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On November 8th, 2016 at 6:30 p.m. at University Theatre Shasta Hall in Sacramento State University, a dance performance called “Dance Sites 2016” was performed by the University Dance Company members and Guest Alumni Company members. The dance contained eight shorter works with one intermission and wide varieties of genres. Each of the pieces were unique and interesting because they all contained a different and meaningful message to the audiences. In any case, there was one exclusive piece called “Unfabricated” choreographed by Nhan Ho. This piece was truly impressive and interesting because it was classic yet modern at the same time. Every artist of the piece truly understood their own character and moved to their own heart content. This …show more content…
For the piece called “Unfabricated” choreographed by Nhan Ho, it would be the best fit into modern dance because there was no specific concentration on the movement techniques. The dancers were able to move freely around the stage without having to worry about each of their steps while performing the piece. The dancers also utilized their fast body movements to express their interior feelings as if something dramatic happened to them. Another key point is that the music that was used in this piece does sound similar to a modern music because it involved techno and electronic sound in it. Also, the dancers often tried to synchronize their movements with the music to create the best possible realistic experience for the audiences. (Word count: …show more content…
What MEANING did the dance(s) have? Considering the title “Unfabricated”, the meaning of the dance was to inform the audiences that this perform will destroy or demolish something. Based on the performance, the dancers demonstrated that one should destroy all of the darkness and hatred in this society because there was a moment where a male dancer used a big hammer to knock against a huge piece of rock to show that he wanted to destroy all the hardships that are in his way and to move on to enjoy a happy life without hesitation. This performance also influenced the audiences to no give up on what they are doing whether how hard the situation is. (Word count:
On February 25th, 2000, Adnan Syed was convicted of murdering his ex-girlfriend, Hae Min Lee, via manual strangulation six weeks prior. Brutal right? So are false convictions. Adnan Syed did not murder Hae Min Lee nor did he have anything to do with her death. However, without a doubt, Jay Wilds, his alleged partner in crime, was involved.
In the dance world a staggering number of choreographers have made a lasting impact on the way dance is seen to its audience. Alonzo King’s exceptional oeuvre of work includes him in this great history of significant choreographers. He not only created the link between modern and ballet in the twentieth century, but he bridged the ...
Throughout the years, America has pursued the performing arts in a large variety of ways. Theatre plays a dramatic and major role in the arts of our society today, and it takes great effort in all aspects. Musical Theatre, specifically, involves a concentration and strength in dance, acting, and singing. This is the base that Musical Theatre is built upon. For my Senior Project, I helped choreograph multiple scenes in a community musical “Thoroughly Modern Millie”. Choreography is a way of expressing oneself, but it has not always been thought of for that purpose. Agnes de Mille’s expressive talent has drastically affected how people see choreography today. Agnes de Mille’s influence in the world of dance has left a lasting impact in the Performing Arts Department, and her revolutionary works are still known today for their wit, lyricism, emotion, and charm.
As a society, we are constantly pairing things together in hopes of enhancing them: apple pie and ice cream, Indians and cowboys, and most relevant to this paper, music and dance. In an art form like ballet, it seems as though music and dance complement each other equally. Truly, it is hard to picture, or perform, a dance without music. However, this may not be the case for music, even if that music is composed specifically for a dance routine. The compilation of the music and the dancing from a scene in the American cowboy ballet Rodeo will be examined to ultimately help us understand the way in which they serve each other as a unit and their ability to function independently.
Ramsay, B. (2000). Dance theory, sociology, and aesthetics. Dance Research Journal, 32(1), 125-131. Retrieved from http://www.jstor.org/stable/1478286
Li’s passion for ballet shows on and off stage through his arabesques, flexibility, fouettés, grande jeté and pirouettes that were nothing less than perfection. I understood that becoming a dancer requires commitment, passion and having a great memory as there’s many moves, routines and ballet terms that you need to learn. When I was performing on stage, I felt free and that I could own the stage as it felt like it was my second home. I also felt complete within myself just as Li felt. To perform on stage, you need to be light and graceful along with connecting to the music using precise steps, poses and formal gestures. The film used dance, music, scenery, and costumes to portray a story characterised by Li’s dance. Classical ballet dancers require the utmost grace and I’ve found that you also need a tremendous level of concentration and memory. This portrays when his choreographer Ben Stevenson asked Li Cunxin to replace the main male role due to an injury on the day of the performance to memorise new dances and perform them in front of an enormous crowd. Many of my performances have been in a group where we all need to be in sync and work together. This film highlighted that in order to become a professional ballet dancer, you have to prepare to work extremely hard no matter how gruelling the schedule is in order to
Ho Chi Mnih "Uncle Ho" : Carroll, Michael. "Ho Chi Minh: A Biography." Canadian Journal of History 43.2 (2008): 355-7. ProQuest. Web. 26 Feb. 2014. is mostly known as the president of northern Vietnam or Viet Mnih in 1941. Ho chi minh was born Nguyen Sinh Cung on May 19, 1890 in central Vietnam "he was a seasoned revolutionary and passionate nationalist obsessed by a single goal: independence for his country" Karnow, Stanley. "Ho Chi Minh." Time. Time Inc., 13 Apr. 1998. Web. 26 Feb. 2014. IN his younger years he had job as a cook on a French steamer ship he spent years at sea traveling to several different locations aboard this traveling ship by 1919 he was living in France . Meanwhile living in France Minh gathered a group of Vietnam immigrants and petitioned the delegates at the Versailles peace conference for the rights for subjects in Indochina that the French colony control . they protested that the subjects of Indochina be granted the same right that the government do. In 1920 he joined the new French communist party .three years later he began recruiting members of a Vietnamese national movement that would later from the Indochinese communist party which was founded in Hong Kong in 1930. He tralved the world as a representative of the communist international organization.
The work ‘Ghost Dances’ by Christopher Bruce was viewed on 26th August, 2011 to the Year 12 Dance class. The individual interpretation of the social/political or world issue/ comment the piece is attempting to make. Using direct examples from the performance, the use the choreographer has made of the movement and the non-movement components have been identified. Also the effectiveness of this piece has been evaluated.
The dancers did not seem defeated, but slightly emotionally disconnected. I felt like this signified the exhaustion that comes while waiting for the rain. There were several positions that were held in the first part of the dance. I also noticed that flicking motions were a motif in the dance, whether that be from their wrists or their ankles. Morgan Moore first showed this motif as she held her leg up in a tilted position and stared down at the sheet below her. She began to flick her wrists which not only reminded me of one who is flicking the rain off their fingertips, but it looked like a begging
Every dance that is created by a choreographer has a meaning and or purpose behind it. The dance choreographed could be used to send a political, emotional, or a social message. Regardless of the message being sent, each dance created possesses a unique cultural and human significance. This essay will examine and analyze two dance works from history and give an insight into what each dance work provided to the society of its time.
Over Halloween weekend, Dance TCU in concert, performed at Ed Landreth Hall on the TCU campus, was a mid term showcase performed by the students in the TCU School for Classical and Contemporary Dance. The overall mood was very professional. These college level dancers performed various pieces from Giselle to video edited versions of dance to contemporary dances inspired by swing dancing. Each piece was unique and whether the style was classical or contemporary, the execution was very good. The quality of the performance was spectacular and showed all the work that everyone involved in the production has put out to perfect all the aspects of the show come together. While there were some minor technique errors, the staging, costume design, lighting,
Steve Paxton: Speaking of Dance – Conversations with Contemporary Masters of American Modern Dance. Academic Internet Video. Directed by Douglas Rosenberg. Oregon: Alexander Street Press, 1996.
In this essay I will be discussing how Ho Chi Minh sense of nationalism was the driving force in ending French rule in his country. By tracing Ho Chi Minh’s life it becomes rather obvious that his endeavors would result in a strong sense of nationalism for his country that had long been exploited by French rule. Following his travels throughout the world Minh found that the West had no interest in a free a Vietnam, so Minh was forced to turn to the Communist for help. By working with the communist, Minh was ultimately able to free the Vietnamese people from French rule. The paper argues that Ho Chi Minh’s strong sense of nationalism for his home country far outweighed his allegiance to the communist party.
Modern is an emotional type of dance where you would not think about what you are going to do you would just dance how you are feeling at the moment. I remember when i first learned what modern dance i felt so awkward doing it because you will feel like people are judging you how you but dance in your own style which people don't and once i got over that i have gotten more comfortable
An array of contemporary dance actions performed by the two talented young dancers successfully made Michael’s piece world famous, now regarded as an effective example of contemporary dance. The stretching all over Kayla’s body by Kapono’s hands demonstrate sharp precise movements that are normally seen in this style of dance. This sequence of actions begins at 1:54minutes and ends at approximately 2:02minutes. The dancers are seen standing centre stage, facing towards the middle of the audience in a right diagonal. Male dancer Kupono is in a diagonal stance behind female dancer Kayla, hidden from the audience’s view, almost shadowing her while his left hand is positioned on her left shoulder. This ignites an uncomfortable feeling from the audience as his dominant characteristics are already beginning to be exposed to the audience. Kapono’s character has power and control over Kayla’s character in this segment. His right hand quickly comes straight across her mouth, while this action is in motion he begins to emerge from the darkness and into the audience’s view, leaving the audience with an uneasy feeling. Both of Kayla’s hands grab onto his hand in which is covering her mouth; in hopes of discarding his hand. This specific moment in the dance conveys a great deal of symbolism, linking the actions with the overall universal theme. The hand over her mouth symbolises the constant addiction that Kayla’s character is struggling with, it shows him as the drug; endeavouring to intoxicate her. This is then followed by his left hand running down against her hip in a pressed motion, causing her to react by fiercely pushing his hand off, leading to an aggressive movement from the male dancer as his hand grips her left hip. In contrast to this; she tirelessly flicks his hand off. As Kayla unostentatiously gets weaker, Kupono becomes stronger.