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Role of magic in Midsummer night's dream
Critical analysis on a midsummer night's dream
Role of magic in Midsummer night's dream
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“Love is a familiar. Love is a devil. There is no evil angel but Love. (Love’s Labours Lost.1.2.)” This Shakespearean quote relays on the fact that love can lead to many misfortunes, presented as one of the aspects of love in both William Shakespeare’s “A Midsummer Night’s Dream”, and Wole Soyinka’s “The Lion and the Jewel”. One aspect of love demonstrates its brilliant sides, and with it, brings affection, faith, and intimacy. However, it is also noted that an equal aspect of love conveys the consequences and misfortunes. Both plays display the penalties of love as a contrast to the comedies. We will be discussing the exhibition of the negative connotations of love, broken down into several characteristics: lust, manipulation, and hatred, which both plays share in correspondence and in distinction. Firstly, the portrayals of lust in the plays are very important, as this lust is what causes the much conflict in the plays. The lusts in both the plays are similar by the fact that it defines the love for another character regardless of anything. Seen by the readers of A Midsummer Night’s Dream, one is able to immediately tell that Helena is irrevocably in love with Demetrius, and that the exact opposite applies to Demetrius; he absolutely detests her. Though she is completely aware of such a fact, she nonetheless trails Demetrius aimlessly into the woods, knowing that only a miracle would bring them together. At which this time, Demetrius, thoroughly vexed, persistently disgraces and demeans Helena, but to which she responds with further lust and fondness. “Tempt me not the hatred of my soul, /For I am sick when I look on thee.” “And I am sick when I look not on thee.” (2.1.221-213). Similarily, in The Lion and the Jewel, Lakunle l... ... middle of paper ... ...tinctions, however, lay on the end result and as to how the hatred was concluded. Firstly, in A Midsummer Night’s Dream, the hatred was garnered by the interference of Oberon, and was also solved by Oberon, by using a magical flower’s juice to enchant them into love. He eventually dispels the hatred between the two men by removing the enchantment from one, so that the two pairs of lovers involved were happily married. The conclusion in The Lion and the Jewel is dissimilar to the other play. Here, instead of magic, reality is used. The war for Sidi is clearly won by Baroka, one of his competitors, which is “logical and right,” as he “presents himself more favorably” (Willis) compared to Lakunle. Therefore, the hatred is compared by the fact that both display a war for love between two males and one female, and that it contrasts by the way the hatred is dissoluted.
In one of Shakespeare’s most masterful pieces, he depicts a tragic love story in which love conquers all…but at what cost? The truth is in this play, love is the victor, but with horrible consequences. Love lives on, love survives, but only at the loss of life. Not only in this play, but in many other Shakespearean works, the constant theme stands that any kind of marriage or deep emotional bond which is solely based on love ends tragically. Othello’s passionate love for Desdemona is the same passion that causes him to end her life. Antony, under the suspicion that Cleopatra has died, tries to commit suicide to only find out soon after that she is alive and in hiding, but all in vain for the fatal wound has already pricked it’s victim. Shakespeare constantly relates love with tragedy, stating that love is in fact fleeting and impermanent. The only way for love to live forever is if it dies young.
Love, lust and infatuation all beguile the senses of the characters in this dreamy and whimsical work of Shakespeare, and leads them to act in outlandish ways, which throughly amuses the reader. True love does prevail in the end for Hermia and Lysander, and the initial charm of infatuation ends up proving to have happy consequence for Helena and Demetrius as well. Even when at first the reader thinks that, in theory, the effects the potion will wear off and Lysander will once again reject Helena, Oberon places a blessings on all the couples that they should live happily ever after.
Infatuation is love which is self-indulgent, obsessive and irrational. It causes people to lose their self-control and perspective. It is often a product of the senses, which is of physical infatuation rather than mental compatibility, thus it is appropriate for Oberon's love potion to be applied to the eyes which is the strongest senses a person depends on to view the world.
In one of William Shakespeare’s most renowned and celebrated plays, the story of a General named Othello unravels in tragic form as he falls victim to the lies created by Iago. Once revered as a war hero and wed to the beautiful Desdemona, Othello’s life spirals downward with the untimely death of his beloved in his own hands, ultimately ending with his own demise. Love is the force behind this tragedy. Tragedy is the main driving force that brings happiness and tragedy to the characters within the play. But even as such a prominent force, it lacks clear definition. Love has a different meaning to the characters in the play. Characters like Othello, Desdemona, and Iago all have different perspectives on love, which informs their behavior in different ways.
Different Aspects of Love Presented in William Shakespeare's A Midsummer Night's Dream Lysander + Hermia = True love? Sexual Attraction (Lust) ------------------------------------------------------- Titania + Oberon = Love or hate (Married )
Some of the most prominent themes in A Midsummer Night’s Dream are the omnipresence of love and desire and the tendencies of characters to manifest their defining traits. Helena and Hermia are two perfect examples of this. Hermia is the lover, and Helena the desirer, and both thrive off of their obsessions. In fact, both women are so tied to these traits that when they are taken away, their characters deflate and fall static.
Before coming directly to the forming of the love-theme that differentiates Othello from other Shakespeare plays that utilize the same theme, I turn arbitrarily to Iago to inspect a distinguishing mark of his of which the relevance to thematic form in the play will appear a little later. When Iago with unperceived scoffing reminds Roderigo, who is drawn with merciless attraction to the unreachable Desdemona, that love effects an unwonted nobility in men, he states a doctrine which he “knows” is true but in which he may not “believe.” Ennoblement by love is a real possibility in men, but Iago has to view it with bitterness and to try to undermine it. (333-34)
Love is a powerful emotion, capable of turning reasonable people into fools. Out of love, ridiculous emotions arise, like jealousy and desperation. Love can shield us from the truth, narrowing a perspective to solely what the lover wants to see. Though beautiful and inspiring when requited, a love unreturned can be devastating and maddening. In his play, A Midsummer Night’s Dream, William Shakespeare comically explores the flaws and suffering of lovers. Four young Athenians: Demetrius, Lysander, Hermia, and Helena, are confronted by love’s challenge, one that becomes increasingly difficult with the interference of the fairy world. Through specific word choice and word order, a struggle between lovers is revealed throughout the play. In A Midsummer Night’s Dream, Shakespeare uses descriptive diction to emphasize the impact love has on reality and one’s own rationality, and how society’s desperate pursuit to find love can turn even strong individuals into fools.
The Theme of Love in A Midsummer Night’s Dream by William Shakespeare In the play ‘A Midsummer Night’s Dream’ many aspects of love are explored. In this essay I will be exploring how Shakespeare conveys the theme of love including illusion, confusion, escape, harmony and lust. Historically, it has been suggested that ‘A Midsummer Night’s Dream’ was written for a wedding, signifying the importance of love in this play, however there is no real evidence to prove this myth. Rather, the Lord Chamberlain’s men performed ‘A Midsummer Night’s Dream’ on the London stage.
Throughout the events which unfold in A Midsummer Night’s Dream, Shakespeare delivers several messages on love. Through this play, one of the significant ideas he suggests is that love is blind, often defying logic and overriding other emotions and priorities. Helena loves Demetrius unconditionally and pursues him despite knowing that he loathes her; conflict arises between Helena and Hermia, childhood best friends, over Demetrius and Lysander; and because she is in love, Queen Titania is able to see beauty and virtue in the ass-headed Nick Bottom.
William Shakespeare’s Romeo and Juliet is perhaps one of the most well-recognized love stories of all time. However, it is more than just a classic love story, it is a tale of desperation and obsession. While developing these themes, Shakespeare contrasts Romeo and Juliet’s obsession with the concept of real love; he also demonstrates the danger of obsession-Romeo and Juliet do not heed Friar Laurence’s ominously omniscient warning “[t]hese violent delights have violent ends/ and in their triumph die, like fire and powder,/ which, as they kiss, consume”(II vi 9-11), and obsession with honor is likewise dangerous. He probes the theme of despair; the suicidal impulses that become reality for Romeo and Juliet are grounded in the dynamic and
In the play “Romeo and Juliet”, Shakespeare shows that love has power to control one’s actions, feelings, and the relationship itself through the bond between a destined couple. The passion between the pair grew strong enough to have the capability to do these mighty things. The predestined newlyweds are brought down a rocky road of obstacles learning love’s strength and the meaning of love.
Shakespeare’s play Twelfth Night revolves around a love triangle that continually makes twists and turns like a rollercoaster, throwing emotions here and there. The characters love each another, but the common love is absent throughout the play. Then, another character enters the scene and not only confuses everyone, bringing with him chaos that presents many different themes throughout the play. Along, with the emotional turmoil, each character has their own issues and difficulties that they must take care of, but that also affect other characters at same time. Richard Henze refers to the play as a “vindication of romance, a depreciation of romance…a ‘subtle portrayal of the psychology of love,’ a play about ‘unrequital in love’…a moral comedy about the surfeiting of the appetite…” (Henze 4) On the other hand, L. G. Salingar questions all of the remarks about Twelfth Night, asking if the remarks about the play are actually true. Shakespeare touches on the theme of love, but emphases the pain and suffering it causes a person, showing a dark and dismal side to a usually happy thought.
In A Midsummer Night’s Dream, the main conflict is between love and social relations. The play revolves around the magical power of love which transforms many lives. As a result of this, it gets the reader’s emotionally involved through ways of reminding us of love’s foolishness and capabilities, as well as violence often followed alongside of lust. This play shows passion’s conflict with reason. For example, the father presented in the play Egeus, represents tradition and reason while Hermia represents passion for love and freedom. Egeus wants Hermia to marry Demetrius and accuses Lysander of “bewitching” Hermia with love charms and songs. This is one way love’s difficulties are presented in the play between father and daughter. Additionally, Helena recognizes love’s difficulties when Demetrius falls in love with her best friend Hermia. Helena argues that strong emotions such as love can make extremely unpleasant things beautiful. This is another way the play presents love’s difficulties between lovers and capricious emotions.
In the play Twelfth Night, Shakespeare employs a plot filled with contradictions to portray love as an insurmountable force, and with the use of symbols insinuating deception, along with dolefully forthright metaphors and similes, Shakespeare further demonstrates that deception and suffering are the true fueling entities of this puissant force known as love. The extreme actions of Olivia and Sebastian exemplify the power of love and depict how this force can blind an individual to the point where their actions display high levels...