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Dancehall
In 1807, slavery was abolished; however, Jamaica did not gain its full independence until 1962; and the days of slavery had taken its toll on the inhabitants of the island, resulting in anger and resentment. Even today, the remnants of racial, economic and social inequalities still remain. Instead of a rebellion, the poor fought authority through music. Music was one outlet in which this anger and resentment was expressed. Through this very music dancehall emerged (Hebdige, 26). Dancehall has many pseudonyms depending upon who is describing or researching it. Some say it is a culture, a style of fashion, a genre of music, or a lifestyle; while others refer to it as the spaces where popular dub recordings were aired by local sound systems (Stolzoff, 6). While there has been little literature written about dancehall; what all writers can agree upon is that it was born in the ghettos of Jamaica with the sensation of ‘rude boys’, and it is a crucial factor in expressing one’s identity and culture. Many of these youths migrated from the rural areas of Jamaica to Kingston in search of the idea of a better life; however, with little education and no marketable skills, many were forced to settle in Kingston’s ghettos. It was also during this time that Bob Marley and the Wailers were using the nonviolent and revolutionary religious styles of Rastafari and Reggae music to express their discontent, as well as challenge injustice. Believing Rastafarians were too passive, the ‘rude boys’ were a representation of their environment, appearing aggressive and confrontational. Their songs were a manifestation of violence, economic, social, political, and domestic issues, representing life in the ghetto (Hope 2006:13).
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... Piece of Land: Female Sexuality, Family, and Capital in Caribbean Texts. Callaloo, 31;4.
Hebdige, Dick (2000) Cut and Mix: Culture, Identity, and Caribbean Music, New York, NY
Hope, Donna P. (2006) Passa Passa: Interrogating Cultural Hybridities in Jamaican Dancehall, Small Axe: A Caribbean Journal of Criticism, 119-113
Niaah, Sonjah Stanley (2010) Dancehall: From Slave Ship to Ghetto, Ottawa: University of Ottawa Press.
Stolzoff, Norman C. (2000) Wake the Town and Tell the People, Durham and London: Duke University Press
Websites:
http://en.wikipedia.org/wiki/Caribbean
http://en.wikipedia.org/wiki/Dancehall
http://www.vice.com/pages/magazine-2007
http://en.wikipedia.org/wiki/Patra
http://en.wikipedia.org/wiki/Cécile
http://en.wikipedia.org/wiki/Tanya Stephenson
http://reggae-dancehall.blogspot.com/2011/12/lady-saw-biography.html
Although there is a variety of music that could be examined to trace its evolution through time, there is one genre in particular that is quite interesting to examine. Though it differs from other types of music, it will be looked at in conjunction with Reggae music as they have similar ties. Reggae music is quite prominent today in the United States, parts of Africa, and of course Jamaica. Reggae is notoriously known for its most influential artist Bob Marley, and it is not unusual for one to have heard a few, if not many of his songs. Reggae’s popularity is steadily increasing and is doing so through both expansions of the music as well as increasing knowledge on the genre.
Since its founding in the 1930s, the Rastafarian movement has grown to the point where it has become a major cultural and political force in Jamaica. During its existence, the movement has challenged Jamaica's neo-colonialist society's attempts to keep whites at the top and blacks at the bottom of the socio-economic structure.
The spirit of resistance is a powerful force in reggae music. In this essay I will explore the ways that resistance is manifested in reggae music and describe examples of indigenous resistance in Jamaica and Mexico. A strong example of indigenous resistance can be found in the Maroon communities of Jamaica. The Maroons were a thorn in the sides of white plantation owners and an inspiration and expression of freedom and autonomy to the Africans. The history of the Maroons describes a group of diverse people who bonded together beyond the fringes of the colonial system to form their own autonomous nation.
Reggae The Story Of Jamaican Music BBC Documentary. vols., 2012. Online. Internet. 22 Mar. 2014. . Available: http://www.youtube.com/watch?v=wv1Iy26qlLk&feature=youtube_gdata_player.
African-American music is a vibrant art form that describes the difficult lives of African American people. This can be proven by examining slave music, which shows its listeners how the slaves felt when they were working, and gives us insight into the problems of slavery; the blues, which expresses the significant connection with American history, discusses what the American spirit looks like and teaches a great deal from the stories it tells; and hip-hop, which started on the streets and includes topics such as misogyny, sex, and black-on-black violence to reveal the reactions to the circumstances faced by modern African Americans. First is about the effect of slave music on American history and African American music. The slave music’s
Exodus is a CD released by Bob Marley and the Wailers in 1977. This was the first album written in London after Bob Marley and his wife Rita were almost murdered in Jamaica. This is one of my favorite albums because Bob Marley is extremely relaxing to listen to with his complex rhythms. His music incorporates collaborations of multiple types of music like reggae, blues, pop, soul, and more. “One Love” by Bob Marley debuted on this album and became one of his most well known songs. The lyrics from this song inspired me and many others. Time magazine named Exodus the best album of the 20th century. More than half of this album was charged with religious politics. It was filled with moral messages for not
Johnson, L. (2003). The Spirit is Willing and So Is the Flesh: The Queen in Hip Hop Culture.
The lyrics of dancehall reggae music in Jamaica seem to encourage the taunting and violence towards homosexuals. Of course it is normal for most reggae songs to deal with the social concerns and religious beliefs of Jamaicans because it is a big representation of the Jamaican culture. Homosexuals are looked down upon as outcasts because of their sexuality. Homop...
Angeles, Los. (2009). African arts. Volume 28. Published by African Studies Center, University of California.
Small, Christopher. Music of the Common Tongue: Survival and Celebration in African American Music. Hanover, NH: U of New England, 1998. Print
Marley was born into Jamaica’s poverty and it is where he developed a strong love of reggae and became a Rastafari. Reggae, evolved from another musical style called Ska in the late 1960’s, is considered the voice of the ‘oppressed’ peoples. Many reggae lyrics are politicalised and centre on themes of freedom and fighting for it. (Cooper, 2014)
Released in 1997, the film, Dancehall Queen, provides an excellent insight into the intricate culture and class divisions contained within Jamaica. Many concepts that we discussed, both in class, and in the readings regarding the post-British-Colonial Caribbean, are directly paralleled in the film. Among several concepts, a few in particular, hold a great amount of significance to the film’s portrayal of “modern day” Jamaica and the underlying conflicts within its society. Hegemony, popular culture, and the embrace of beauty as a cultural construct are constantly conveyed as essential themes throughout the film.
Ray Allen, Lois Wilcken. "Island Sounds in the Global City: Caribbean Popular Music and Identity in New York." 1-6. Illinois: University of Illinois Press, 1988.
The negative perception of women throughout popular culture in the form of music has greatly impacted the portrayal of women on today’s society. This study involves on examination of sexist ideologies in dancehall lyrics that portray women in stereotypical and negative manner. This particular king of music explored in the study is dancehall music, a popular genre in Jamaican culture today. The primarily focus is on the effect of popular songs have on women in society, as well as how song lyrics can cause objectification of women and how are the roles of men and women reflected.
Music has played a role in society since the dawn of man. Said to be the beginning of communication in early civilization, music and dance have influenced how we think, act and treat members of our own society. Song and dance is used in rites of passage ceremonies such as births, weddings and funerals throughout the world. Jamaican and Yoruba cultures have made many contributions to our society. The uses of this music as a vehicle for political issues, values, and beliefs have been used by many musicians from different cultures. I intend to discuss the Contribution of these two contemporary cultures music and their effect on society.