To begin, we first must start with one of the concepts that often frame Death in Venice, the conflict between reason and emotion expressed in terms of two Greek gods, Apollo and Dionysus. In the novel, these gods are referenced symbolically throughout via the use of first person description, through subtle leads alluding to the mythology of ...
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...ed into returning by eating food within Hades. In Aschenbach’s case, after he had made up his mind to leave earlier, he ran into Tadzio after breakfast (54), causing him to second guess his decision and returning. His drinking of the pomegranate juice later on in the book, after his failed “escape” seems to signify that he is partaking in the food of his own “Hades”, headed to death, tricked by the rules just as Persephone.
Mann, Thomas. Death In Venice. Ed. Naomi Ritter. Boston: Bedford Books, 1998. Print.
Neginsky, Rosina. “Lecture: Thomas Mann”. European Cinema.UIS, N.d. Web. 11 November 2011.
Neginsky, Rosina. “The Origin of Dionysus”. European Cinema.UIS, N.d. Web. 11 November 2011.
Smith, Herbert O. “Prologue to the Great War: Encounters with Apollo and Dionysus in Death in Venice”. Robertgraves.org. Robert Graves, N.d. Web. 11 Nov. 2011.
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