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Examples of superheroes effect on society
Superhero in American
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Mr. Fantastic
It all started when an experienced aeronautical engineer named Reed Richards, born in Central City, California, made some miscalculations which resulted in newfound superheroes. With Sue Storm, Johnny Storm and Ben Grim, Richards got caught off course into a comic ray, and transformed each person in the rocket in a different way. Richards gained the power to stretch his body in unrealistic lengths while Sue gained invisibility as her power. Johnny acquired a new flammability which therefore gave him the name, Human Torch, and Ben with the unfortunate power of turning into a “rock man” earned the name as Thing. Especially for Ben’s transformation, Richards held himself accountable for the accident since it was his rocket. When Stan Lee and Jack Kirby created this quaternate alliance in 1961, coined as the Fantastic Four (FF), they were trying to bring a group of ordinary and unmasked heroes into a group, and represent the flaws of ordinary people in superhuman as well. Richards was named Mr. Fantastic as the fatherly figure of the group, with his beloved Sue, or now Invisible Girl, at his side. Mr. Fantastic and the rest of the Fantastic Four are just a few of the hundreds of superheroes created by the hopeful citizen to better American society one city at a time. The American superhero is depicted as an optimistic and wishful representation of the good, values, and morale that all Americans encompass deep within, just as Mr. Fantastic symbolizes the well-rounded man everyone hopes to be.
Creating Mr. Fantastic stemmed from creating a new fatherly superhero. Lee and Kirby wanted to portray a more ordinary circumstance of the becoming of a superhero. To the mass market of children that the comics reach, t...
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... can happen, and with that, the country has developed into a more hopeful place to be.
Works Cited
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"Fantastic Four (Earth-616)." Marvel.wikia.com. N.p., n.d. Web. 6 Apr. 2014. .
Misiroglu, Gina Renee, and David A. Roach. The Superhero Book. N.p.: Visible Ink, 2004. Print.
"Mr. Fantastic." ComicVine.com. CBS Interactive Inc., n.d. Web. 6 Apr. 2014. .
Weiler. "What Impact Have Superheroes Had on American Popular Culture?" Teen Ink: n. pag. Web. 6 Apr. 2014. .
Inspired by the way comics were able to illustrate the events of WWII I decided to investigate to what extent did comic books influence American perceptions during World War II. Comics turned into an apparatus to exploit racial and social contrasts and outlet for wartime purposeful publicity. The Golden Age of Comic Books portrays a period of American comic books from the late 1930s to the mid 1950s. During this time, present day comic books were initially distributed and quickly expanded in notoriety. The superhero model was made and some surely understood characters were presented, for example, Superman, Batman, Captain America, Wonder Woman, and Captain Marvel.
To your average white American kid, a comic book is cheap entertainment— a leisure, a novelty. Your run of the mill issue of "Superman," perhaps the most generic superhero of all, is something to be read once, maybe even merely skimmed, while in the bathroom or the doctors' office. When finished with it gets thrown away mindlessly or tossed aside to join a mounting stack of similarly abandoned stories of fantastical heroism. However in the eyes of the young Indian boy, Sherman Alexie, as depicted in his essay, "Superman and Me," a tattered comic found in a donation bin was much more than that— it was a life line.
The Death Ray by Daniel Clowes is a graphic novel about the story of Andy and how he learned about his superpowers. A superhero is someone who has saved the day by accomplishing something heroic. Even though we look at superheroes as a something fiction, based on this we have everyday heroes around us such as firefighters, police officers, doctors and many more. In Clowes work, we quickly discover that this superhero theme plays out a little differently than what we are used to. The way that Clowes presents Andy to his super power, it is evident this is not an ordinary superhero story. It is arguable that despite the fact that Andy did more harm than good with his powers, his intentions were good. Therefore, he would be considered a superhero.
We are currently living in the Golden Age of Superheroes. They dominate our cultural life, and have become seemingly permanent fixtures in modern media. Since X-Men burst onto the screen fifteen years ago, we have witnessed the release of over forty superhero movies. By 2020 we will have seen the release of more than twenty-five more. Today, the much anticipated film Superman vs. Batman has come to theaters. Though a plethora of superhero movies have been released, it is to the dissatisfaction of many, having long been exhausted by the stories of the Hulk, Batman, and Spider-man. Although I must agree that it is quite easy to get bored with the constant action, and flashing colors of these films, if one looks deep enough into the story they will discover universal themes and metaphors. Though they may be fighting off alien invasions, these heroes are also battling with their personal challenges, challenges which we can
Most avid comic book fans would agree that they were less than enthused when Marvel Studios decided to reboot the Spiderman movie franchise in 2012 – just 11 years after the quasi-successful run of the original trilogy (Proctor). As one of the aforementioned avid comic book fans, Marc Bernadin, writer for “io9” (a technology and lifestyle website), rightfully questioned this decision by stating, “in this day and age, does Spidey have to be a white guy?” (Bernardin). This question fueled an Internet phenomenon that forced creators and fans alike to re-evaluate the way that they see the characters they love so much in terms of their race. Media makers and content creators have an ethical responsibility to “represent the many facets of humanity” (Petrou, Jan. 27). ‘Race-bending’ is when a content creator dresses a character as someone of a different race, or changes the race of the character entirely from one race to another (Ibid). In this paper, I aim to explore the influence of social media on race-bending, as it applies to comic book culture and its meaningfulness to the fan community. My principle arguments will draw from an examination of the Marvel comic universe, the #donald4spiderman campaign and the “Amazing Spiderman” movie franchise in order to show that through the power of social media, we are changing the way we root for heroes regardless of their race or ethnicity– moving society forward as a progressive culture.
Let’s discuss a little bit of comic book history for starters. The most iconic superhero in all of American comic book history has got to be Superman. He was created near the beginning of superhero comic books and debuted in Action Comics #1 in 1938[1]. He would remain as the blueprint for many superheroes for years to come as the atypical white American male. But as the years go by there were comic book heroes that came out that go against this archetype such as Wonder
In the 40s, comic books had a large audience. There would have been at least a dozen people in your class who read comics, claims Chabon. A few years later in the 70s, there would have been less than a dozen but more than one or two people who read comics. Now, it is hard to find more than a few people that you know who actually read comics. If you read comics today, you are considered unique. Children are loosing interest in everything that stimulates the mind in a positive way. Chabon claims that the obvious decline in interest in comic books should make authors want to take initiative and fix the
Alexie, Sherman. "Superman and Me." Los Angeles Times. Los Angeles Times, 19 Apr. 1998. Web. 14 May 2014. http://articles.latimes.com/1998/apr/19/books/bk-42979
Watchmen is not just a graphic novel, but also a unique representation of American idealism as expressed through character image. Although the characters are portrayed as "superheroes," each is psychologically complex in that they become symbols for the flaws of American culture. Together, the characters of Watchmen reflect an unflattering image of American identity. We sacrifice morals to defend principles, rather than saving people. We sacrifice ourselves for commercial gain and for the fame that comes from the worship of strangers.
In 1941, Stan Lee, the creator of the Marvel universe, released his firs comic book about the patriotic hero Captain America. This comic was released during World War 2 to give the Americans a sense of hope and to let people know that we’re not alone. Marvel does a good job with its comics because they want to show you that even when times get tough, as long as you have hope things will get better. A good example of this would be Spiderman. When his Uncle Ben died, his last words to Peter were, “With great power, comes great responsibility.” Spiderman goes on to
Klock, Geoff. "The Bat and the Watchmen: Introducing the Revisionary Superhero Narrative." How to read superhero comics and why. New York: Continuum, 2002. 25-26. Print.
When you think of comic books, what do you think of? If you were to ask your parents they would probably tell you Superman or Spiderman, maybe even Batman or Wonder Woman. Some might mention something more, something that appears to be a comic book, but once opened is revealed to be a work of literary genius; a comic such as Watchmen, or perhaps even V for Vendetta. An author and artist of renowned recognition and admiration wrote both masterpieces.
Marvel started in 1939 as Timely Publications, and by the early 1950s had generally become known as Atlas Comics. Marvel 's modern name dates from 1961, the year that the company launched The Fantastic Four and other superhero titles created by Stan Lee, Jack Kirby, Steve Ditko and many others. Marvel includes well-known characters such as Spider-Man, Wolverine, Iron Man, Captain America, the Hulk, Thor, the Silver Surfer, She-Hulk, Daredevil and Ghost Rider, such teams as the Avengers, the Fantastic Four, the Guardians of the Galaxy and the X-Men, and villians such as Doctor Octopus, Green Goblin, Kingpin, Magneto, Doctor Doom, Loki, Thanos, Hydra and the Red Skull. Most of Marvel 's fictional characters operate in a single reality known as the Marvel Universe, with locations that mirror real-life cities. Characters such as Spider-Man, the Fantastic Four, the Avengers, Daredevil and Dr. Strange are based in New York City,
Lee, Chris. A. Branagh Meets Comic-Book Hero. Newsweek 157.19 (2011): 59-60. EBSCO. Web. The Web.