Many musical artists present their musical composition lyrics as poetry. This reflects not a commercial move on their component, but a desire for the words they intend to be taken earnestly. For example, Candyman by Zedd and Aloe Blacc displays poetry through imagery. Imagery in literature brings a story to life for the reader. It draws the reader in and surrounds them with the environment of the narrative. The use of imagery will make the reader fully understand the circumstances under which the characters of a story live. It provides vivid illusions to picture in your mind. “Living for tomorrow, Lost within a dream, Tryna find the answer to the quest...
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It seems absurd to contend that lyrics inherently have less literary merit than poetry, or are more facile to engender, or are less valuable in a cultural or human sense, and ergo somehow do not deserve the rarified denomination of “poetry.” But the desire to consider lyrics as literature reflects some hapless and sedulous biases that are detrimental to both poetry and musical composition. This desire postulates that poems, because they are “literature,” must be solemn, that is, intended in forms that reflect conspicuous mastery of literary mannerisms (whether formal, like rhyme or metrical language, or something more elusive like elaborate fanciness of some kind). And it surmises that what is valuable about lyrics is how they reflect those literary values and skills. Music also uses poetic elements to function as a way to deliver a message to its listeners.
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