought the sass to the play. Her funky dance, witty remarks, and her constant yearn for sex had the audience laughing in every scene she was in. Sweet little postulant Agnes portrayed by Alexandra Voelmle with her innocence made me fall in lo...
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Stage management was impeccable. Their professionalism is worthy of praise. Interestingly the technical crew was part of the play, they dressed up as nuns as well and gave a sort of comical relief as they came out to shift the scene. If anything they added to performance rather than take away.
Indeed, not all nuns are pure beings as seen in the play. Being set in the 1960’s in a time of change, insecure nuns hiding behind their robes, a cooperative audience, and spot on aesthetics allow the performance to showcase just how unrighteous nuns can sometimes be. Even though the play was a hilarious comedy, insight can be gained from all the characters. Each character had some form of burden that each had to cope with. Kate Ingram managed to direct a performance that stayed true to the original performance that led the audience in finding clarity with the meaning.
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