An Analysis of the Theme of Fate/Destiny in Death of a Salesman by Arthur Miller and Oedipus Rex by Sophocles
This drama study will analyze the theme of fate/destiny in the tragedies of Death of a Salesman by Arthur Miller and Oedipus Rex by Sophocles. In Oedipus Rex, the tragedy of Oedipus’ own downfall is based on the Oracle’s future prediction that he will have intercourse with his mother and kill his father, which defines the unalterable destiny of a fall from heroism. In Miller’s character, Wily Loman, a 20th century salesman must also come to terms with the failure of his life to achieve success and the American Dream. Tragically, Oedipus and Loman have good intentions in seeing their family/kingdoms rise to prosperity, yet they are
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Goux (1993) defines the interactive aspects of fate that bind Oedipus to the community, but more importantly to obligations of the Oracle that cannot be reversed: “The meaning of the Oedipus myth is that of a deviant initiation” (Goux 76). This form of “initiation” defines the role of fate as the driving force in Oedipus’ life, which denounces any type of control over the doomed prophecy that he has been accused of by the oracle and …show more content…
More so, Loman is very similar to Oedipus in the pride and vanity that make their efforts futile to achieve this imagined prosperity and fame. Similarly, Loman projects his anger and resentment on his sin, Biff, as a means of harming those that are close to him in the pursuit of a family legacy. Biff, like Oedipus mother and father, become the targets of his anger and rage, which define the tragedy of fallen men who cannot accept their destiny in life. For instance, Loman continually views his son as a source of financial wealth, since he was not able to gain the financial success he had dreamed when working as a salesman: “You’ll retire me for life on seventy goddamn dollars a week?” (Miller 28). In this manner, Loman refuses to accept his failure as a salesman, and he imposes his own shame onto his children. In this manner, Loman is very similar to Oedipus in the denial of his destiny, which results in the tragic downfall of man that continually suffers through the denial of his own feelings of shame: :” “It is the denial of such feelings [of shame] that cripples Willy and the rest of the Loman family” (Ribkoff 122). In this way, Biff can only respond to the self-will of his father’s madness through the apathy and victimization that his father has imposed on him: ““Biff: Yeah. Lotta dreams and plans” (9). In this manner,
The tradition of the tragedy, the renowned form of drama based on human suffering that invokes an accompanying catharsis, has principally become a discontinued art. Plays that evoke the sense of tragedy-the creations of Sophocles, Euripides, and William Shakespeare-have not been recreated often, nor recently due to its complex nature. The complexity of the tragedy is due to the plot being the soul of the play, while the character is only secondary. While the soul of the play is the plot, according to Aristotle, the tragic hero is still immensely important because of the need to have a medium of suffering, who tries to reverse his situation once he discovers an important fact, and the sudden downturn in the hero’s fortunes. Arthur Miller’s Death of a Salesman is the modern tragedy of a common man named Willy Loman, who, like Oedipus from Oedipus Rex by Sophocles, exhibits some qualities of a tragic hero. However, the character Willy Loman should not be considered a full-on tragic hero because, he although bears a comparable tragic flaw in his willingness to sacrifice everything to maintain his own personal dignity, he is unlike a true tragic hero, like Oedipus, because he was in full control of his fate where Oedipus was not.
Oedipus the King, a tale of one man’s hubris, paranoia, and willingness to sacrifice his own happiness for the happiness of others. Does one man’s fate designate who he will become? Is it possible to change the fate we are given? Or no matter how hard we try, deep down, it is our qualities that force us to make our fates a reality? In Sophocles’s play Oedipus the King we see a man who tried his hardest to change his own fate at all cost, but because of his human qualities he actually forced his fate upon himself.
The purpose of this essay is to demonstrate that the events in Oedipus the King, written by Sophocles, are the result of the hero’s self determination and restless attempt to escape a terrifying destiny predicted for him by the oracle of Apollo at Delphi. My intention is to prove that although the Fates play a crucial part in the story, it is Oedipus'choices and wrong doing that ultimately lead to his downfall.
The great Sophoclean play, Oedipus Rex is an amazing play, and one of the first of its time to accurately portray the common tragic hero. Written in the time of ancient Greece, Sophocles perfected the use of character flaws in Greek drama with Oedipus Rex. Using Oedipus as his tragic hero, Sophocles’ plays forced the audience to experience a catharsis of emotions. Sophocles showed the play-watchers Oedipus’s life in the beginning as a “privileged, exalted [person] who [earned his] high repute and status by…intelligence.” Then, the great playwright reached in and violently pulled out the audience’s most sorrowful emotions, pity and fear, in showing Oedipus’s “crushing fall” from greatness.
Set ages apart, Arthur Miller’s Death of a Salesman and Sophocles’ Oedipus Rex provide different perspectives on the topic of tragedy and what is defined as a tragic hero. Although Oedipus would be thought of as better representing the tragic hero archetype due to tradition and time period, the modern tragic hero of Oedipus Rex is more of a dismal one. Through analysis of their respective hamartias, it is exemplified that the New York businessman with his humble story proves to be more thought provoking than the King of Thebes and his melancholic tale. **By incorporating a more relatable character and plot, Arthur Miller lends help to making Willy Lowman spiral toward his own downfall while building more emotion and response from the audience than with Oedipus. When Oedipus learns of his awful actions, this invokes shock and desperation.
The audience knows the truth of Oedipus' fate, yet he still seeks to find it. This search creates an overwhelming sense of anxiety in the reader as Oedipus marches unknowingly towards his
In Sophocles ' Oedipus the King, the themes of fate and free will are very strong throughout the play. Only one, however, brought about Oedipus ' downfall and death. Both points could be argued to great effect. In ancient Greece, fate was considered to be a rudimentary part of daily life. Every aspect of life depended and was based upon fate (Nagle 100). It is common belief to assume that mankind does indeed have free will and each individual can decide the outcome of his or her life. Fate and free will both decide the fate of Oedipus the King.
...ir own storyline of life, a life that already has a written ending and that is destine already to you. By the end of the play the audience is left with two facts, Oedipus fate is destine for downfall, and indeed Oedipus does fulfill his destiny. Nevertheless, the truth of the situation is that the path in which Oedipus’ ultimately takes is what leads him to fulfill the prophecy. If the audience choose to see the play from this prospective, then Oedipus’ the king will become much more significant, by doing so, giving the play a far better interpretation. Although Sophocles never clearly mentions in the play that Oedipus fate is due to his poor choices, the suggestion of the storyline is full with indication that the only person responsible for his own fate is Oedipus himself. Through his play Oedipus the King, Sophocles demonstrates to his audience the outcome of
In both of these tragic plays, “Macbeth” by Shakespeare and “Oedipus the King” by Sophocles, a catastrophic fate transforms the lives of the protagonists and ultimately becomes a sad reality for both of them whether they flee from it or pursue it. In this way, the authors present fate and destiny as the unavoidable reality every human will have to face, and whether it is a simple statement made by strangers or satirical act of unmerciful gods, it shows life is not in our hands but rests in the power of outside forces.
In today's society we let our lives be led by a certain force that we believe in very strongly. Yet, a common debate that still rages today is whether we, as a species, have free will or if some divine source, some call it fate, controls our destiny. In the play, Oedipus the King, that special force is also used and is known and defined as fate. This played an important role in the lives of the characters just as it plays one in our daily lives.
The idea of fate has existed for a long time and exists even today. Fate revolves around the idea that people's lives are predetermined and that no matter what is done it cannot be changed. With the gods it was used to explain events that seemed strange. Sophocles expands on this idea by introducing Oedipus' fate. The thought of fate is strong considering no matter how hard he struggles he still receives what was predetermined. As a baby he survived the elements on Mount Cithaeron. As Oedipus was destined to live, it shows the dominance of fate. Having fate play such a large part of the play is certainly an insight into the Greek's idea that fate controls us no matter how hard we struggle against it.
In the play, Oedipus Tyrannus, Sophocles, illustrates how fate and free will could determine one 's destiny. Sophocles is a well-known tragedian who wrote more than one-hundred Greek dramas for Greek festivals. While his plays entertained countless people in Greek carnivals in his plays also made his intended audience to become acquainted with Athens’ government, social forms as well as its’ religion. In this play the main character, Oedipus, is represented as a man of sudden action, honest, and great insight. Oedipus unintentionally had fulfilled his own fate, stating that he will kill his father and marry his mother. While both fate and free will had resulted in Oedipus’ fate, the choices Oedipus made in his own
...up the question of the value of truth, and whether the pain of knowing an awful truth is more important than the bliss of ignorance. This also applies to Death of a Salesman: while Oedipus chooses to pursue the truth, Jocasta and the Lomans try to live in naïveté and not face reality. The play also questions the increasingly proud leaders of the Athenian society who challenge the higher powers, i.e. men against the gods, when Oedipus reviles the oracles. The gods, he indicates, will always triumph when men, using their intellect, oppose them. One of the themes is that the course of things is partly based on the character's actions but mostly fate.
Fate played an important part in the plays and literature of the Greeks as is shown in Sophocles' play
In Oedipus Rex, fate is something that unavoidably befalls two characters. The gods decide Oedipus and Jocasta’s fate, even before they know it. Trying to avoid destiny is pointless because no matter what, it will catch up to you wherever you are. It is often thought that you can change your destiny, but in reality our fate was put into action the day we were born. Throughout the play, Oedipus tries to change his fate.