Comparing Woolf, From A Room Of One 's Own Essay

Comparing Woolf, From A Room Of One 's Own Essay

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Woolf, from A Room of One’s Own
1. If Shakespeare had a sister, she would not have been sent to a grammar school in which she was allowed to learn logic, classic literature, and Latin, like he was.
a. If she was equally talented and loved the theater like him, she would have been met with many challenges.
1. It is possible for her to have had just as strong as a gift for word. 2. Yet her talent would have gone unrealized because of the way in which men and women lived during the time.
b. Women during the time were considered part of the workforce and kept uneducated.
c. Women who expressed any desire to read were considered witches, possessed by devils or suppressed in some way.
1. Many great novelist were probably lost as a result.
2. Intelligent women were either tortured or driven mad because they were oppressed.
2. Mary Carmichael is the fake name of an author that Woolf created to represent ideas that she wished to express about women writers.
a. In this scenario, Mary changed the expected sequence of how women treat women in literature.
1. It is possible for women to like other women.
2. In a text, it is possible for Chloe to like Olivia, or Cleopatra to like Octavia.
b. Female relationships in literature or too simple.
1. Prior to Jane Austen, women in literature only existed in relationship to men.
2. Women were only seen as objects of beauty or as lovers.
3. In more contemporary times, women’s roles have become more complex.
4. Women of the time period were married against their will.
c. If Chloe liked Olivia, this would portray women’s relationships in a new light.
1. Mary Carmichael is able to capture unrecorded gestures ...

... middle of paper ...

...her women.
b. Women are like mothers, sisters, and children to one another. They are related and should therefore express love for other women.
c. When it comes to nurturing other women, female writers should encourage and support one another.
6. “It is impossible to define a feminine practice of writing” (1949).
a. Women, therefore should not feel oppressed by male writing.
b. Women do not need permission to express themselves or to write.
7. Medusa is a symbolic myth for femininity.
a. If you look straight on to see her, she is not deadly.
b. Medusa is beautiful and laughing.
c. This myth is often associated with femininity, which people often fear.
8. Women have for too long been repressed.
a. They have been told that their bodies are fragile and vulnerable.
b. Much emphasis has been placed on the body, which oppresses women.

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