Everyone, whether inadvertently or not, has an influence on others. However, when one’s guidance surpasses suggestive recommendation and enters a realm of ________, many problems can arise. This mistake is evident in several instances throughout Shakespeare’s A Midsummer Night’s Dream. To control others is to “exercise restraint or direction over; to dominate or exile” (DICTIONARY). This type of behavior is visible in the play in three different forms: sexism, possessive ownership, and magical influence. This essay will highlight the ways in which Theseus, Egeus, and Oberon, respectively, portray these forms of controlling tone through their actions, as well as the consequences that come to light as a result of their conduct. Sexism and “male dominance” are recurring themes throughout the play that cause resentment and conflict between characters. Some characters believe that trivial factors such as gender are reason for others to be oppressed. A prime example of this type of discrimination is the forced relationship between Theseus and Hippolyta. It is clear from the beginning of the play that Hippolyta is neither enthusiastic nor excited about her upcoming wedding with Theseus, despite the latter’s obvious anticipation. Theseus is absolutely ignorant of his future wife’s feelings, and even goes as far as to insensitively remark, “Hippolyta, I woo’d thee with my sword, / And won thy love doing thee injuries” (I. i. 16-17). This shows that he hardly regards her as a person, and more as a conquest from one of his exploits. To him, their marriage is nothing but a victory and reward earned by violently forcing an innocent woman to be his wife. The fact that he would use such means to make Hippolyta marry him proves that he has littl... ... middle of paper ... ...nian lady is in love / With a disdainful youth; anoint his eyes, / But do it when the next thing he espies / May be the lady” (II. ii. 260-263). This quotation shows that Oberon has intentions of benevolence, and that he wants be of service to others. However, his plan goes miserably wrong when Puck mistakes Lysander for Demetrius, and a fair amount of antagonism is shared between the two noblemen during the events of the play. It is further proof that, even when one means well, they can devastate a relationship if they attempt to control others. While the flower juice could have been used from the beginning of the play to rectify occurrences of unrequited love, the plan did not play out as smoothly as expected, which Shakespeare ingeniously uses to show that many complications can arise when a person tries to control others by means beyond their victims’ knowledge.
Typically in Athenian society, women took care of the things in the household while men, although still retaining the final say over matters of the household, focused most of their attention on the world outside the home. In the plays Assemblywomen and Lysistrata, Aristophanes explores roles of men and women in society, specifically what would happen if women were to take on the roles of men. Looking at these two plays about Athenian society as metaphors for marital life, it shows that men and women were incapable of having balanced power in their relationships. In both of these plays, the men were unable to keep their own sense of power when the women took over politics, and they eventually moved into the submissive role of women. In Lysistrata, the women used their seduction to gain power. Similarly, in Assemblywomen, the women came into power through deception and clever planning. This paper explores why women rarely stepped up to take power; how they would gain power when they would step up to claim it; and how the men would respond once confronted with a woman in power. This all serves to show that in Athens, a marriage of man and woman could not exist with mutuality of power – rather, one (typically the man) would dominate, while the other (typically the woman) took the submissive role.
Theseus and Hippolyta’s relationship is the most dignified in the play. They show a desire to get along and they are comfortable sharing experiences and feelings important to them (1.1.1-11; 4.1.111-126). Theseus tenderly dominates Hippolyta: “Come, my Hippolyta. What cheer, my love?” (1.1.122; 4.1.185). Hippolyta however never reciprocates his use of terms of endearment such as “my love” and “fair queen.” In addition, the mythical context of their relationship is foreboding. We are reminded that Theseus is able to marry Hippolyta because he kidnapped her (1.1.16-1.1.19). The mythical Hippolyta later either dies in childbirth, or fighting against the Amazons by Theseus's side, or Theseus leaves her for another woman, Phaedra, and the story gets more sordid after that.[1] Theseus’s reputation as ravisher of women is addressed in the script (2.1.74-80). And the Amazon method of perpetuating their tribe is not romantic.[2]
In the first scene of the play you are introduced to the duke of Athens, Theseus, who lays down the law for Hermia. Hermia, the daughter of Egeus, desires to go against her father’s wishes of marrying Demetrius, and instead marry Lysander. Theseus firmly states to Hermia, “Either to die the death or to abjure forever the society of men”; which simply put, Theseus gives Hermia the option to die or to no longer enjoy the company of men (Crowther). Furthermore he means to send her to a nunnery. This exemplifies the first variation of love within this play: arranged love, i.e. arranged marriage. Theseus then gives the order to Hermia that she must have her decision by his own wedding day with Hippolyta, thus giving her four days to decide her fate.
In the story, the supreme ruler of Athens, Thesius ends up marrying Hippolyta, the Queen of the Jungle. However, during the whole story, Hippolyta never throughly discusses her feelings and ideas about the marriage. She acts as if she has no choice but to marry Thesius. This can be proven by examining Hippolyta's position in the relationship between herself and Thesius. Hippolyta was captured by Thesius during battle and Thesius intimidates Hippolyta into marrying him since he is a supreme ruler and she was defeated by him. Thesius reveals that he capture Hippolyta in battle in the following quote, "I wood thee by my sword/ And won thy love doing thee injuries" (Act I, Pg 7). The above quote and the fact that Hippolyta never discusses her feelings about the wedding leads the re...
The funniest part of this play seems to be when Puck, the trickster, keeps mixing up the people who he is assigned to put the love juice on. Even when he did put the love juice into the right people's eyes, they still fell in love with the wrong people sometimes. The first example of this mistake of Puck's is where he puts the love juice in Lysander's eyes, mistaking him for Demetrius. Oberon tells Puck to put the love juice in the eyes of an Athenian man, Demetrius, and to make sure that the first thing he sees after this is the woman whom he hates, but who loves him so much, Helena. Puck ends up finding Lysander and Hermia, lovers, sleeping on the forest floor. He puts the love juice in Lysander's eyes and leaves. Then along come Helena and Demetrius to this spot. They are still arguing and Demetrius leaves her with the sleeping Lysander and Hermia. Helena notices them there and tries to wake Lysander. Lysander wakes and the first thing he sees is Helena. "And run through fire for thy sweat sake. Transparent Helena! Nature shows art, That through thy bosom makes me see thy heart."(2.2.103). This is what Demetrius says to Helena when he sees her. He has fallen in love with her. This is where the comedy of this love mix up begins. Now Helena is confused and thinks that Lysander is playing a trick on her so she runs away. This is a most particularly funny part of the play and these mix ups with whom loves who seem to be the funniest pieces of the play.
Theseus and Oberon are both compassionate and understanding towards the young lovers, Hermia and Lysander, and Helena and Demetrius. They are involved in a love triangle that encompasses matters of the law and love. Demetrius intends to marry Hermia, although, she shares a mutual love with Lysander; Helena loves Demetrius, although, he no longer loves her. Theseus, as the Duke of Athens, maintains the laws and standards of Athenian society. He acknowledges “the Ancient privilege of Athens” (I.1.41) that allows Egeus to “dispose of” (I.1.42) Hermia. This law permits Egeus to give his daughter to Demetrius or “to death, according to [the] law” (I.1.44). However, Theseus takes pity on Hermia and gives he...
Titania repeatedly refuses to give up the Indian boy and Oberon decides to take action in bringing his insidious plan to reality. While talking to Puck, his fairy prankster, Oberon tells him: “Having once this juice, / I’ll watch Titania when she is asleep, / And drop the liquor of it in her eyes. / The next thing then she waking looks upon, / Be it on lion, bear, or wolf, or bull, / On meddling monkey, or on busy ape, / She shall pursue it with the soul of love” (Shakespeare II.i.176-182). This evil plan shows connections to woman being mistreated. In other words, Titania is being shown as a nobody, as Katherine Koci, author of Feminism in a Patriarchal Society, has stated that a woman is “the equivalen...
As one can see, Oberon is the origin all of the complications in the play. He failed to realize that his careless and greedy actions devastated an abounding number of people. Without the interference of Oberon, there would have been no love confusion between the Hermia, Helena, Demetrius, and Lysander. Also, Titania and Nick Bottom would not have been humiliated and the Rude Mechanicals would have more time with Bottom to rehearse. The majority of these problems were caused by Oberon’s fatal and careless mistake of creating the love juice. As many examples throughout the play show, Oberon’s mischief and love juice cause misunderstanding, misery, and unnecessary complications.
The portrayal of gender roles in William Shakespeare’s play Othello, demonstrates the inferior treatment of women and the certain stereotypes of men placed on them by society. Both the male and female characters in the play have these certain gender expectations placed on them. In a society dominated by men, it is understood that the women are to be seen rather than heard. The women are referred to and treated much like property. If indeed they do speak up, they are quickly silenced. One woman’s attempt to be the perfect wife is what ultimately led to her demise. The expectations of men are equally stereotypical. Men are to be leaders and to be in control and dominant especially over the women. The male characters compete for position and use the female characters in the play as leverage to manipulate each other. Shakespeare provides insight in understanding the outcomes of the men and women who are faced with the pressures of trying to live up to society’s expectations, not only in the workplace, but also in the home. The pressure creates jealousy issues amongst the men and they become blind to the voice of reason and are overtaken by jealous rage, leads to the death of many of the characters.
In A Midsummer Night’s Dream control is unpredictable. In act two scene two Oberon tells Puck to put the flower nectar in Demetrius’s eyes and he messes up and puts it in Lysander's eyes. In the stage directions it says “ He anoints Lysander’s eyes with nectar.” (2.2.85). This shows that Puck messes up Oberon’s directions and this leads to a love triangle between Lysander, Helena , and Demetrius.
Exerting the type of power that is influenced by malicious intentions can cause one to make decisions that are not beneficial to others. A Midsummer Night’s Dream is written within a time period and setting that favors men instead of woman. In other words, men have all the authority to control the events that occur in their own lives as well as the lives of others whom are considered insignificant. The plot displays the catalysts that ignite many characters’ desire for control that is misused by higher status people. Shakespeare’s use of characterization demonstrates how the wanting of control causes the characters to act irrationally through the misuse of power. Shakespeare’s use of setting, plot and characterization causes the ordeals that the characters ultimately face. In turn, the deceitful choices of a few individuals with status impacts whether the lives of lower status people are enhanced.
In the first part of the play Egeus has asked the Duke of Athens, Theseus, to rule in favor of his parental rights to have his daughter Hermia marry the suitor he has chosen, Demetrius, or for her to be punished. Lysander, who is desperately in love with Hermia, pleads with Egeus and Theseus for the maiden’s hand, but Theseus’, who obviously believes that women do not have a choice in the matter of their own marriage, sides with Egeus, and tells Hermia she must either consent to marrying Demetrius, be killed, or enter a nunnery. In order to escape from the tragic dilemma facing Hermia, Lysander devises a plan for him and his love to meet the next evening and run-off to Lysander’s aunt’s home and be wed, and Hermia agrees to the plan. It is at this point in the story that the plot becomes intriguing, as the reader becomes somewhat emotionally “attached’’ to the young lovers and sympathetic of their plight. However, when the couple enters the forest, en route to Lysander’s aunt’s, it is other mischievous characters that take the story into a whole new realm of humorous entertainment...
In response to Hermia’s defiance toward marrying Demetrius, Theseus offers Hermia three choices in the first scene: to obey her father’s will; to become a nun and forever stay an unwed virgin; to die. The extremity of these punishments presented by Theseus, and Hemia’s decision to accept these punishments rather than marry Demetrius, exaggerates how love can lead to irrational sacrifices. Shakespeare then compares a married woman to a plucked and distilled rose, and an unwed woman to a withering unplucked rose on a “virgin thorn.” This potent imagery contrasts the sweet smell of perfume to the harmful touch of a thorn. If Hermia continues to defy the desires of her father, she is sacrificing a happily married life in hopes of following he...
Throughout A Midsummer Night’s Dream the theme of conflict with authority is apparent and is the cause of the problems that befall the characters. It also is used to set the mood of the play. The passage below spoken by Theseus in the opening of the play clearly states this theme.
In William Shakespeare’s book, A Midsummer Night’s Dream, magic is a powerful and useful tool for the characters that have the capability to use it. Some of the characters abuse the power of magic, while others are more responsible in how they use it. Oberon is one the characters that abuses the power of magic. Oberon’s magic has an immense impact on the plot of A Midsummer Night’s Dream. More specifically, Oberon’s magic affects his own life, the lives of other characters, and all the characters in the story experience his magic differently. We will see that even the person who has power to use the magic can become surprised by it. Magic, the ultimate supernatural power, is often unpredictable and inexplicable.