Early on in the story, it is clear that the brothers are very different, but each of them shares something with Willy. Biff is the all-american boy, and seems to have everything going for him. He is well-liked, handsome, and has a full athletic scholarship waiting on him. He, in some ways, is what Willy never could be. , Willy always thought his inability to be successful was because he was not good looking or a likable person. He criticizes himself constantly for these things, and even calls himself “fat” and “very foolish to look at” (Miller 2123). Willy instilled these values into Biff, because he thought they would guarantee success. Never wanting to accept his failure and trying to not disappoint his family, “Willy fashions the ideological armor he uses to disguise and deny his true psychological state, and that of his family, in order to escape what such a self-awareness would force upon him.” (Tyson) . B...
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...ence Center. Web. 1 Feb. 2014.
Ribkoff, Fred. "CRITICAL READINGS: Shame, Guilt, Empathy, And The Search For Identity In Arthur Miller's Death Of A Salesman." Critical Insights: Death Of A Salesman (2010): 183-192. Literary Reference Center. Web. 2 Feb. 2014.
Eisinger, Chester E. "CRITICAL READINGS: Focus On Arthur Miller's Death Of A Salesman: The Wrong Dreams." Critical Insights: Death Of A Salesman (2010): 93-105. Literary Reference Center. Web. 2 Feb. 2014.
Heims, Neil. "CRITICAL CONTEXTS: King Lear, King Oedipus, And Willy Loman: Tragic Strategies In Death Of A Salesman." Critical Insights: Death Of A Salesman (2010): 62-75. Literary Reference Center. Web. 3 Feb. 2014.
Jacobson, Irving. "CRITICAL READINGS: Family Dreams In Death Of A Salesman." Critical Insights: Death Of A Salesman (2010): 106-119. Literary Reference Center. Web. 3 Feb. 2014.
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