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Portrayals of women in media
Outline feminism theory
Portrayals of women in media
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Media Analysis Essay
Introduction
In this essay, I will look at GMFF5/ MELE MEL & SCORPIO / SALT N PEPA /KIA COMMERCIAL and KIA Forte 2013 Super Bowl Ad - "Hotbot" Female Robot. I will also look at a clip from Mona Lisa smile and the short film breakfast wine.
Aim of Assignment
The aims of this essay are to define five types of analyses in Media Analysis and to apply these analyses the two commercials by comparing them using (the analyses are Semiotic, Feminist, Marxist, Social and Psychoanalytical analyses). To view a clip from Mona Lisa smile and the short film breakfast wine and to apply Stuart Hall’s Audience Reception Theory to them by comparing them also to identify the genre that the films fall into.
Objectives and Methodology
I will
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Theorist definition of Feminism – Gendered Media Consumption
A primary way in which media distort reality is in underrepresenting women. Whether it is prime-time television, in which there are three times as many white men as women (Basow, 1992)
A critical Feminist analysis of both advertisements
What is Social Analysis
The Understanding of how media producers apply market segmentation techniques, for example demography and behavioural analysis e.g. targeted TV advertisements. Audience as market.
Theorist definition of Social Analysis
In fundamentalist Marxism, ideology is 'false consciousness ', which results from the emulation of the dominant ideology by those whose interests it does not reflect. From this perspective, the mass media disseminate the dominant ideology: the values of the class which owns and controls the media. Per adherents of Marxist political economy, the mass media conceal the economic basis of class struggle; 'ideology becomes the route through which struggle is obliterated rather than the site of struggle ' (Curran et al.
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The oppositional code rejects the encodings of media producers.
Which of Hall’s positions / readings I am adopting (dominant, Oppositional or Negotiated)
In breakfast wine I take hall’s position of dominant. For the short film I take dominant position as the small local pub with just the two men is a norm across rural Ireland. The pub owner problems are also quite a norm being up to his head in bill is a norm for a small rural pub in Ireland with only an handful of people going there. Also the lady’s problem of being abusied is not that common but still happends not just in rural Ireland but around the world.
In Mona Lisa Smile I take hall’s position of dominant. I take a dominat postion for this scene as I do believe that woman in the timeframe that mona lisa smile is set in do only see woman has the housewife that there life revoles around the man and the housework. I also believe that woman at the time were learning that this frame of mind was wrong and learning to be more independent.
Conclusion
In conclusion I agree with the short film and the clip from Mona Lisa Smile that they are true represation of true events even if more stylised for the big screen for more dramtic effect.
Yet this “Oreo Cookie” commercial is perhaps the most remarkable. First, she twists the cookie apart and then, this cute little girl with her hair in pigtails proceeds to dunk the cookie in a tall glass of milk, submerging her entire hand. The camera then shifts to show the child’s grandfather eating the cookie in the same manner. This advertisement aims at leading audiences to reminisce of the simple pleasures of their childhood, like enjoying a cookie.
This essay is an analysis of two advertising posters, one of being a modern piece of media, the other being aimed at the previous generation. I will be reviewing posters from Coca Cola and Benetton, the latter being the modern piece of media in this comparison.
The question often is what makes a good advertisement? The answer is simple, it should be able to grab the attention of the targeted audience, and even better it should be able to make the targeted audience fall in love with the advertisement so that they can be persuaded to achieve the desired results. Of all the forms of advertisement, TV commercials always are the best considered effective way to pass the message to the targets. I believe that the combination of audio-visual effects can engrave the commercial into the hearts and minds of the viewers and that is why I have chosen to analyse a TV commercial by Weetabix: Weetabix Chocolate Dubstep Cereal Commercial.
In Bordo’s essay “Hunger As Ideology”, she has her students bring in different examples (advertisements) that are shown to violate traditional gender-dualities and the ideological messages carried in them. By doing this task with her students she she hopes to boost her points about the negative portrayal and subliminal messages about gender identification and see if any progress has been made.
According to Poverty & Prejudice: Media and Race, co-authored by Yurii Horton, Raagen Price, and Eric Brown, the media sets the tone for the morals, values and images of our culture. Many whites in American society, some of whom have never encoun...
First of all, in The Simpsons, the scene where we get into the actual plot of the story opens with Marge and Lisa walking into a department store that sells dolls. The gender stereotype that girls are only interested in playing with dolls is reinforced here as a huge selection of Malibu Stacy dolls is on display with a throng of screeching, bloodthirsty girls tearing the store apart. Lisa says, “I’m warning you mom, I might get a little crazy.” and immediately knocks down a girl and snatches another in a choke-hold to be the first in line for the new Malibu Stacy doll. In the very next scene we have the whole family in the car with Homer driving. He is baking a cupcake with an easy-bake-oven that he bought from the mall. Marge advises him that he should not be doing that. The stereotype here is that men are more impulsive as demonstrated by Homer and his baking while driving without any concern of his or his family’s safety; and that women like to play it safe and think before acting as demonstrated by Marge. Another noteworthy observation is the fact that Homer completes his gender stereotype as the bread-winner of the family. He works at the Nuclear power plant while Marge plays the role of the proud homemaker who is rarely seen outside the home and who has little friends. Homer on the other hand, is not confined to his domestic role and his frequently shown at Moe’s Tavern with his friends, at work, or doing something that is stupid and dangerous. This enforces the stereotype that women have few friends and stay close to domestic life whereas men have lots of friends, are more independent, and bring home the bacon. Moreover, Bart and Lisa are in accordance with their gender stereotypes as well. For instance, in the backseat, Ba...
Goodman, Mark. "Chapter 8: The Media Contribution to Racism and Sexism." Mass Media and Society. Mississippi State University, n.d. Web. 24 Nov. 2013.
In conclusion, we can see how everything presented in an advertisement can actually have an impact in the people. Although the company’s target was to sell their product, their way of transmitting the message to the people also fortifies the stereotype. Thus, the media today does abuse the power of stereotyping in order to gain a favorable reputation. Everything they present in the ad, from symbolism to the lifestyle of the characters, race, age and gender, has an effect on strengthening the stereotype. In this case, women are perceived as emotionally drained, weak and incapable, although now a days that characterization is trying to be broken because women are much more than that and can actually get to achieve greater things.
For my semiotic analysis I chose to talk about a commercial for ‘Be delicious’ from Donna Karan New York to demonstrate how advertising generates its meanings, construct the image and behaviors ideology in order to attract customers.
...ies of the bourgeois class remain dominant, the male counterpart also continues to sustain their dominant status in our media driven hegemonic society.
According to a report by ZenithOptimedia, people spend more than an average of 490 minutes of their day consuming some form of media or text (Karaian). In a society that’s driven primarily by the media, we as consumers have been constantly exposed, yet desensitized, to the various perspectives and theoretical frameworks that media has historically illustrated and produced. The most common concepts that are explored involve ideas of race, heteronormativity, whiteness and white privilege, female objectification, class identity, and gender. Each perception is complex and is seen differently in media depending on who you are and the way that you see the world through the lenses created by your own beliefs and culture.
A television is defined as “a widely used telecommunication medium for transmitting and receiving moving images, either monochromatic (black and white) or color, usually accompanied by sound” (Webster’s). Since the invention of this device in the 1930’s, people have been able to be entertained by various television shows in the privacy and comfort of their own home. Although each of these shows relate to different age groups, nationalities, race, and genders, they all seem to have one thing in common. They all act out and portray the stereotypes placed on people because of their age, sex, job, culture, race, look, and position in the household. Due to these different categories being presented in the media pre conceived notions are formed about how people should behave, specifically men and women. Women generally take care and men take charge. But why does the television represent this “take care” and “take charge” image of women and men? In this paper, I will focus on one of the highly popularized television shows that viewers watch today; Desperate Housewives. Using this television show, I will be able to show and analyze how women are represented in the media and why they are represented this way.
There is a pressing need for engaging with Marx and the critique of class and capitalism in order to interpret and change the contemporary world and contemporary media (Fuschs and Mosco, 135). Media are controlled by political-economic elites motivated by profit and power. Media institutions may be plural but their common interest in profits excludes many forms of content- i.e. erosion of the diversity of the world. Media are powerful ideological tools for the capitalist system and play a key role in the proletariat’s false consciousness. Media facilitate an illusory sense of democratic process- there is no real political choice outside capitalism.
As a result it can be concluded that the general effect of the illustrations of women in the media to strengthen rather than condense injustice and stereotypes. The mass media in the United States has not made sufficient efforts to argue serious issues regarding women and arrange the women to play their correct and equivalent role in society. To alter this situation, it is required to observe the media and point out the qualities and faults constantly.
Althusser (1971) explains that, as an ideological state apparatus, media doesn’t use pressure as a way to bind society together under one dominant ideology, but instead uses the will of the people to make them accept the dominant ideology. However, media is also used as a way for people to challenge the dominant ideology. Newspapers, for example, will have articles that openly criticise and oppose the dominant ideology for what it is, whilst at the same time providing perspectives and opinions on different ideologies (such as feminism) that society can believe in. Although these alternate ideological perspectives exist, they are usually overlooked and only ever reach small audiences. Ideology can also help us understand the media because of the way in which it distributes ideology.