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influence of dante alighieri
the divine comedy essay
dante alighieri contributions
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At the very beginning of the Divine Comedy, Dante was lost in the wood and subsequently fell into a dream where he met Beatrice,whom Dante regarded as a marvelous companion on the pilgrimage. That is to say that Beatrice, as Christ for Dante, encouraged him to get out the entanglement of the forest when he was dying. Accordingly, “under the powerful compulsion of this love for Beatrice, Dante entered into a new apprenticeship, an apprenticeship in the art of poetry as the path to reach the truth about their love.” Their journey was to feel love, to serve God. However, in view of the fact that pilgrims are entitled to experience God without an interpreter, only if they had been forgiven of their sins. As a consequence, only through the experience of tribulation and suffering could the soul be enhanced, so that Dante finally saw God with the timeless creed that was received from Beatrice. During the trial and pilgrimage, Dante became aware of the nature of original sin, God-given salvation, and the significance of the pilgrimage. Also, Dante became aware of the care and love of God during the pilgrimage. Similarly, The Journey to the West, as a well-known work of fiction in the East, also depicts a legendary pilgrimage of the Tang Dynasty. This pilgrimage that started with the story that Buddha asked a Buddhist monk, Xuanzang, to obtain sacred texts in India and provided four disciples who could atone for their sins by helping the monk. As a monkey was one of the most famous disciples of the monk in the journey to the west, the novel has another name after The Monkey. With the helps of disciples, the monk reached the “Western Region” and obtained the sacred texts after eighty-one adventurous experiences. It is worth mentionin...
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In the book, Matteo Ricci, a pious Christian, tried to impress the Chinese by using his memory skills. He also hoped that they can be interested in his culture and thus interested in God (p. 140). Under that time fierce political and financial situation and religious fermentation, it was really tough for Ricci and other preachers to preach in China. In order to reach goal which make the people in China believe in god, they went through a lot of difficulties. But also because of these difficulties, they shattered Ricci’s original dream which was easy to preaching in a different country into pieces. Ricci and others thus tried to find another accessible and more realistic way to achieve their goals.
At the outset of Dante’s “Inferno,” he is introduced as a man lost in a sinful forest of his own creation. He is, by all accounts, beyond saving. Even Beatrice, in conversation with Virgil, states that, “[Dante] is, I fear, already so astray / that I have come to help him much too late” (ii.65-66). It is only through the compassion and the divine pity of Beatrice, and the more active role taken on by Virgil—who is also shown to have “felt compassion for [Dante’s] pain", that Dante is provided an opportunity to regain a pious sense of self, and in doing so increase his odds of salvation (ii.50). This basic human conception of pity and empathy dominates a great deal of Dante’s interactions in the underworld. He begins his descent consistently overwhelmed, at first weeping in response to the “sighs and lamentations and loud cries […] echoing across the starless air” (iii.22-23).
When we are first introduced to Dante the Pilgrim, we perceive in him a Renaissance intellectual, who despite his intelligence and religiosity has lost the “path that does not stray” (I.3). Having thus lost touch with the tenets of orthodox Catholicism, a higher power has chosen for him to undertake an epic journey. (The devout are able to identify this power with the one Judeo-Christian God, while pagans and sinners often attribute the impetus behind the Pilgrim’s voyage to fate.)
In The Divine Comedy by Dante Alighieri there are two main guides who help Dante on his journey to salvation. These guides help demonstrate the consequences of sin and teach him how to overcome the temptation of it. These guides are each a crucial part in Dante’s transformation to allow him to fully grow and learn to be pure on his own.
“If you would not be forgotten as soon as you are dead and rotten, either write things worth reading or do things worth writing.” This maxim applies to the poet Dante Alighieri, writer of The Inferno in the 1300s, because it asserts the need to establish oneself as a contributor to society. Indeed, Dante’s work contributes much to Renaissance Italy as his work is the first of its scope and size to be written in the vernacular. Due to its readability and availability, The Inferno is a nationalistic symbol. With this widespread availability also comes a certain social responsibility; even though Dante’s audience would have been familiar with the religious dogma, he assumes the didactic role of illustrating his own version of Christian justice and emphasizes the need for a personal understanding of divine wisdom and contrapasso, the idea of the perfect punishment for the crime. Dante acts as both author and narrator, completing a physical and spiritual journey into the underworld with Virgil as his guide and mentor. The journey from darkness into light is an allegory full of symbolism, much like that of Plato’s Allegory of the Cave, which shows a philosopher’s journey towards truth. Therefore, Dante would also agree with the maxim, “Wise men learn by others’ harms; fools scarcely by their own,” because on the road to gaining knowledge and spiritual enlightenment, characters who learn valuable lessons from the misfortunes of others strengthen their own paradigms. Nonetheless, the only true way to gain knowledge is to experience it first hand. Dante’s character finds truth by way of his own personal quest.
Dante Alighieri’s Divine Comedy is said to be the single greatest epic poem of all time. The opening story of the character of Dante the Pilgrim is told in the first of the three divisions: The Inferno. The Inferno is a description of Dante’s journey down through Hell and of the several degrees of suffering and many mythical creatures that he encounters on the way. Throughout his travel Dante displays many different feelings and actions but the emotion that summarizes the entire poem is fear. While some of his character traits change as his mind matures and acknowledges the justice being carried out, from the very beginning until the final Canto, his fear does not subside. This does well to reinforce the symbolism of Dante as Everyman and serves to direct the reader to the moral purpose of Divine Comedy, because of the humility and dependence upon God that fear produces. In the first Canto, which serves as an introduction to the entire comedy, Dante encounters the three beasts which impede his progress out of the dark woods. Coming upon the She-Wolf he writes: "This last beast brought my spirit down so low / with fear that seized me at the sight of her, / lost all hope of going up the hill" (I.52-54). Dante is so shaken by the appearances of the three beasts that he rushes headlong into the dark woods he has just come out of. This is only the first obstacle Dante encounters, but it proves an insurmountable one.
Both, Dante’s The Divine Comedy, Inferno and The Canterbury Tales is the story of how different kinds of sins are being punished, and is the reflection of what is justice according to both writers. Both, stories have characters that are on religious journey, and both are epic poems. Also, a first person narrator tells both works, and the purpose of these works is to deliver a message to viewers through their stories. But, Chaucer’s The Canterbury Tales is more realistic, less religious, and reaches its purpose of delivering a message comparing with Dante’s Inferno.
Inferno is the first and most famous of a three part series by Dante Alighieri known as the Divine Comedy that describes his journey to God through the levels of Hell, Purgatory, and Paradise written in the early fourteenth century. Scholars spanning over nearly seven centuries have praised its beauty and complexity, unmatched by any other medieval poem. Patrick Hunt’s review, “On the Inferno,” states, “Dante’s extensive use of symbolism and prolific use of allegory— even in incredible anatomical detail—have been often plumbed as scholars have explored the gamut of his work’s classical, biblical, historical, and contemporary political significance” (9). In the story, each of the three main characters, Dante, Virgil, and Beatrice, represent
Dante’s Inferno presents the reader with many questions and thought provoking dialogue to interpret. These crossroads provide points of contemplation and thought. Dante’s graphic depiction of hell and its eternal punishment is filled with imagery and allegorical meanings. Examining one of these cruxes of why there is a rift in the pits of hell, can lead the reader to interpret why Dante used the language he did to relate the Idea of a Just and perfect punishment by God.
Within Canto 1, we see Dante leaving a dark forest. This forest represents all the human vices and corruption, a place similar to hell (canto 1, line 1-5, Alighieri). Dante wants to reach the hill top, where is sunny and warm, rather than be in the damp and cold forest. The hill top represents happiness and is a metaphor for heaven. But his path is stopped by three animals: a leopard (canto 1, line 25, Alighieri ) , lion (canto 1, line 36 Alighieri ) and she wolf (canto 1, line 38-41, Alighieri ). Each one represents a human weakness: the leopard is lust, the lion pride and the she wolf is avarice. They show that on the earthly plain human sin is a continual and harmful temptation. These animals try to strip him of his hope, his hope in the fact that he will some day be in heaven with God. They are temptations to lead him away and block his way to the hill top. Th...
Dante the pilgrim wakes up in the Dark Wood of Error without knowing how he got there. He tries to get to the Mount of Joy, but cannot, as the Leopard of Malice and Fraud, the Lion of Violence and Ambition, and the She-Wolf of Incontinence guard it. He cannot get passed them, so Beatrice, Dante's love, sends Virgil, who represents Human Reason, to come to help him, for man cannot get through Hell without the aid of Human Reason. Apparently, Dante thinks that the intellect can keep one from sinning. However, Human Reason can only get man to Purgatory. Man needs Divine Love to reach Heaven.
“Midway along the journey of our life” (Canto 1) Dante the Pilgrim says at the beginning of his journey. Through out the comedy and the Pilgrims vision of hell, I believe he was truly on a journey of self-discovery. Dante encountered a guide to help him in his journey throughout the nine circles of hell. Going deeper and deeper into hell Dante realized many different sins that he could have committed in his life and realized the things that he did not need anymore. Base on the end of his journey I believe that Dante truly found himself and found a new person within himself.
Dante experiences a vision, at the age of 35, after experiencing traumatic events in his hometown of Florence. The events that are occurring in Florence at the time are associated with papal corruption and cause Dante to be forced into exile. Following the vision, which confirms to Dante that he has strayed from the right path in life, Dante begins his travel through the three realms, which contain the possible consequences following a person’s death. Dante’s journey begins on Good Friday, when he is escorted to the gates of Hell, moves to Purgatory and ends in Heaven. However, an escort accompanies him for duration of his journey. Virgil, who Dante has long admired, escorts Dante through Hell and...
Xuanzang was a highly educated Buddhist monk from China, who in 629 C.E. made the long and treacherous journey along the Silk Road to India. His main objectives in his sixteen years away from home were fundamentally religious; he only wanted to study more complete scriptures to answer questions he had, which he deemed unsolvable in his own country. It is important to understand Xuanzang’s own position within the Chinese society and the type of situation it was in: Chinese Buddhists had many disagreements
The purpose of the pilgrim's journey through hell is to show, first hand, the divine justice of God and how Christian morality dictates how, and to what degree, sinners are punished. Also, the journey shows the significance of God's grace and how it affects not only the living, but the deceased as well. During his trip through hell, the character of Dante witnesses the true perfection of God's justice in that every sinner is punished in the same nature as their sins. For instance, the wrathful are to attack each other for all eternity and the soothsayers are forever to walk around with their heads on backwards. Furthermore, Dante discovers that hell is comprised of nine different circles containing sinners guilty of one type of sin, and that these circles are in order based upon how great an opposition the sin is to Christian morality and the ultimate will of God. We see here how Christianity plays a major role in the structure of hell and the degree to which each sinner is punished. Lastly, we can look at the story and see the importance of the grace of God not only to Dante during his journey, but how it affects the souls in hell and purgatory as well.