In “The Yellow Wallpaper,” Gilman immediately gives readers the most important elements at the beginning of the short fictional story. At the opening of the story, the narrator states how her husband John has brought their family to live in an ancestral home for the summer. The narrator considers the house to be strange, but John is quite too practical to see things the way that she does. He already fails to believe that the narrator is actually sick. The narrator begins to take readers on her ever-changin...
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...ness, and subordinance of the world. “The Yellow Wallpaper” and The House of Mirth essentially promote Gilman and Wharton’s demand for change, and illuminate a woman’s struggle to obtain equal possibilities in society through several different viewpoints in these notable works.
Gilman, Charlotte Perkins. “The Yellow Wallpaper.” Cassill, R.V. The Norton Anthology of Short Fiction. 5th Edition. New York: W.W. Norton & Company, 1995. Print.
Restuccia, Frances L. "The Name Of The Lily: Edith Wharton's Feminism(S)." Contemporary Literature 28.2 (1987): 223. Literary Reference Center. Web. 17 Nov. 2013.
Sommerville-Thompson, Mina L. "'Re-Viewing' Charlotte Perkin Gilman's 'The Yellow Wallpaper' Beyond Feminism." CCTE Studies 76.(2011): 33-41. MLA International Bibliography. Web. 17 Nov. 2013.
Wharton, Edith. The House of Mirth. New York: Signet Classic, 1980.
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