Fossil Discoveries in Kansas
Did you know, in the state of Oklahoma it is against the law to either hunt or catch whales? Sounds sort of ridiculous when you think logically about it, but according to paleontologists it isn’t that far fetched. Over 65 million years ago Kansas, including the whole Midwest Region of North America from the Arctic Circle to the Gulf of Mexico, was covered by the Sea. Due to the continental uplifts of the mountain ranges in North America during the Pangaea stage, the once shallow sea of Kansas became shut off from the sea-water flow and dried out to what we know it as today. The biome of Kansas over the last 65 million years has become extremely dry and flat, which would account for a once shallow inland sea. For example; Salt Lake City was once in the mist of a glacier that filled the inside “hole” of the City, causing the surface of it to be extremely flat excluding the surrounding mountains.
Recently in an article from Elasmo.com, recognition for Mike Everhart’s discoveries has been noticed. Paleontologists and Archeologists in Western Kansas “have been finding sources of some of the best Cretaceous marine fossils that have ever been found anywhere in the world.” (Everhart, #1). These fossils, though interesting and vast, have pointed a lot of questions to how and when Kansas was under sea level. From my research, I have found that the only explanations to these issues and debates are the discoveries found consisting of both the archaic sharks and plesiosaurs.
In my research, the Oceans of Kansas organization for Paleontology has given me more than enough to focus on when depicting out how to correlate our modern logic about how Kansas is mostly a wasteland to when it used to be an ocean with striving life within. The sharks that have been recently discovered are increasing not only in size, but by type. Mike Everhart, lead Paleontologist of this organization, in April 2002 discovered an extremely large shark called the Cretoxyrhina Mantelli "Ginsu Shark". “A large lamniform shark found worldwide from Turonian into Campanian time during the Late Cretaceous. Much the same size as a modern Great White (but not closely related), the Ginsu shark reached lengths of more than 6 meters before becoming extinct about 82 million years ago.
The Great Shark debate – to cull or not to cull, has been at the forefront of the minds of conservationists, as well as the general population for many decades now. The opinions of everyone are divided, according to their personal experiences, and views on what is right and wrong for the environment.
In the year 2002 a bizarre looking theropod dinosaur fossil was found in China (Xu). It challenges the way researchers have been thinking of theropods and other dinosaurs for a long time. In the Sahara desert, the oldest hominid skull in the world was found that same year. These are just two of many discoveries that have challenged the way we perceive the ancient world.
The question of what caused the extinction of megafauna during the Late Pleistocene period is one that archaeologists have struggled to answer for decades, but why should it matter? Discovering with certainty the cause of megafaunal extinction would simultaneously prove or disprove any of the proposed implications of each existing theory regarding this massive extinction.
Dinosaurs are often compared to and resemble modern day reptiles. Scientists will study how these modern day reptiles behave, look, act, and move to draw conclusions on how the dinosaurs would behave, look, act, and move. They also look at the intern make-up of the modern reptiles to predict how the dinosaurs internal make up would be. However, a recent discovery in South Dakota is stirring up some controversy (Hesman). While Mike Hammer was walking around a ranch in South Dakota he stumbled across a “big-eyed” dinosaur that he now refers to as Willo. The thing that caught his eye was the chest cavity of the dinosaur, upon further investigation he found a rock that was preserved in the curve of the dinosaur’s ribs, he was convinced that this rock was once a heart. Hammer then went on to take the dinosaur fossil in for a medical X-ray scan, this X-ray showed evidence that could change how we think about dinosaurs.
International organizations such as NATO and the UN are essential not only for global peace, but also as a place where middle powers can exert their influence. It is understandable that since the inception of such organizations that many crises have been averted, resolved, or dealt with in some way thro...
I chose to write about the artwork titled “Mule Deer Still Life” by Angela Prond. The artwork is oil on a canvas board. The artwork is a picture of a mule deer skull with its horns still attached. This picture reminds me of hunting, because I do a lot of it and I have shot mule deer before and saved their horns exactly like this picture is. Angela’s title for the artwork makes me believe that she is saying this mule deer still has life and meaning. There is not a lot of background in this artwork, pretty much just the mule deer skull and horns. She did this for a reason, even though the picture is pretty normal and there is not much detail to it, there is more meaning in her title for the picture.
At the time Charlotte Perkins Gilman wrote “The Yellow Wallpaper” she was considered a prominent feminist writer. This piece of background information allows the readers to see Gilman’s views on women’s rights and roles in the 18th century; “The Yellow Wallpaper” suggests that women in the 18th century were suppressed into society’s marital gender roles. Gilman uses the setting and figurative language, such as symbolism, imagery, and metaphors to convey the theme across.
The setting of Charlotte Perkins Gilman’s story “The Yellow Wallpaper” is crucial to the reader’s understanding of the narrator 's experiences. Even though the narrator is aware of some illness affecting her, she instinctively insists is caused from lack of artistic expression, but other outstanding factors are portrayed through Gilman’s writing which contribute to the psychosis of our narrator. To consider these aspects Susan , author of “The Feminist Criticism, ‘The Yellow Wallpaper,’ and the Politics of Color in America,” criticizes the degree where Gilman’s story transforms contemporary feminism and social practices.
In the early 1800’s, a new discovery that left paleontologists in awe was the fossil finding of the immeasurable amount of species of reptiles, Ichthyosaurs. Greek for “fish lizards”, these fossils were found all over the world. Because these large aquatic reptiles migrated just as whales do today, paleontologists have had the amazing advantage of collecting fascinating bone fragments throughout the past 177 years. Ichthyosaurs swam the ocean life from about 245 million until about 90 million years ago- approximately the same time dinosaurs ruled the land. The earliest Ichthyosaur fossil findings were in parts of Canada, China, Japan, and possibly Thailand. Countless fossils came from coatings of limestone produced out of the ocean-floor ooze that was predominantly superior at preserving very well facts of the creatures it digested (Perkins 2).
The psychologically thrilling story of “The Yellow Wallpaper” by Charlotte Perkins Gilman explores the dark and twisted aspect of the American society in the nineteenth century. Through the use of theme, Gilman creatively captures the cultural subordination and struggles women faced on a regular basis.
The color symbolism in both Crane’s Maggie: A Girl of the Streets and Gilman’s “The Yellow Wallpaper” share the associations of gender, society and the realism of a woman’s sphere within a changing and evolving commercial society. As the societal changes of the nineteenth century move closer to the industrialism, naturalism, and the rise of a new class taboos such as mental illness and poverty; it moves further from an ideal domestic Victorian society. The industrialization of manufacturing and the production of goods and thoughts are most representative through the writings of Crane and Gilman as well as other nineteenth century writers.
In a female oppressive story about a woman driven from postpartum depression to insanity, Charlotte Gilman uses great elements of literature in her short story, The Yellow Wallpaper. Her use of feminism and realism demonstrates how woman's thoughts and opinions were considered in the early 1900?s.
Intellectual disability (ID) and related terminology have evolved over time to reflect the legal and social gains made by individuals with such a disability and their families. ID is characterized by significant limitations in intellectual functioning (e.g., reasoning, learning, and problem solving); significant limitations in adaptive behavior (i.e., conceptual, social, and practical skills in everyday life); and onset in childhood (before the age of 18 years; American Association on Intellectual and Developmental Disabilities (Disabilities, 2017). Intellectual disability is a particular state of functioning that begins in childhood and is characterized by limitations in both intelligence and adaptive skills (Janet W. Lerner, 2015).
“The Yellow Wallpaper” contain many symbols in which Charlotte Perkins Gilman develops the idea that society at the time of the story presumed certain things “proper” - without knowing that they were indeed harmful. In the author’s time, woman had no power, worth, or opportunities, and that could have been enough to drive woman of the time, including the narrator, into madness. Women were not apart of the workforce, could not vote, or have a say in anything. Charlotte Perkins Gilman wanted to change the way in which women were viewed in the 19th century. In “The Yellow Wallpaper”, she uses numerous symbols to show the many restrictions upon women, lack of public interaction, and the struggle for equality.
Thesis: Sharks should be conserved because they are an important part of the ocean, attacks are often incidental, and human behavior influences the behavior of sharks.