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The Concept of Good Versus Evil Essay
The Concept of Good Versus Evil Essay
The Concept of Good Versus Evil Essay
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Over time, history has given society many to whom we call true heroes. There are many reasons these heroes have been looked up to such as: bravery, dedication, confidence, and inspiration. However, a tragic hero requires a few different qualities. Aristotle describes a tragic hero as a “member of royalty,” someone who “must fall from tremendous good fortune,” and someone who creates pity for him or herself (“Connections: A Theory” 2000). In Greek drama, Sophocles’ Antigone and Euripides’ Medea both contain several possible tragic heroes including Medea, Jason, and Creon. More specifically, in Antigone Creon exemplifies the qualities of a tragic hero best due to his prominent power as king of Thebes, the way he holds strong to his stubborn pride, and the sympathy felt for him in his tragic downfall.
In both Antigone and Medea, three leading characters—Creon of Thebes, Medea, and Jason—hold dominant authority in their own way. Jason, married to Megareus—daughter of another King Creon, receives a small recognition of power because of this marriage. He “is lying on a royal wedding bed.” (Medea 24). However, Creon of Thebes holds greater power as king. Born in Colchis, a “country of barbarians,” Medea’s power in no way compares to the power in a reigning, royal sense of King Creon (Medea 637). Her power lies in her wicked actions of selfishly doing whatever she wants, deceivingly poisoning Megareus and Creon, and angrily murdering her own children. Creon, newly reigning king of Thebes, immediately demonstrates his position of authority in his address to the people of his country. His opening speech to the people sets the tone for Creon’s character—powerful, pleasing to his people, and full of confidence. These qualities are...
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...on because he is only human. All human beings make mistakes and rash decisions, and in knowing this, one understands the desperate calling to give compassion and understanding towards Creon. However, with Jason and Medea, their mistakes harm not only themselves, but also the feelings of others. Creon best embodies Aristotle’s definition of a tragic hero through his reign of power, his tragic flaw, and his tragic downfall.
Works Cited
“Connections: A Theory”. Elements of Literature, Fourth Course with Readings in World
Literature. Ed. Richard Sime and Bill Wahlgreen. Dallas: Holt, Rinehart, and Winston, 2000. Page 739. Print.
Euripides. Medea. Trans Ian Johnston. Johnsonia. N.p. Web. 20 March 2011.
Sophocles. Antigone. Trans. Dudley Fitts and Robert Fitzgerald. McDougall Little: Literature.
Boston: Houghton Mifflin, 2011. Pages 968-1006. Print.
Many great rulers have been tempted by the authority of absolute power. In Antigone, by Sophocles, Creon, the Theban king, will do anything in order to earn this absolute power. Creon’s prideful attitude, disregard of the authority of the gods, and failure to listen cause him to fail as a statesman, demonstrating the nature of kingship in Sophocles’s Antigone.
Ladies and gentlemen of the jury, I am here today to argue the title of tragic hero in the play Antigone by Sophocles. I would like to start off by saying that it will be extremely difficult for me to have the passion that I usually have because of my client. My client's ruthless leadership disgusts me in the worst way. But I will still stand in front of you, the jury, and defend my client. As I said before I am here to argue the title of tragic hero in the play Antigone. I could see that some of you are dazzled by the word "tragic hero". No need to worry for I will enlighten you. The great Aristotle was one of the first men who defined a tragic hero. His definition is not a rule for what tragedy should be, but it is a description of what he believed tragedy was. According to Aristotle a tragic hero must have these qualities to qualify as one. A tragic hero is neither good nor bad. Along with being neutral in his stance, a tragic hero must also be born into royalty. A tragic hero could never be of the common folk. In addition to this a tragic hero must suffer a large fall from good grace. By this he means that a fall that brings him "down to earth". A tragic hero also has some type of flaw. Whether it is a character flaw such as pride and ego or the character must make an error of judgment or a mistake. With the tragic flaw the character must also recognize the flaw that they have made. In other words, they have to be enlightened. The audience is then supposed to feel pity and fear for the tragic hero because of his tumultuous journey. The tragic hero also is supposed to inspire catharsis in the audience.
Sophocles’ tragedy Antigone is a sad tale that is essentially about a girl who buries her brother who was deemed a traitor by King Creon, the leader of Thebes. The story dives into the dilemma of valuing yourself over moral obligations toward another human being. King Creon’s hubris impeded his decision whether to allow the burial of Antigone’s brother Polyneices and this led to King Creon losing all that mattered to him: his family and leadership. Thus, King Creon’s excessive pride is his tragic flaw, a deadly trait for any leader.
Antigone is a great Greek tragedy by Sophocles. The story is about a young woman who has buried her brother by breaking king’s decree, and now she is punished for obeying God’s law. There are many arguments about who is the tragic hero in Sophocles’ Antigone. Some believe that it is Creon because he also has the characteristics of a tragic hero. Others believe that it is Antigone because the play bears her name. Antigone is the perfect hero, to exemplify the meaning of a tragic hero. In order to determine whether Antigone is the tragic hero, one will have to answer the question, what is a tragic hero? According to Aristotle, “The tragic hero is a character of noble stature and has greatness, he/she is not perfect, the hero's downfall and it is partially his/her own fault, and the hero's misfortunate is not wholly deserved.” (Aristotle) Antigone is a tragic hero because she has a high social standing in Thebes, she neither good nor bad, and her suffering appears to be unjust and unfair to the audience.
A tragic hero is an individual who makes an error, or commits an action, that eventually causes his or her own defeat, or leads to their downfall. This character evokes pity from the reader, or audience, and is typically royalty; is of high-rank. In addition, a tragic hero has a tragic flaw, or makes a fatal mistake in judgement, occasionally caused by immoderate pride, and obtains a punishment that surpasses the crime. This individual causes his or her own downfall, but most importantly, they portray the quality of tragic realization, or recognizing their tragic flaw and understanding how their actions helped cause their own obliteration. In his tragic play, Antigone, Sophocles introduces two characters that could be given the title of tragic hero, Antigone and Creon. Although many may argue Antigone is the tragic character of the play, Creon is the true tragic hero because he ideally depicts the aspects of tragic flaw and tragic realization.
Literature. Ed. Henry L. Gates, Jr. and Nellie Y. McKay. Second ed. New York: Norton,
There are certain qualities that a character must posses in order to qualify as a tragic hero. Ideally, the subject is to be a person of high rank, so that they may have much to lose. (Most frequently a monarch is used.) Granted, Antigone is a member of the royal bloodline. But we must not forget that she is the daughter of incest, hardly a glamorous position to start with. In Oedipus Rex, Antigone was indirectly disgraced, while Creon was socially elevated by inheriting kingship from Oedipus. Also, Creon’s being king comparatively trumps Antigone’s lesser status of orphaned princess. While this in itself objectively proves nothing, it does at a minimum make Creon the more likely choice of protagonist.
Antigone, which was written by Sophocles, is possibly the first written play that still exists today (www.imagi... 1). There is much controversy between who the 'tragic hero' is in the play. Some people say Antigone, some say Creon, others even say Heamon. I believe Creon displays all of the characteristics of a 'tragic hero'. He receives compassion through the audience, yet recognizes his weaknesses, and his downfalls from his own self-pride, stubbornness, and controlling demands. He is the true protagonist.
In the beginning of the play Creon is portrayed as King and a leader unwilling to bend the rules in order to protect the city. The way Creon responds to Antigone, “While I’m alive, no woman is going to lord over me”, shows he is stubborn and also his pride. (593-594) While the play continues Creon’s pride grows, and he thinks he can never be wrong and punishes Antigone by locking her up in a cave. However, things turn a different way when the Prophet tells Creon that he must free Antigone or face the wrath of Gods. After hearing this Creon changes his mind, “I shackled her, I’ll set her free myself. I am afraid it’s best to keep the established laws…” (1236-1238) But, as Creon tries to set Antigone free, he is faced with suicides of Antigone and Haemon, and followed by the suicide of his wife, Eurydice. This moment in the play serves as the downfall of Creon. But unlike Antigone, Creon reaches anagnorisis, which is the moment in the play when the tragic character realizes his hubris has led to his downfall. “And the guilt is all mine- can never be fixed…god help me, I admit all!”(1441-1445) Ultimately, Creon is more of a proper tragic character than Antigone because of he has an epiphany, a moment when he realizes his hubris has caused conflicts and deaths in the
Throughout literary history, tragic heroes have been defined as a great or virtuous character in a dramatic tragedy who is destined for downfall, suffering, or defeat. However, philosophers such as Aristotle tried to find connections between tragic heroes in Greek plays. This in-depth analysis of tragic heroes lead Aristotle to create six criteria for a true tragic hero: He or she has to be a Noble figure of royalty and noble in character, has to be imperfect by design, has a flaw or error that is a choice, is punished excessively for this choice flaw, has to undergo a downfall that leads to a realization, and the story of this tragic hero has to make the audience reach a moment of catharsis or purging of emotions. A prime example of a tragic hero that fits all of these criteria is Creon from the play Antigone, written by Sophocles in 441 BC. The story of Antigone is a tragedy that describes a stubborn and proud king named Creon who refuses to allow a burial for the brother of Antigone. Creon’s excessive pride leads to a series of unfortunate events resulting in the death of Antigone, his son Haemon, and his wife Eurydice. Throughout the course of the play, Creon undergoes each standard that is required by Aristotle’s terms to be a tragic hero.
Antigone, a tragic drama written by Sophocles explores the different ranges of characters: static and dynamic or flat and round. Creon, King of Thebes in the dramatic play Antigone takes on the role that of a static character. Throughout the whole play Creon believed the idea that he was above the law of the Gods and his decrees cannot be disputed. Unknowingly, who would think that Creon’s sense of pride would cause him the life of his wife, son, and niece? However, at the very end of the play Creon returns to the palace, holding his son’s lifeless body, where he finds out that his wife has killed herself as well. Overwhelmed with grief about the death of his loved ones, Creon turns to the Chorus and says, “Lead me away. I have been rash and foolish. I have killed my son and wife. I look for comfort; my comfort lies here dead. Whatever my hands have touched come to nothing. Fate has brought all my pride to thought of dust” (1833). Creon takes responsibility of the death of his son and wife by calling himself a “rash” man and this is where Creon undergoes the changes of a dynamic character by admitting that he was wrong.
In the play Antigone, the debate over who is the real tragic hero is and the controversy of Greek ideals in the Antigone continues on to this day. Who is the tragic hero in Antigone? Is it Antigone herself or is it Creon the ruler of Thebes? The belief that Antigone is, is a strong one. Still there are people who think Creon is the tragic hero. Antigone is widely thought as the tragic her. The play is named after her. In addition, she is the antagonist in it. Many people usually associate the antagonist, the good guy as a tragic hero. Look at much television shows, especially cartoons, the good person usually wins. Then there are those who might think Creon was the tragic hero because the gods were against him, and that he truly loved his country. There are five criteria or standards you must meet first in order to be a tragic hero. First, you must be a person of high character or status. The character must not be too overwhelmingly evil or good. Then they must be brought from happiness to misery. Then brought from happiness to misery. Second, the hero enacts a harmartia, "wrong act." This either may be a flaw in judgment or an error. Third, the hero experiences a perpateia, reversal of fortune. This is the tragic downfall or plot twist in the story. Fourth, the hero recognizes his or her responsibility. Fifth, the story ends with a catastrophe. The catastrophe either may be an emotional event, this even may be a death.
Both of these two male characters are not title roles. They both fall prey to the actions of a woman, one whom they both originally thought they had complete control over. Antigone's martyrdom and conflict with the State brings Creon's destruction and Medea's double murder and infanticide brings his destruction. However, how much is this brought about through their own weakness and how much can we attribute this to a cruel fate? The issue is essentially whether a stronger person than Jason or Antigone could have avoided the destruction, and were they crushed by their own internal weakness ('hamartia'). An important to clarify is that we are not judging their personality. A despot can be a strong character and a man of high morals can be a weak character. The deciding factor is how rigidly they cling to their ideals and their ability to listen to others sensibly.
Antigone- Daughter and sister of Oedipus, last of the Labdacus family. Her dialogues with Ismene reveal her to be as stubborn as her uncle. In her, the ideal of the female character is boldly outlined. She defies Creon’s decree despite the consequences she may face, in order to honor her deceased brother. She has blue eyes, long, slightly curly black hair, stoic demeanor, pallid olive-colored (similar to Mediterranean) complexion, and wears a peplos with a himation .