The Director Of The Film An Occurrence At Owl Creek Bridge Essays

The Director Of The Film An Occurrence At Owl Creek Bridge Essays

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Robert Enrico, the director of the film An Occurrence at Owl Creek Bridge crafted a masterpiece that leaves viewers questioning “What just happened?” The film can become easily misleading to viewers due to the blurred lines between illusion and reality. Enrico uses strategic, well-thought-out methods when displaying the imagery and using minimal sound effects during the film to create a storyline ending by snapping viewers back into reality from the illusion they did not even know they were in.
Furthermore, the film begins by showing the bare trees which leads the viewers to a view of a bridge appearing in the dime light. With no words to explain what is happening the audience is awaiting answers already in the first thirty second of the short film. This sits an eerie tone to the film, and entices viewers to continue to watch the film as the illusion unfolds in front of them. In addition, Enrico displays a view of a shallow creek bed where the viewer can see the pebbles and stones just beneath the water as Ambrose Bierce, stands on the edge of a plank board above the water which is hanging off the edge of the bridge. In reality this is what the creek actually looks like, but the illusion begins when the time comes for Bierce to be hung. The next scene shows Bierce plunging into a deep creek instead of hanging from the rope around his neck. At this point in the short film the lines between illusion and reality become blurred, and Enrico deceives his viewers for the rest of the short film until the final scene. Another example of deception is when Bierce reaches the surface of the water after his two minute struggle underneath the surface. Once he emerges the eerie tone is replaced with a lightness as images of butterflies, insects...


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...creating in the short film. Furthermore, the scene when Bierce washes up on the embankment after surviving from his descend from the falls an explosive sound goes off. This is when Bierce comes back to the realization he is still running for his life from the military. All of these scenes are examples of how the settle amount of sounds effects are affective in distinguishing between illusion and reality.
In conclusion, the Enrico uses his talent to capture the audience in a fantasy illusion through the character of Ambrose Bierce by creating an unbelievable, but yet enticing inhumanly possible experience that comes to a harsh reality by displaying strategic, well-thought-out imagery and minimal sound effects. Still some audiences are left with questions, but if a viewer watches the short film again, carefully, the evidence of the illusions and reality will surface.

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