INNOVATION THROUGH INDUSTRIALIZATION

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INNOVATION THROUGH INDUSTRIALIZATION
With the end of WWII, brought the return of not only just American soldiers, but the return of prosperity and suburban lifestyle. The "American Dream" became not only an idea but a reality in these future 20 years of exponential population growth and economic prosperity. Arts and Architecture magazine began to recognize this need and utilized emerging architects to achieve this goal. Through various closed-door meeting, John Extenza led the trail towards residential experimentation, along with growing architects; J. R. Davidson, Ralph Ralphson Richard Neutra, Charles Eames, John Rex w/ Sumner Spaulding, Whitney Smith, Thornton Abell, adding others with time (2). There goals were socially conscious; and in its announcement was stated - “that each house must be capable of duplication and in no sense be an individual 'performance'" With the set intentions on releasing a new design concept once a month, the program lasted 36 total months; and produced 26 total structures (only 19 remain as they originally stood).
Pierre Koenig was brought into the development program in 1950, originally under Raphael Soriano for his work on CS 1950 (4), but managed to branch off by showing Etenza his true craftsmanship. Etenza allowed him onto the team as long as he had an efZicient design with a willing clientele; so Koenig approached Etenza with Walter and Mary Bailey with the plans for their Bailey House. Their contemporary attitude for a simple two-bed/ two-bath, combine with their appreciation for the creative mind, gave Koenig more liberties to develop his clean yet versatile open-plan techniques; by divulging into the experimentation of spatial boundaries through ponds, spacing and forms of glazing. This sup...

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...take on his structure. Upon Zirst walkthrough he stated, "even though I knew what had been going on in this house it was a great shock to see it. My houses are like children to me," with a great amount of reason. The most fascinating aspect was that the timeline it took to restore the project doubled the original construction time of half a year. I see reason behind his patience, because time does alter materials; reintroducing new materials could alienate features in the spaces within the project, creating discontinuity and ruining the Zluidity of the open plan. Not only did he restore old features, but he updated the necessary ones. He manipulated new technologies so that he could embed them in prefabricated forms, speciZically sub-zero fridges and motor placement. He also modernized most of the technologies in the house like lightings, water heater and a furnace

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