The Depth of Emily Bronte's Wuthering Heights

878 Words2 Pages
bulb-icon

Recommended: Wuthering Heights: A Literary Analysis

Wuthering Heights was written by Emily Bronte’. It would be the least to say her imagination was quite impressive. Through imagination as a child, Bronte’ and her sisters would write children stories, which inspired some popularly known novels. Wuthering Heights contains crossing genres, changing settings, multiple narrators, and unreliable narrators. George R. R. Martin wrote the book Game of Thrones, which is one of the modern day novels that contain several of Emily Bronte’s writing techniques used in Wuthering Heights. Game of Thrones could be compared fairly easily to Wuthering Heights. Emily Bronte’ opened the doors for new techniques and different styles of writing for many modern novelist.
Wuthering Heights introduces the readers to spiral narratives. Readers will gain their knowledge through a range of narrators. Lockwood would give the reader the frame narrative, in Wuthering Heights. Nelly Dean will provide the reader with a central narrative. The reader also receives information through Cathy Earnshaw’s diaries, and Isabella provides letters. The reader can finish with Heathcliff’s narrative. In Game of Thrones, our modern day novel, follows these same lines of changing narrators. Each chapter contains one of the important character’s narrative. Arya is an important character in Game of Thrones, she has a chapter of her point of view throughout the book. The reader can be opened to a range of different points of view through this method. The different point of view in both novels creates an open view of each character.
Once the reader learns about each character, they can become more familiar of the truth underlying what is being portrayed. At this time readers trusted the majority of their narrators. Readers woul...

... middle of paper ...

...vides particular dictions for important characters that parallel with their personalities.
Emily Bronte' imagination created new techniques that our modern day authors use today. Wuthering Heights causes some controversy, even this lasted decades. Wuthering Heights will inspired people to use next styles then, and will continue to for the future.

Works Cited

Brontë, Emily, and Pauline Nestor. Wuthering Heights. London: Penguin Books, 2003. Print.
Martin, George R.R.. Game Of Thrones Book Three Of A Song Of Ice And Fire: A Storm Of Swords:. New York: Bantam Dell, 2003. Print.
Varghese, Dr. Lata Marina. "Stylistic Analysis of Emily Bonte's Wuthering Heights." www.iosrjournals.org. Volume 2. Issue 5. 46-50. IOSR Journal of Humanities and Social Science (JHSS), n.d. Web. 18 Apr. 2014. .

Show More
Related

  • Motiffs in The Novel Wuthering Heights by Emily Bronte

    858 Words  | 2 Pages

    In conclusion Emily Bronte employs the literary devices of repetition and anthesis to make closure for the wild love of Catherine Earnshaw and Heathcliff with the union of Hareton and Cathy’s love.With the characters being so similar the reader can't help to tie these sets of doubles together making Catherine’s and Heathcliff's forbidden love acceptable with the peaceful relationship of Cathy’s and Haretons relationship.

    Read More

  • Examples Of Paranoia In Frankenstein

    1766 Words  | 4 Pages

    Style in the Works of Mary Wollstonecraft, Mary Shelley, and Jane Austen. Chicago: U of

    Read More

  • George R.R. Martin's Game of Thrones, The Transformation

    1947 Words  | 4 Pages

    Game of Thrones is a book series written by George R.R. Martin, HBO has turned the books into one of the most widely followed television series on cable today. The book is set in a fantasy world that somewhat resembles what we know as the medieval era. The story follows around a vast cast of characters as they all fight to gain the “Iron Throne” in order to rule over the land. This paper will follow Daenerys Targaryen’s story during season one as she tries to get back her family’s throne. A she goes on her journey we will analyze how her story conforms and later on resists common themes of gender.

    Read More

  • Character Analysis Of Wuthering Heights

    995 Words  | 2 Pages

    In the novel Wuthering Heights, author Emily Brontë portrays the morally ambiguous character of Heathcliff through his neglected upbringing, cruel motives, and vengeful actions.

    Read More

  • Wuthering Heights

    1913 Words  | 4 Pages

    There is two stereotypical types of families, one where the children learn from their parents behavior and do the same as they grow up, and the other where they dislike – and do the opposite. In Emily Bronte’s Wuthering Heights, the characters are quite intricate and engaging. The story takes place in northern England in an isolated, rural area. The main characters of the novel reside in two opposing households: Thrushcross Grange and Wuthering Heights. Wuthering Heights is a story of a dynamic love between two people. This love transcends all boundaries, including that over life and death. The author takes parallelism to great extends. Much of the events that happen in the first half of the story correspond to events in the second half; first generation of characters is comparable to the second generation. Many may argue that the characters are duplicates of each other and that they share many traits. Although Catherine Earnshaw and Cathy Linton are mother and daughter, their personalities and lifestyles are very different. This is a great example where the child is and behaves quite different than her mother.

    Read More

  • The Country Setting in Wuthering Heights

    584 Words  | 2 Pages

    Wuthering Heights is a classic in which Emily Bronte presents two opposite settings using the country setting. Country settings are often used as a place of virtue and peace or of ignorance and one of primitivism as believed by many city dwellers. But, in the novel Wuthering Heights, Emily Bronte has used Thrushcross Grange and Wuthering Heights to depict isolation and separation. Wuthering Heights setting is wild, passionate, and strong and Thrushcross Grange and its inhabitants are calm, harshly strict, and refined and these two opposite forces struggle throughout the novel.

    Read More

  • Literary Criticism of Emily Bronte's Wuthering Heights

    995 Words  | 2 Pages

    Wuthering Heights is not just a love story, it is a window into the human soul, where one sees the loss, suffering, self discovery, and triumph of the characters in this novel. Both the Image of the Book by Robert McKibben, and Control of Sympathy in Wuthering Heights by John Hagan, strive to prove that neither Catherine nor Heathcliff are to blame for their wrong doings. Catherine and Heathcliff’s passionate nature, intolerable frustration, and overwhelming loss have ruined them, and thus stripped them of their humanities.

    Read More

  • Interweaving Characters and Surroundings in Emily Bronte's Wuthering Heights

    1715 Words  | 4 Pages

    Emily Bronte’s Wuthering Heights is a novel about lives that cross paths and are intertwined with one another. Healthcliff, an orphan, is taken in by Mr. Earnshaw, the owner of Wuthering Heights. Mr. Earnshaw has two children named Catherine and Hindley. Jealousy between Hindley and Healthcliff was always a problem. Catherine loves Healthcliff, but Hindley hates the stranger for stealing his fathers affection away. Catherine meets Edgar Linton, a young gentleman who lives at Thrushcross Grange. Despite being in love with Healthcliff she marries Edgar elevating her social standing. The characters in this novel are commingled in their relationships with Wuthering Heights and Thrushcross Grange.

    Read More

  • Wuthering Heights

    1464 Words  | 3 Pages

    Since there is not a lot of information known about Emily Bronte, people have speculated on how Wutheirng Heights came to be written by Emily. When Mr. Bronte returned from a trip on time, he brought Emily’s brother, Branwell, a box of wooden soldiers. The Bronte siblings began writing stories and plays about these soldiers, which some have said influenced Emily’s writing of Wuthering Heights later on in her life (Vine 6). Harold Bloom believes that “early marriage and early death [which are seen in Wutheirng Heights] are thoroughly High Romantic, and emerge from the legacy of Shelley, dead at thwenty-nine, and of Byron, martyred to the cause of Greek independence at thiry-six” (Bloom 8). Maggie Bewrg suggests that the character of Heathcliff was influencecd by “Byron’s anti-heroes, although he outdoes the Byronic hero in his romantic rebellion” (5). Because there is not much information on Emily, her influences for the book are just speculation.

    Read More

  • The Power of Love in Wuthering Heights

    1397 Words  | 3 Pages

    Web. 8 Dec. 2010. . Mitchell, Hayley R., ed. Readings on Wuthering Heights.

    Read More

  • Emily Bronte's Wuthering Heights - Frame Narrative

    834 Words  | 2 Pages

    Frame narrative is described as a story within a story. In each frame, a different individual is narrating the events of the story. There are two main frames in the novel Wuthering Heights. The first is an overlook provided by Mr. Lockwood, and the second is the most important. It is provided by Nelly Dean, who tells the story from a first-person perspective, and depicts the events that occur through her life at Wuthering Heights and Thrushcross Grange.

    Read More

  • Nelly’s Importance in Wuthering Heights

    2073 Words  | 5 Pages

    In the 1847 novel of Wuthering Heights, Emily Bronte brilliantly employs frame narrative in order to tell a story within a story. The character of Ellen Dean, known formally as Nelly, tells of the past and present from her first person perspective, to the visiting Mr. Lockwood. She depicts the events as she recalls them that transpired during her years at the respective houses, Wuthering Heights and Thrushcross Grange. She talks of the past as she remembers it, and also from what she sees, hears or finds out through the other characters’ words and actions. Although Nelly is basing the characters solely on her own interpretation of them, she is a pretty reliable source, having grown up with the first generation of characters and cared for the second. She grew up on the moors and her life revolves around the Earnshaws and the Lintons, whom she serves in more ways than one. Nelly’s devotion as well as criticism allows her to be a faithful servant throughout the years, as well as a sounding board for the other character’s problems. This allows her to narrate with some credibility because she’s witnessed and been involved in private moments between these two intertwining families all her life. Without her account of the events that took place on the Yorkshire moors, it would all be a mystery. In Wuthering Heights, Bronte depicts Nelly as the servant, confidant and mother figure and without her narrative the story would not be as plausible.

    Read More

  • Revenge in Emily Bronte's Wuthering Heights

    743 Words  | 2 Pages

    Emily Bronte, who never had the benefit of former schooling, wrote Wuthering Heights.  Bronte has been declared as a “romantic rebel” because she ignored the repressive conventions of her day and made passion part of the novelistic tradition. Unlike stereotypical novels, Wuthering Heights has no true heroes or villains.

    Read More

  • Gender Roles in To the Lighthouse

    1295 Words  | 3 Pages

    The novel explores gender roles through the characters of Mrs. Ramsay, Mr. Ramsay, and Lily. Each of these characters embodies different views in regards to gender roles. The readers are taken into their minds and thoughts and are allowed to see what each character views is the role of his/her gender.

    Read More

  • Narratology in Bronte's Wuthering Heights

    2145 Words  | 5 Pages

    Gerard Genette focuses on the narration of the novel by analysing focalisation, the narrative mode, the use of intrusive authors and the way time is handled in a text. Each of these contributes to a readers understanding and appreciation of a text. Focalisation is one of the key features in Narratology effectively facilitates readers to comprehend the text. Bronte adopts the literary technique dual narration in Wuthering Heights; this is when two characters narrate. The two characters that narrate, via internal focalisation in the novel, are Lockwood and Nelly. Internal focalisation is when a narrator has ‘witnessed...learned about, or even participated in the events they tell.’ (Barry, 2009, pp. 225-226) This is imperative to understanding literature; an example of this in the novel is when Nelly says ‘a ...

    Read More

More about The Depth of Emily Bronte's Wuthering Heights

Open Document