Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Contrast the character of Gertrude and Ophelia in Hamlet
role of gertrude and ophelia in the tragedy of hamlet
hamlet's relationship with ophelia and gertrude
Don’t take our word for it - see why 10 million students trust us with their essay needs.
In William Shakespeare’s Hamlet, women are oversexualized, and are given no role other than to be the item of a man’s desire. The promiscuity of the only two women in the play, Gertrude and Ophelia, detracts from their power and integrity, and allows Hamlet a certain amount of control over them. Gertrude’s sexual lifestyle is often mentioned by her son, Hamlet, and Hamlet uses his knowledge of Gertrude’s sexuality as a means to criticize her. Ophelia’s sexuality initially appears to be controlled by Laertes and Polonius, and Hamlet takes advantage of the naive image that she is required to keep. However, in her later madness, Ophelia taints this image by revealing that her innocence is feigned. By exposing the sexual natures of both Gertrude and Ophelia, Hamlet strips these women of any influence they may have had, and damages their once-honourable names.
Hamlet possesses an uncomfortable obsession with his mother’s sexuality. For this reason, Hamlet’s soliloquies provide most of the audience’s information about Gertrude’s sexual activities. In his first soliloquy, Hamlet refers to the relationship between Gertrude and Claudius when he exclaims, “Within a month…She married. O, most wicked speed, to post / With such dexterity to incestuous sheets!” (I, ii, 153-157). In saying this, Hamlet displays how hastily Gertrude has abandoned the late King Hamlet, Hamlet’s father, such that she has already married Claudius, Hamlet’s uncle. In addition, Hamlet acknowledges that Gertrude and Claudius have quickly developed a very sexual relationship. Despite the very recent death of her husband, Gertrude is unable to control her sexual desires, and she remarries less than two months after King Hamlet’s funeral.
Much later in the play, Hamlet...
... middle of paper ...
...f the women takes away from their influence and their honour, giving Hamlet an extent of dominance over both women. Hamlet often discusses his mother’s sexuality, and he denounces Gertrude based on her sexual activities. Hamlet also takes advantage of Ophelia’s faked innocence, and exposes her sexuality. By revealing the truth about Gertrude and Ophelia, Hamlet deprives these two women of their authority, and destroys their formerly respected reputations.
Works Cited
Milner, Cork. “Sexual Ribaldry”. netplaces. n.p. n.d. Web. 27 May 2014.
Shakespeare, William. Hamlet. 1601. London: Harper Press, 2011. Print.
Vest, Rob. “Country Matters and Sins Remembered: Ophelia in Hamlet, Prince of Denmark”. Indiana University Southeast. n.p. 22 July 2002. Web. 28 May 2014.
White, Noelle. Blessed Trinity Catholic Secondary School, Grimsby, ON. 22 May 2014. Personal Conference.
Shakespeare’s Hamlet, shows strong prejudice against woman especially with such characters of Ophelia and Gertrude. Shakespeare created an interesting character with Gertrude; he created a character that sits in the middle of all the conflict and appears to not partake in much of it. However Gertrude does seem intent in defusing it at every possible chance she receives. Gertrude is a central figure in the play. She appears a great deal but doesn’t say much – implying mystery and creating an interesting uncertainty in the audience. Hamlet spends a lot of time dwelling on her marriage to Claudius and Shakespeare leaves many questions unanswered with Gertrude such as did she have an affair with Claudius behind old hamlets back? Why does she drink the poisoned wine that is intended for her son? Does she know it is poisoned? Gertrude is the mother of Hamlet and although they do not have a typical mother son relationship she does love him. Queen Gertrude is often interpreted by many as an adulterate, incestuous woman. Catherine Belsey states that typical interpretations of Hamlet maintain: ‘Gertrude a slut; and Shakespeare a patriarchal bard’ (Belsey,1997:34). Gertrude’s actions throughout the play could be read to show her to be a very passive character, far from a strong independent woman. This is shown with her obedience to Claudius, three times during the play, Gertrude is told to leave and each times she complies without hesitation. In Act 1, scene 2 Claudius says to Gertrude, ‘Madam, come’ (122). Then again, Act 3, scene 1, Claudius says to her, ‘Sweet Gertrude, leave us .’ (28), she complies with ; ‘I shall obey you’ (37). And finally, in Act 4, scene 1, Claudius say, ‘O Gertrude, come away!’ (28). This obedience that Gertrude ...
When one observes the effects of gender roles in Hamlet, Ophelia is an example of character who is heavily affected by the oppressive standards of her day. Women like Ophelia were expected to remain as pure as the day they were born until the night if their marriage. Just before he leaves for France, Laertes finds Ophelia advises her, “If with too credent ear you list his songs,/or lose your heart, or your chaste treasure open/...And keep within the rear of your affection, out of shot and danger of desire.” (Ham. I.iii.31-35). The purity of woman was considered so valuable that one’s own brother felt it was necessary to lecture his sister to ignore the Hamlet’s pursuits towards her in an effort
Shakespeare’s Hamlet is a social commentary of both England and Europe around the time of its circulation. During William Shakespeare’s time, women in England had very few rights; men had superiority and authority over everything, including the women. Shakespeare connected Ophelia, a female character from Hamlet, to an era where women has very few rights and had the duty to obey the men in their lives. A women in Europe or even England, if unmarried, they obeyed their brothers and father and when married they were obligated to obey their husbands. As a woman, Ophelia had few alternatives in a patriarchal society that divided her from Hamlet who could change his fate at any given time. Ophelia was a proper woman of her time and she tried to
Hamlet takes control of the conversation from the very beginning of the scene although it is Gertrude who was meant to be rebuking him and doing much of the talking. Hamlet succeeds in shaming her until the point when she begs him to stop. Hamlet having the upper hand in the conversation, asks his mother to change her ways, which she agrees to and asks for his advice, showing that she has submitted herself to her son. Hamlet does not really show much respect for his mother while reproving her and forcing her to sit down but he does love her. Some critics believe that his love shows sexual connotation and that is a reason why he gets so upset at her remarriage. There is a point in this scene when Gertrude thinks her life is in danger of Hamlet and gets frightened, which shows us that she considers him to be mad and harmful. After this scene she becomes aware that Hamlet isn't mad and starts trusting him as opposed to Claudius. This is exactly how Shakespeare has presented women throughout the play: they are easy to convince, very meek and become submissive to the men (as we can see Ophelia and her response to her father and brother). They are depicted as weak and inferior in comparison to the male figures, who control their lives. After the closet scene Gertrude keeps faith to her son and lies to her husband Claudius for Hamlet saying he killed Polonius in his madness:
Disgusted by her lack of showing emotion, a seemingly feminine quality in both Hamlet’s and society’s eyes, for his father’s death, he declares “O God, a beat that wants discourse of reason / Would have mourned longer!” to himself (Shakespeare 1.2.154-155). Gertrude, however, is not characterized as a frail feminine figure, and thus she is rather a depicted as the whore, the parallel to the virgin Ophelia in Hamlet. Along with the implication of the whore comes such connotations of a promiscuous and lowly women. This stereotype of women is deviant of social norms, as it disregards any sense of innocence and obedience present in the ideal Elizabethan women. Hamlet extends this idea even further, depicting his very mother in compromising positions with his uncle, her new husband, as he utters, “O most wicked speed, to post / With such dexterity to incestuous sheets!” in disgust (Shakespeare 1.2.161-162). This vivid imagery characterizes Gertrude as a deviant sexual being, with the allusion to her apparent power as female, as she posts, or rides, Claudius, thus being in the dominant position. While she may have some power and autonomy because of this sexual hold, she can never truly be fully in charge because the inherent dominant nature of the man. So while he
As well as proposing the notion of female frailty through Gertrude, Hamlet’s mistreatment of Ophelia is another way in which the play of Hamlet could be considered a strongly misogynistic one. This is seen in particular through Hamlet’s verbal taunts directed at Ophelia’s intelligence, as he sneers that she is accustomed to “jig and amble and lisp” and that she makes her “wantonness” her “ignorance.” Indeed, Ophelia is depicted as being fragile, neurotic, and generally futile, with Polonious further calling her a “baby”, and a “green girl.” Polonius seeks to hold complete control over Ophelia, and she is presented to us as being unintelligent, mute, and unable to make her own decisions; for example, when Polonious warns her to stay away from
With particular reference to Hamlet, feminist critics might explore the characters of Ophelia and Gertrude and how they challenge—or fail to challenge — the domination of male characters. Feminist critics would also be interested in exploring how the play expresses ideas about femininity that were common in Shakespeare's lifetime and how complicit Shakespeare is in Hamlet's personal misogyny. … Elaine Showalter's essay "Representing Ophelia: Women, Madness, and the Responsibilities of Feminist Criticism" explores the difficulties, even embarrassments, that feminist critics have had in approaching Ophelia. The problem is that Ophelia has tended to be overshadowed by Hamlet, even by feminist critics, who then feel the need to liberate Ophelia from obscurity. However, even liberated Ophelia is problematic for she suggests some potentially troubling connections between femininity, female sexuality, and madness.
Hamlet’s behavior towards Ophelia and Gertrude shows his contempt and distrust of women. Though Hamlet loves his mother, “O heart, lose not thy nature” (1363), he is wounded and flabbergasted by her hasty marriage. He says, “Frailty, thy name is woman”, meaning that he views women as morally weak creatures (1316). His inference of innate womanly weakness is exemplified in Ophelia. When she follows her father’s instructions to not “give words...
Sexism present itself as being a very present topic throughout the play “Hamlet” by William Shakespeare. Sexism’s theme is particularly seen on the 2 and only female characters, Ophelia and Gertrude, as being victims of this emphasized theme. Both characters present being sexism victimized due to a strong relationship to the main character of the play, Hamlet (who portrays the male society). In the play, Ophelia and Gertrude represent being victims of male chauvinist oppression in the Victorian Era by being easily controlled, being overly emotional and by being simple minded.
In the play Hamlet, Shakespeare, the author, creates female characters that occupy very different roles than in his other plays. In this play, Hamlet plays opposite two women who are used by the men around them in order to further their own interests. One woman is named Ophelia. In many of Shakespeare’s other plays, he creates women that are very strong and play a very real role in the life of the protagonist. In Hamlet, however, Ophelia occupies a very different role-she exemplifies a pawn of the men around her. She is used not only by her father and his associate the King, but also by her supposed lover, Hamlet. This is a very different role for a woman in a Shakespearian play. Also, Hamlet’s mother, Gertrude, also plays a very frivolous role in the novel. Hamlet continually criticizes her incestuous liaison with his uncle, her brother-in-law, and uses her connections with his uncle in order to further his plan to have revenge on his uncle. In other Shakespearian plays, the male characters usually have respect for the women that they are associated with; in Hamlet, however, Shakespeare chooses to instead portray women more realistically. At the time when this play was written, it was very common for women to be used merely as pawns for either their fathers, brothers, husbands, or lovers. This shows Shakespeare’s deviation in this play from his characteristic style of writing-it questions that very style in which his other plays were written.
Most productions present Gertrude and Ophelia as sympathetic victims of Hamlet’s cruelty. As your starting point, refer to either the closet scene or the nunnery scene and, paying close attention to the language, show how it reveals the interaction between Hamlet and the women characters here and throughout the play.
In the play “Hamlet,” Gertrude and Ophelia share similarities and they are also contrasting characters. Gertrude, the mother of Hamlet, is a loving, honorable, protective mother. Ophelia, Hamlet’s love interest, is young, foolish, and underestimated. One of the main stances, to which they both contrast, is their love for Hamlet.
...g the relationship with Hamlet. Ophelia’s family members including her father perceive the Hamlet’s declarations of love for Ophelia as false and advise her to refrain from meeting Hamlet, in order to preserve her chastity and she agrees. Chastity is perceived as a woman’s most valuable belonging, which must be protected
Another significant female character is Ophelia, Hamlet's love. Hamlet's quest for revenge interferes with his relationship with Ophelia. There is much evidence to show that Hamlet loved her a great deal, but his pretense of madness drove her to her death. Ophelia drowned not knowing what was happening to her. This can be deduced by the fact that she flowed down the river singing and happy when in truth she was heartbroken. Ophelia was very much afraid when she saw Hamlet "with his doublet all unbraced; No hat upon his head; his stockings foul'd, Ungarter'd, and down-gyved to his ancle" (Act #. Scene #. Line #). She described him as being "loosed out of hell" (Act #. Scene #. Line #). In addition to that he scared her when he left the room with his eyes still fixed on her. She is especially hurt when Hamlet tells her that he no longer loves her and that he is opposed to marriage. He advises her to go to a nunnery and avoid marriage if she can.
A Shakespearean tragedy or, for that matter, any successful tragedy is to be characterised by six Aristotelian criteria viz, ‘plot’, ‘character’, ‘thought’, ‘diction’, ‘melody’ and ‘spectacle’. In the play ‘Hamlet’ there are two prime female characters with Ophelia, Hamlet’s sweet heart-throb and Gertrude, the bete noir of the principal character, the prince Hamlet and the male characters are quite numerous in comparison [1-3]. From the body of the text of the play Hamlet had an ambivalent attitude to his mother Gertrude. He loved her as a female species, a queen and lulled or nurtured a dream or fantasy of having physical relationship with his mother Gertrude. In that case he would dam himself as an incest.