The Dichotomy of Photojournalism in the Afghanistan War Essay

The Dichotomy of Photojournalism in the Afghanistan War Essay

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Journalism is considered by many to essential in maintaining a democracy and the trust of the people within it. The public relies on journalism and media, to close the distance between current events and the public to facilitate immediate attention. The use of photojournalism in times of war is depended on, in order to create a type of vicarious experience for the reade;, so they in some way can experience the conflict themselves without physically being there. However, I have come to notice an issue within the way media is proposed. It is true that a photograph can speak a thousand words, but it can leave many words unspoken. It creates an essential question: What is not being show and what are we unable to see? Does this information present the event in its entirety? After reading the Atlantic’s photo-essay, titled: “In Focus: Afghanistan October 2011,” The complexity of portraying war in photojournalism began to present itself. A gap exists; a missing perspective within the narrative of photojournalism and this gap has the ability to manipulate the very public its meant to inform.
In the Atlantic’s photo-essay, the reader is shown a variety of images that attempt to encapsulate the current state of conflict in Afghanistan in October 2011. The article is comprised of photography instead of writing making of the majority of the content. The reader is presented a visual experience of the conflict in Afghanistan. Accompanying the images are short captions, which sit below the photographs and provide a context for the visual presentation that is provided. Many of the images depict scenes of the local population in and around Kabul, the countries capital, involved in everyday activities. An image of women protesting the occupation ...

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...ty to capture the story of war and conflict, they are still vulnerable to misdirection. It was not until I read the Atlantic photo-essay that this gap of information became clear, if it were not for my own experiences in Afghanistan I might have accepted what first read without question. Perhaps I was naïve, but it shows the importance in the distinction between what you know, and what you do not know.

Works Cited
Harpreet, Paul. “‘The War You Don’t See’: Iraq, Afghanistan and Israel/Palestine.” Global Policy in Brief. N. p., 24 June 2011. Web. 2 Mar. 2014.
Solomon, Alisa. “Who Gets to Be Human on the Evening News?” PMLA (2006): 1585–1592. Print.
Sontag, Susan. “Looking at War.” The New Yorker 9 Dec. 2002. The New Yorker. Web. 2 Mar. 2014.
Taylor, Alan. “Afghanistan: October 2011.” The Atlantic. N. p., 2 Nov. 2011. Web. 2 Mar. 2014.

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