The main characters of both novels, Flora Poste and Mother, are driven by modern common sense customary of their time. Flora, orderly and well-educated, lives her life through what she learns in self-help books. She is confident that she knows best. Therefore, after meeting Starkadders the only thing that comes to her mind is to attempt to make them “normal” by her standards. She is obsessed with order in other people's lives, as well as in her own. When she finds out about more Starkadder women in Sussex, she tells herself that she would rescue Elfine, but beyond that would make no promises. Flora's practical nature helps her to bring change in other characters despite the conflict between her values and the values of the Cold Comfort Farm's natives. Taylor's Mother seeks to extend her family and minds the business of others. Both heroines manifest their practicality by manipulating people's lives, who happen to be around them and not fit certain norms. Mother and Flora take on the ambitious tas...
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...bbons's dominatrix, Ada Doom, in the fact that both of them represent power, which belongs to women within the traditional extended family (Faye 846). However, Mother stays practical and ordinary until the end, with an exception of the period after Father's death, while Ada, like Flora, or the rest of the Cold Comfort Farm's natives, dramatically changes within one chapter under Flora's manipulation.
Gibbons, Stella. Cold Comfort Farm. London: The Penguin Group, 2006. Print.
Taylor, Rosemary. Chicken Every Sunday: My Life with Mother's Boarders. New York: McGraw-Hill Book Company, Inc., 1943. Print.
Gerrard, Christine.“Sense and Sensibility in Cold Comfort Farm.” English Review November 2004: 2. Print.
Hammil, Faye.“Cold Comfort Farm, D.H. Lawrence, and English Literary Culture Between the Wars.” Modern Fiction Studies Winter 2001: 831-854. Print.
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