The Devolution of Miley Cyrus

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Recommended: Media representation of young people

Aims and Objectives

This project will attempt to analyze the implications and impacts of the representation of the former Disney sweetheart, Miley Cyrus, in her latest music videos “Wrecking ball” and “We Can’t Stop.” This is in an effort to evaluate whether this representation is a form of unfairness against Miley Cyrus, or it truly represents her transition from the golden girl to a wrecking ball since her appearance in the Hannah Montana TV series. This assessment will involve a review of academic literature related to issues of controversy in the media with particular reference to Miley Cyrus’ controversy and an academic analysis based on the research. The format used will be some kind of biography, with deep insights as to psychological aspects contributing to her behavior, and a conclusion to define the new Miley Cyrus.

Literature Review

Since her debut at the Disney Show in 2004, Miley has been on everyone’s lips if not eyes for the right and now ‘questionable right’ reasons (Millard, 2013, Para 1).

Miley Cyrus is the girl that no one can stop discussing now. She has transformed herself from a naïve, Disney idol to a pop figure that society now perceives in a luminous way. Back in 2010, Miley was engaged in a film by the name “The Last Song,” and, at the same time, advancing her third studio album “Can’t Be Tamed.” This happened in an effort to cross the rift from an influential pop star to a pop celebrity. Her prior extensive play, “The Time of Our Lives (2009),” which mainly depicts the happenings in a smash party, in the United States, was commercially successful, but failed to ascertain Miley as a stern, adult artist (Yalda and Greenfield 84). The album “Can’t Be Tamed” set out to play a similar role by tra...

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...Nickelodeon Channels." Journal of Children and Media 4.3 (2013): 265-282.

Summers, Kimberly Dillon. Miley Cyrus: A Biography. ABC-CLIO, 2009.

Tieck, Sarah. Miley Cyrus: Singer/Actress/Star of Hannah Montana. ABDO Publishing Company, 2013. Print.

Uhls, Yalda T., and Patricia M. Greenfield. "The Rise of Fame: A Historical Content Analysis." Cyberpsychology: Journal of Psychosocial Research on Cyberspace 5.1 (2011). Print.

Vares, Tiina, Sue Jackson, and Rosalind Gill. "Preteen Girls Read'tween'popular Culture: Diversity, Complexity and Contradiction." International Journal of Media & Cultural Politics 7.2 (2012): 139-154. Print.

Watercutter, A. "Miley Cyrus Delivers Latest Blow in Youtube Dance Battle." Underwire Blog 11 (2008). Internet Resource.

Cyrus, M., 2009. Miles to Go. LA: Disney Hyperion

Byrne, K., 2014. The Dangerous Pressure Cooker of Childhood Fame

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