Dante 's Inferno, By Dante And Virgil Essay

Dante 's Inferno, By Dante And Virgil Essay

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Though there are countless disturbing moments throughout Dante’s Inferno, one can dare to say that Canto 34 is the most irreverent canto in Inferno. In Canto 34, Dante and Virgil meet the sinners who are deemed to be the most evil; those who betrayed their benefactors (the individuals who extended their kindness towards them.) It is also the canto where Dante meets Satan, the king of hell. Dante opens Canto 34 with a sentence in Latin that reads: “Vexilla, regis prodeunt inferni.” One translation of the words being: “The banners of the king of Hell draw closer.” At first glance, the reader might dismiss the fact that this is the only line in canto 34 that is written in Latin. Though its relevance is not immediately noticeable, said line supports the claim that canto 34 is irreverent at its core. While the entire cantica can be said to contain disturbing imagery in its accounts of hell, when the text is examined carefully, it becomes apparent that from the compilation of cantos that make up Inferno, canto 34 surpasses all the gruesome accounts one had yet encountered within Dante’s writing, and enters a much bigger realm of subliminal irreverence. Within the canto, Dante uses many references that are often strictly used to describe ideas and concepts of divinity such as Fortunatus’ Hymn and the Divine Trinity, to then describe the opposite concept in the binomial: malevolence. It is also important to note the usage of multiple terms to refer to the king of hell, and the language Dante uses to depict a creature whose appearance is rather conceptual and speculative. Equally important, the presence of the three sinners that are being tortured by Satan’s three heads is a final indicative that Dante considered identifying the sinners ...


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...ht of Lucifer in the ice:
“The emperor of the despondent kingdom so towered from the ice, up from midchest, that I match better with a giant’s breadth than giants match the measure of his arms; now you can gauge the size of all of him if it is in proportion to such parts. If he was a handsome as he now is ugly and, despite that, raised his brows against his Maker, one can understand how every sorrow has its source in him!”
The above excerpt is relevant as it illustrates the results of committing what is deemed to be the ultimate sin, betraying one’s master; in this particular case not just any master, but God, the omnipresent being that is believed to govern all living things. It also reiterates the two-faceted nature of Lucifer’s character by making the reader aware that Lucifer was once the most beautiful angel, and is now the most grotesque source of all sorrow.

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Dante 's Inferno, By Dante And Virgil Essay

- Though there are countless disturbing moments throughout Dante’s Inferno, one can dare to say that Canto 34 is the most irreverent canto in Inferno. In Canto 34, Dante and Virgil meet the sinners who are deemed to be the most evil; those who betrayed their benefactors (the individuals who extended their kindness towards them.) It is also the canto where Dante meets Satan, the king of hell. Dante opens Canto 34 with a sentence in Latin that reads: “Vexilla, regis prodeunt inferni.” One translation of the words being: “The banners of the king of Hell draw closer.” At first glance, the reader might dismiss the fact that this is the only line in canto 34 that is written in Latin....   [tags: Devil, Hell, Satan, Divine Comedy]

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